The Lord of the Rings: Shadow of the Past

Warner Bros. is heading back to Middle-earth once again, and this time, the journey comes with a twist nobody saw coming. A brand-new Lord of the Rings movie has just been announced, titled The Lord of the Rings: Shadow of the Past, and lo and behold, Stephen Colbert is one of the writers.

The film will take place 14 years after Frodo’s departure, following Sam, Merry, and Pippin as they retrace the early steps of their legendary adventure. Meanwhile, Sam’s daughter, Elanor, uncovers a buried secret that could change everything we thought we knew about the War of the Ring.

Even more interesting? The story pulls from the often-overlooked “Barrow-downs” section of The Fellowship of the Ring: a piece longtime fans have always wanted to see adapted.

And while Colbert might seem like an unexpected choice, hardcore Tolkien fans know the truth: the man is deep into Middle-earth lore. This isn’t a random celebrity cameo, this is a full-on passion project!

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The Day of Homer

The Day of the Locust is a 1939 novel by Nathanael West that offers a dark satirical look at the American Dream in the 1930s, focusing on the desperation and alienation of hopefuls on the fringes of the film industry, such as aspiring actors and extras.  It’s considered a classic for its biting critique of the emptiness behind the glamour, its surrealism, and its portrayal of the savage violence that erupts from shattered dreams, culminating in a riot at a movie premiere. 

I was today years old when I learned that West’s 1939 novel The Day of the Locust contains a character named Homer Simpson:

Except for his hands, which belonged on a piece of monumental sculpture, and his small head, he was well proportioned. His muscles were large and round and he had a full, heavy chest. Yet there was something wrong. For all his size and shape, he looked neither strong nor fertile.

In a 2012 interview with Smithsonian, Matt Groening said, “I took that name from a minor character in the novel The Day of the Locust, by Nathanael West. Since Homer was my father’s name, and I thought Simpson was a funny name in that it had the word ‘simp’ in it, which is short for ‘simpleton’ — I just went with it.”

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Geo Games

Watch live TV from around the world and guess which country it’s from!

Free, the way we like it.

Fair warning: there goes the day.

H/T Joe

 

 

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Lunch Poems

“Lunch Poems” by Frank O’Hara. The beauty of the book is that Frank O’Hara supposedly wrote every poem during his lunch hour, and you can read it exactly how it was written — you can keep the book in your pocket and just open it up when you feel like it and close it when you think you’re done. It’s fun, and meant to be. It’s full of throwaway lines that stay with you. Lunch Poems is Frank O’Hara’s most acclaimed poetry collection, published in 1964, featuring poems written during his lunch breaks while working at the Museum of Modern Art in New York City. Known for their conversational, spontaneous style, these poems capture the energy of 1960s New York.

A Step Away from Them

By Frank O’Hara
It’s my lunch hour, so I go
for a walk among the hum-colored
cabs. First, down the sidewalk
where laborers feed their dirty
glistening torsos sandwiches
and Coca-Cola, with yellow helmets
on. They protect them from falling
bricks, I guess. Then onto the
avenue where skirts are flipping
above heels and blow up over
grates. The sun is hot, but the
cabs stir up the air. I look
at bargains in wristwatches. There
are cats playing in sawdust.
                                          On
to Times Square, where the sign
blows smoke over my head, and higher
the waterfall pours lightly. A
Negro stands in a doorway with a
toothpick, languorously agitating.
A blonde chorus girl clicks: he
smiles and rubs his chin. Everything
suddenly honks: it is 12:40 of
a Thursday.
                Neon in daylight is a
great pleasure, as Edwin Denby would
write, as are light bulbs in daylight.
I stop for a cheeseburger at JULIET’S
CORNER. Giulietta Masina, wife of
Federico Fellini, è bell’ attrice.
And chocolate malted. A lady in
foxes on such a day puts her poodle
in a cab.
             There are several Puerto
Ricans on the avenue today, which
makes it beautiful and warm. First
Bunny died, then John Latouche,
then Jackson Pollock. But is the
earth as full as life was full, of them?
And one has eaten and one walks,
past the magazines with nudes
and the posters for BULLFIGHT and
the Manhattan Storage Warehouse,
which they’ll soon tear down. I
used to think they had the Armory
Show there.
                A glass of papaya juice
and back to work. My heart is in my
pocket, it is Poems by Pierre Reverdy.
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Africa

There I Ruined It didn’t ruin a thing by turning Toto’s 1982 hit “Africa” into a geography lesson. Instead of the original lyrics, every word has been replaced with the names of all 54 internationally recognized sovereign countries in Africa.

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World Poetry Day

Each year on March 21, poetry gets its own global moment in the spotlight. World Poetry Day, created by UNESCO, is a celebration of language, creativity, and the quiet power of words to connect us across cultures. Whether you love sonnets, spoken word, song lyrics, or scribbling lines in a notebook you never show anyone, this day is an open invitation to slow down, listen, and let poetry take the lead.

The goal of World Poetry Day is to recognize poetry’s unique ability to express linguistic diversity and creative expression, to give endangered languages a platform, and to bring people together through words.

Poetry isn’t just books on shelves. It’s oral traditions, songs, chants, social stories, and even rhymes from childhood. In many cultures, it’s how knowledge and values were passed down through generations long before the written word existed.

