The Power of Place

Wendell Berry and Annie Dillard: The Power of Place

When Wendell Berry (August 31) and Annie Dillard (September 16) recently died we lost two significant voices who lifted up the power of creation. They were significant influences on my work as a writer and pastor. Their passing invites us to reflect on, learn from and remember their love for and commitment to the natural world. They both believed in the importance and power of place. That belief is something I believe is critically important, particularly in times like these. Like Thoreau, who was mentioned in both of their obituaries, Dillard and Berry knew and lifted up the power and beauty of the natural world. Berry, known as a farmer poet, celebrated creation and praised the small family farm as he challenged the impact of agribusiness on the land and culture. Annie Dillard, especially in her Pulitzer prize winning Pilgrim at Tinker Creek, invited her readers to pay attention to the beauty and wonder of the world around us as she embraced a spirituality rooted in creation. She challenged people to pay attention to the world around them when she wrote, “Beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.” They both saw something unique, sacred and special in the natural world embracing the natural world not as an economic resource or commodity to own but as something sacred and holy to embrace. They understood the power of natural places to nurture and bring peace to our sometimes-troubled lives. For Dillard that place was a Tinker Creek in a valley in Virginia’s Blue Ride mountains. For Berry, that place was his family farm in Kentucky. For both writers place mattered. I believe that for many of us that is true. Even if we are not at all religious, we have “sacred” places in our lives, places that nourish and restore us. It may be a special space like the Freemont Fire tower on Mount Rainier or a more common space like a city park or a backyard. In our busyness we may forget the places that restore us, Dillard and Berry remind us to pay attention to the world around us, keep our eyes open and be present to the sometimes everyday and other times extraordinary beauty. Their focus on place is something we need to hear and take to heart in these trying and difficult times. Our spirits and energy can easily be drained and hope can feel elusive. Finding sacred space is not an escape from this troubled world but where we go to renew our spirits and find new energy. Wendel Berry’s poem “The Peace of Wild Things “reminds us of the power of place and echoes my experience. It speaks to us when the times we live in can all too often makes us feel despair. The poem begins: “When despair for the world grows in me and I wake in the night at the least sound in fear of what my life and my children’s lives might be, I go and lie down where the wood drake rests in beauty on the water and the great heron feeds. It ends, “For a time I rest in the grace of the world and I am free.” Wendell Berry and Annie Dillard, I am thankful for their voices and the power of the natural world to renew our spirits. I hope and pray we all may remember or find those places where we can “rest in the grace of the world and feel free”.

Rev. Dave Brown is a writer and the creator host of Blues Vespers. He speaks on interfaith as a Pacific Northwest Interfaith Amigo. He was the pastor of Immanuel Presbyterian Church in Tacoma.

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Book Dash

Chinese state-owned bookstore chain Xinhua Bookstore is partnering with food delivery giant Meituan to roll out a nationwide same-day book delivery service, promising to deliver books in under an hour.

The agreement, signed on Friday at the 34th National Book Expo in Hangzhou, capital of the eastern Zhejiang province, will connect the more than 10,000 Xinhua stores across China to Meituan’s instant retail network, Instashopping. Customers ordering through the network will be able to receive books in as quickly as 30 minutes.

Here’s a concept that should be adopted worldwide.

 

 

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A Toute Épreuve

The Surrealist Book: Tomorrow Lives in Mirrors at The Museum of Modern Art in New York will showcase the impact of artists’ books within the Surrealist movement.

On view at MoMA from October 4 through January 23, 2027, the exhibition will feature a selection of rare volumes produced by Surrealist artists and writers including André Breton, Claude Cahun, Salvador Dalí, Paul Éluard, Max Ernst, and Toyen.

The exhibition presents for the first time at MoMA the gift of artists’ books from Helen and Sam Zell which came to the Museum in 2022. One of the most significant collections of artists’ books formerly in private hands, the Zell Collection comprises approximately 100 works, spanning the period from 1857 to 2014.

Among them are original manuscripts for some of Surrealism’s iconic texts, such as Breton’s Manifeste du surréalisme and Poisson soluble (Surrealist Manifesto; Soluble Fish) (1924), Unica Zürn’s private notebook with intricate drawings of hybrid animal-human creatures, and one-of-a-kind bindings by Georges Hugnet incorporating materials like liquid mercury and shattered glass.

