There are certain books you’ll find you’re not ready for.

Michael Silverblatt, the longtime host of LA’s KCRW radio show “Bookworm” — known for interviews of authors so in depth that they sometimes left his subjects astounded at his breadth of knowledge of their work — has died. He was 73.

Although Silverblatt’s 30-minute show, which ran from 1989 to 2022 and was nationally syndicated, included interviews with celebrated authors including Gore Vidal, Kazuo Ishiguro, David Foster Wallace, Susan Orlean, Joan Didion and Zadie Smith, the real star of the show was the host himself, the nasal-voiced radio personality who more than once in life was told he did not have a voice for his medium.

His show represents one of the most significant archives of conversations with major literary powerhouses from the late 20th and early 21st centuries.

Here are ten “rules” Silverblatt offered in a 1997 LA Times profile:

  1. Sit. If you’re lying down you’ll fall asleep.
  2. Read at least 100 pages in your first session with a new book. You must get well in.
  3. If you’re reading for pleasure, finish a book before starting a new one. Don’t keep three or four going.
  4. If your eyes get tired, try cotton compresses with witch hazel—they’re soothing and refreshing.
  5. Read a book about a country you’ve never visited.
  6. Ask close friends to name their favorite book, one that changed their life or one that accompanied a change in life. You will learn not just about the book, but about the person who recommended it.
  7. Don’t be embarrassed to keep a vocabulary list. Reading without understanding is not a virtue.
  8. Don’t torture yourself or read out of duty. A great book has an obligation to enrich and alter your life.
  9. There are certain books you’ll find you’re not ready for. Please suspend your judgment of them. It took me seven years and six tries to read Faulkner’s As I Lay Dying.
  10. If you can’t discard preconceptions that come from bad classroom experiences—for example, A Tale of Two Cities and Silas Marner are not Dickens’ or Eliot’s best works—if you’ve X’d them out of your list, you’re missing something of pleasure. You’re ready now. Try them.
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Abra Kadabra

For  more than a century folks around the world have watched magicians waves a wand and utters those mystical words, “Abra Kadabra,” before pulling a rabbit from a hat or some equally entertaining bit of prestidigitation. Little did they know, this playful incantation echoes through the millennia, carrying whispers from an ancient tongue spoken by Jewish communities centuries ago. Aramaic, a language rich in history and woven into the fabric of Jewish tradition, serves as the unexpected bridge between modern magic tricks and profound biblical concepts. Aramaic emerged as the lingua franca of the Near East during the Persian Empire, becoming the everyday speech of Jews in the Land of Israel and in exile in Babylon around the 6th century BCE. It supplanted Hebrew in daily life, yet preserved sacred elements, appearing in key portions of the Hebrew Bible, such as sections of the books of Daniel and Ezra. Later, vast tracts of the Talmud, the central text of rabbinic Judaism compiled between the 3rd and 6th centuries CE, were penned in Aramaic, capturing debates, stories, and laws that shaped Jewish thought. This language, with its cadences and expressive vocabulary, remains a vital part of Jewish linguistic heritage, influencing prayers, rituals, and even modern Yiddish and Ladino dialects.

Now, delve into the mystical phrase itself. “Abra Kadabra,” often stylized as “Abracadabra” in its fuller form, stems from Aramaic roots that evoke the power of creation through speech. Breaking it down, “Abra” appears as a variation of “Evra,” derived from the root “Bri’ah” (בריאה), meaning creation, a term that resonates from the very first chapter of Genesis where God forms the world. “Ka” functions as a connective particle, signifying “as” or “like,” a staple in both Hebrew and Aramaic grammar that links ideas with elegant simplicity. Finally, “Adabra” draws from the root “Dibur” (דיבור), denoting speech or utterance, so “adabra” translates to “I shall speak.” Together, the phrase אברא כדברא (avra k’davra) literally renders as: “𝐼 𝑠ℎ𝑎𝑙𝑙 𝑐𝑟𝑒𝑎𝑡𝑒 𝑎𝑠 𝐼 𝑠𝑝𝑒𝑎𝑘.”

