At The Bookstore

“ I like to loiter around the city looking for interesting things,” the artist Jenny Kroik says. Her painting for this week’s New Yorker cover depicts a serious browser at the Strand Bookstore, the cherished bookshop in lower Manhattan. “I have tried to do a painting a day since I moved here from Oregon, a year and a half ago. Bookstores are really good places for inspiration–you see people interacting with the books they have an affinity for, you see how people consume the culture. Sometimes someone will be dressed in a similar way to things he or she is looking at. I love these sort of poetic fun moments.”

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America 2017

Sometimes a work of street art perfectly sums up the pathetic state of life in these United States. This week, BK Foxx nailed our national shame with this mural in New York City.

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Have a literary coffee

I love this wonderful illustration by Italian artist and designer Gianluca Biscalchin.

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What The Font

Monotype’s MyFonts font service has created a neat new app for both iOS and Android smartphones which use AI tech to allow users to identify random fonts. The app, which is called WhatTheFont, matches typefaces to an enormous database. There’s also a web-based version where users can upload type images for free identification. Seems like a great tool for both designers and print geeks too.

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It Takes A Train To Cry

Deutsche Bahn (DB), the German rail operator, recently decided to name twenty-five new high-speed trains after historic figures. They crowdsourced suggestions and received more than 19,000 proposals. A jury then selected the final names, including one that has some folks scratching their heads: Anne Frank.

Frank was a young German Jewish refugee in the Netherlands who kept a diary while she hid from the Nazis who had occupied the country. She was later discovered, deported by train, and died in a death camp. Her diary, discovered and published after the war, revealed a precocious intelligence and an indomitable spirit, and has made her one of the most recognizable figures of World War II.

The DB is the successor of the Deutsche Reichsbahn, the train service by which Frank, among millions of others, was sent to her death.

Gisela Mettele, one member of the jury, told the BBC that she had found “impressive diversity” among the names suggested. Those selected, she said, “have one thing in common: they were curious about the world.”

Antje Neubauer, a spokesperson for the DB, called Frank a symbol of tolerance who represented “peaceful co-existence of different cultures, which is more important than ever in times such as this.”

The Anne Frank Foundation put out a statement on Monday, saying:

The proposed naming has caused controversy, and we understand that. The combination of Anne Frank and a train evokes associations with the persecution of the Jews and the deportations during the Second World War. The combination is painful for the people who experienced these deportations, and causes fresh pain to those who still bear the consequences of those times within them.

 

The DB has responded to the criticism in a statement:

“…the DB, conscious of its historical responsibility, decided to keep the name of Anne Frank alive.The DB profusely apologizes if anybody’s feelings were hurt… [the company will] take seriously the concern currently expressed by the public and will hold internal discussions, with the blessing of Jewish organizations.”

Other names chosen for the twenty-five high-speed trains, which will be in service in two year’s time, include former German chancellors Konrad Adenauer and Willy Brandt, philosopher Hannah ArendtKarl MarxThomas MannLudwig van Beethoven, and Marlene Dietrich.

 

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Wherein I Eat My Words

I recently posted a story about an amazing, futuristic-looking library that opened in Tianjin, China. In doing so, I also bemoaned the sorry state of library support in the United States and the lack of commitment to public libraries in general. Well, lo and behold, I just discovered that this past weekend Austin, Texas celebrated the grand opening of its exciting new central library.

The institution, which is twice the size of the previous flagship library in the Texas capital city, cost a whopping $125 million to build. Along with the usual facilities, it boasts quite a few special amenities, including an outdoor reading deck, a dedicated bicycle garage, a unique laptop loan vending machine, and a cafe. Check out the brief video tour to see how it’s done in the Lone Star State.

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Death Takes A Holiday

Everyone needs a break from their job now and then, even the grim reaper. This darkly humorous Instagram campaign titled “The Swim Reaper” was created by the government of New Zealand to raise awareness about watersport and beach safety. You can follow along right here. 

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The Norway of the year

Every year when November rolls around I am reminded of the quote above from the great American 19th century poet Emily Dickinson. I probably first read the line during high school when I was going through that adolescent poetry phase. What did she mean ? No one knows for certain. In fact, Dickinson never visited Norway. But still, what a marvelously melancholy mood it conveys.

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Did you remember to get your visa

Some of us spend more time traveling through fictional lands than we may care to admit. What if those imaginary countries actually issued their own passports and travel documents? Well, thanks to NeoMam Studios and Budget Direct we can have a peek at some of those novel documents.

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Dance Macabre

 La portentosa vida de la muerte (The Prodigious Life of Death) by Joaquín Bolaños, is a late 18th century Mexican novel that stars Death as a female protagonist ( la muerte in Spanish is a feminine noun).  The story begins in the Garden of Eden, where Death is born as a result of Adam’s sin and Eve’s guilt. Isn’t baby Death cute in her little cradle?  

Over the course of the book, Death grows up, goes on adventures, gets married several times (and kills all her husbands, of course), and is finally herself conquered on the Judgment Day.  Although Bolaños, a Franciscan, recommended the book “a los hombres de buen gusto” (to men of good taste or education), most contemporary people found the book too irreverent, morbid, and just plain weird.  Despite its poor reception, historians now see it as an important example of eighteenth-century Mexican literature and culture.

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