Other highlights include

  • the partnership between Dalí, Breton, and Éluard in the 1930 L’Immaculée conception
  • frottage rubbings Ernst made for Mr. Knife, Miss Fork (1931) and Je Sublime (I Sublime, 1936)
  • kaleidoscopic photomontages in Cahun and Marcel Moore’s Aveux non Avenus (Cancelled Confessions, 1930)
  • solarized nudes by Man Ray that merge with Éluard’s love poems in Facile (Easy, 1935)
  • the transformation of succulent plants into mutating forms in Yoshio Shimozato’s Mesemu zoku; Chōgenjitsushugi shashinshū (Genus Mesemb; 20 Surrealist Photographs, 1940)
  • dynamic typography in Hugnet and Marcel Duchamp’s La septième face du dé: Poèmes-découpages (The Seventh
    Face of the Die: Collage Poems, 1936)
  • A Toute Épreuve (Proof Against All, 1958) featuring Joan Miró’s colorful biomorphic woodcuts floating playfully around Éluard’s lyrical poems

“At its most quintessential and exquisite, the Surrealist book combined the literary, artistic, and political in a way that no other object could, and enabled the spread of Surrealist thought in a way that no other vehicle would.”  said exhibition co-organizer Jodi Hauptman, The Robert Lehman Foundation Chief Curator of Drawings and Prints.

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Superimposition

I was at a party last weekend trying to describe the size of Japan compared to North America and did a fairly good job without the aid of a map. But of course I had to track one down just to be certain that I was close in my description. The map I found came with a few other interesting exemplars as well.

 

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Curse of the Library Card

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Everyone’s trying to figure out where to go next

THE CURRENT DILEMMA

Kim Addonizio

Everyone’s trying to figure out where to go next.
California was good until some of it was swept
into a furnace, the rest suspended next to a target
over a carnival dunk tank. Nothing is good forever,
not even a thing of beauty, no matter what Keats said
about joy in that really long poem I could never finish.
Chocolate was good, especially dark, now they’ve found
cadmium and lead. Eggs were cheap, then pricey,
then astronomical, as in probably cheaper on Mars
where no one wants to go except one megarich clodpole.
New Orleans was good but then it snowed in New Orleans
and those levees won’t last forever, either. Today
the White House announced reality was canceled
once again, maybe to be reinstated when the Styx
freezes over. I spent the day alone in my friend’s house
in the Arizona desert. Wandering from room to room,
asking the mountains, Are you my mother? I wonder
where she went after hospice care, if she joined
the few souls flitting from that armless saguaro
to the dying mesquite tree by my friend’s pretty pool
she never swims in, fluffing their wings as they settle
and coo. Detroit is supposed to be good in fifty years
but I’ll be dead then and if I lived there now, I might want
to be dead. Everyone wants to breathe
but it’s getting more difficult, all those boots crushing
everyone’s tracheas, all those trolls under the bridges
trying to devour us as we bleat our alarm. Baaa! I’m bleating now.
The mountains reassure me but the sun’s going down.
Soon I’ll be left with nothing but stars, some of them
fake, space filling with satellites while the blazing
bodies drift farther away and the moon
trails hopelessly after them, crying for love.

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I will not tolerate any tinkering with the personal nomenclature.

May I say now at once that I will not tolerate any tinkering with the personal nomenclature. Nor with the name/word Hobbit. I will not have any more Hompen (in which I was not consulted), nor any Hobbel or what not. Elves, Dwarfs/ves, Trolls, yes: they are mere modern equivalents of the correct terms. But hobbit (and orc) are of that world, and they must stay, whether they sound Dutch or not… If you think I am being absurd, then I shall be greatly distressed; but I fear not altered in my opinions. The few people I have been able to consult, I must say, express themselves equally strongly… I am no linguist, but I do know something about nomenclature, and have specially studied it, and I am actually very angry indeed.

J.R.R. Tolkien
Letter to his publisher, Rayner Unwin
3rd July 1956

—The Letters of J.R.R. Tolkien

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Live Long and Prosper

Here is the original character breakdown for Mister Spock from the “writers’ bible” for Star Trek.

The Star trek guide. [Hollywood, Calif.? : Desilu Studios?], 1967.

AC95.A100.967s

Houghton Library, Harvard University

 

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Sharing Is Caring

Book Corners maps book exchange locations internationally. It currently lists 37,229 community libraries and little free libraries, including 15,926 in France. The programmer is Andrea Grandi.

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The Interrail Effect

It’s going on five decades since I undertook a four month long rail trip around Europe. A large part of that journey was facilitated by an amazingly inexpensive and handy Eurail Pass. Recently, Eurail BV rebranded as Interrail BV to include the old Interrail Pass and launched a major ad campaign. Looking to become more than just a rail pass provider to its customers, Interrail aims to highlight the transformative experience of international train travel.

The result is The Interrail Effect, a fresh global brand platform that brings Interrail and Eurail (different brands for the same rail pass product) under one roof. At its heart is The Interrail Diaries, a creator-led campaign that spotlights 30 different creators who have been sharing their experiences of travelling across the world via train.

Featuring creators of all ages, backgrounds and travel styles, including solo travelers, groups and families, Interrail’s campaign compiles footage shot by each creator, showing the adventurous and often spontaneous nature of interrailing. Conversations with strangers, surprising friendships, missed connections, and beautiful scenery that you miss out on when travelling by plane, are all par for the course.

Interrailing campaign

 

 

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