 

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It’s fish doorbell season again

Every spring fish swim through the heart of Utrecht, Netherlands looking for a place to spawn and reproduce. Some swim all the way to Germany. There are complications, though, as the fish often have to wait a long time at the Weerdsluis lock on the west side of the city, since the lock rarely opens in spring. A creative solution was found to alleviate the problem: an underwater camera at the locks, live-streamed, allows anyone watching to press the ‘digital doorbell’ if a fish is there.

Many fish species—including bleak, catfish, eels and pike—traverse the Netherlands’ numerous waterways in the spring to reach their spawning grounds upstream. Even as aquatic creatures are starting to fill the canals, however, ships are still sparse in the early spring, and the locks that allow movement through the water are often closed. This creates an obstacle for migrating fish, most of which start their journeys around this time of year, when the water is first starting to warm.

The fish doorbell allows us to work together to ensure that fish do not have to wait as long. This is good news, because it means they are less likely to be eaten by other animals, such as grebes and cormorants.”

Dinging the doorbell notifies the lock operator that there are fish, so they can decide to open the locks and let them pass. Click HERE befriend the fish.

 

 

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NYC People

Named Streets NYC: This is a neat  – a website showing New York, and specifically giving information about who the people some of its streets are named after were. “This map shows the names and biographical information for streets that have been co-named by the City Council. The map is designed for all users– historians, researchers, students, and anyone interested in the city’s history and the individuals who have contributed to its development. The map is both an informative tool and a historical record.” This is an official City project, which makes me like it even more, just a lovely bit of digital civic engagement work.

There are several ways to search. Using the search bar on the map interface, you could enter the honoree’s name to locate an individual or use the zip code to find all co-named streets in that area. You could also enter key words, i.e. firefighter, police officer.

I checked out my old family neighborhood, but didn’t recognize any of the street dedications.

 

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The War Over Middle-Earth

In 1965, The Lord of the Rings came out in the U.S. in paperback form, courtesy of sci-fi publisher Ace Books—and it did so without the authorization of Tolkien himself. Ace editor Donald A. Wollheim claimed that the works weren’t copyrighted in the United States, leaving them unprotected and ripe for publication. Selling for 75 cents each, the Ace version of The Lord of the Rings was a success, leading Tolkien to return to his books to make enough revisions to qualify them for copyright protection in the U.S.

Tolkien called upon his fans to boycott the Ace versions in favor of the newly updated, and official, paperbacks from Ballantine Books—though they cost around 20 cents more. Ace later agreed to stop printing the books and pay Tolkien a royalty for every copy sold. The combined sales totals of the Ace and Ballantine versions of The Lord of the Rings reached 250,000 in just 10 months.

 

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A simple act of kindness

While I was watching the Academy Award show Sunday night, the appearance of Oscar winning actor Adrien Brody reminded me of this amazing story of a glimmer of humanity during the Hell of war.

It is September 1939, bombs are falling on Warsaw and a young pianist sits at the studio microphone. Wladyslaw Szpilman finishes Chopin’s Nocturne in C sharp minor. The broadcast cuts off. That was the last live music the city heard before everything changed.

He was just twenty seven, already a star at Polish Radio, trained in Warsaw and Berlin. Music had always been his world. Then the Nazis came, and that world shrank to the walls of the Warsaw Ghetto.

Life inside was hell. Four hundred thousand people jammed into a few streets, starving, terrified. Szpilman played piano in cafés to scrape together food for his family, his parents, brother Henryk and sisters Regina & Halina.

He even risked his life smuggling weapons to the Jewish resistance. In the summer of 1942 the deportations started. Trains rolled out to Treblinka. At the station, a Jewish policeman who recognised him from concerts yanked him out of the line at the last second. Szpilman watched his entire family disappear. None of them came back.

He stayed on as a forced laborer, still inside the ghetto walls. Then, on 13 February 1943, he slipped out. For the next year and a half he moved between hiding places, kept alive by brave Polish friends, people like Andrzej Bogucki, his wife Janina and the remarkable Irena Sendler.

By August 1944 the city lay in ruins after the Warsaw Uprising. Szpilman found an attic in an empty building at Aleja Niepodległości 223. He was alone, freezing, slowly starving. One November day the door creaked open. A German officer stepped in. Captain Wilm Hosenfeld. He asked the ragged man what he did for a living. “I am a pianist,” Szpilman whispered. Hosenfeld took him to the only piano left in the building. Szpilman’s fingers were stiff with dirt and cold. He played anyway. When he finished, the officer did not arrest him. Instead he brought bread, jam, a warm military coat. He even pointed out a safer hiding spot in the loft. That small act of kindness kept Szpilman alive until the Germans finally retreated in January 1945.

The war ended. Szpilman walked back into the radio studio and opened the first peacetime broadcast with the very same Chopin Nocturne. He went on to direct music programmes, compose hundreds of songs, and tour the world. But he never forgot. In 1945 he wrote down everything. The book came out in 1946. Years later, in 1999, it reached English readers as The Pianist. Roman Polanski turned it into the 2002 film that won three Oscars, with Adrien Brody playing Szpilman so convincingly you could feel the hunger and the fear. Szpilman died in Warsaw in July 2000 at the age of eighty eight. A quiet man who had seen the worst and still believed in music and in people.

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