This is no mere coincidence; it mirrors the biblical narrative where divine words bring existence into being, as when God declares, “Let there be light,” and light appears. In Jewish mysticism, particularly in Kabbalistic traditions, the act of speaking holds transformative power, symbolizing how intention and articulation can shape reality. What began perhaps as a folk charm or amulet inscription in ancient times, documented as early as the 2nd century CE in Roman medical texts where it was used to ward off illness by inscribing it in a diminishing triangle, evolved into the quintessential magician’s spell we know today. In this way, “Abra Kadabra” transcends mere entertainment, serving as a living link to the ancient Hebrews’ worldview. It reminds us that words are not just sounds, but vessels of creation, capable of conjuring wonder from the ordinary. The next time you hear it at a party or on screen, pause and appreciate the depth beneath the dazzle, a testament to the enduring magic of language.

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Ride the Krill Wave

It has been ages since I visited the fabulous Monterey Bay Aquarium in Monterey, California. If you are ever in the region, do not miss an opportunity to see it. I recently stumbled on their YouTube channel and Krill Waves Radio. The video below follows some local harbor seals as they  lounge, swim, and vibe in cozy seal colonies all set to mellow lo-fi beats. Tune in, unwind, and just enjoy the seal serenity: yo. utu.be/r4fsBII2ZlU. 

 

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Who told you that there is no true, faithful, eternal love in this world!

Who told you that there is no true, faithful, eternal love in this world! May the liar’s vile tongue be cut out!

Mikhail Bulgakov

“Only when you grow old do you see the rarity of beauty, and what a wonder it really is when flowers bloom between factories and cannons, and poetry still lives between newspapers and stock-market reports.”

–Hermann Hesse

All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.

W.H. Auden

“My chief occupation, despite appearances, has always been love.” –Albert Camus

“I wish the world were ending tomorrow. Then I could take the next train, arrive at your doorstep…and say: ‘Come with me…we are going to love each other without scruples or fear or restraint. Because the world is ending tomorrow.’ Perhaps we don’t love unreasonably because we think we have time, or have to reckon with time. But what if we don’t have time? Or what if time, as we know it, is irrelevant? Ah, if only the world were ending tomorrow. We could help each other very much.” – Franz Kafka

 

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Tokyo Renaissance

Regular visitors to Travel Between The Pages are well aware by now of my deep fascination with all things Japan. So, it will come as no surprise that I am sharing this fabulous animated film from Ted-Ed on the amazing renaissance of Tokyo during the Edo Period.

400 years ago, Edo was on the verge of ecological collapse. Years of intense logging had led to massive deforestation and the city faced timber shortages, severe erosion, and frequent flooding. But over just a few decades, Edo became one of the most sustainable and efficient cities in history. So, how did this come about? Roman Krznaric explores Edo’s transformation into a circular economy. Lesson by Roman Krznaric, directed by Héloïse Dorsan-Rachet.

If the video fails to open in your browser, please click here.

 

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As easy as PIE ( Proto-Indo-European )

Many millennia ago, a nomadic groups of humans began to spread across extensive areas of Eurasia, bringing their language with them. About 8,000 years ago, from a homeland likely located on the Pontic–Caspian steppe north of the Black and Caspian Seas, these pioneers moved west into Europe, east toward Central Asia, and south toward the Indian subcontinent.

These migrants spoke Proto-Indo-European (PIE), a sophisticated, structured language with a rich system of grammar. The legacy of PIE surrounds us to this day. German, Italian, Farsi Hindi, Russian, Greek, and hundreds of other languages all descend from this single linguistic ancestor.

The Indo-European Explorer helps bring this story to life. Using thousands of ancient DNA samples, archaeological records, and extensive linguistic data, it turns this linguistic journey into an interactive experience – inviting you to trace the movements, connections, and transformations that shaped the languages that many of us speak today.
The Indo-European Explorer interactive map is only one part of this wide-ranging exploration of Proto-Indo-European, but it captures the project’s scope and precision. Presented as a chronological flow map, it charts the spread of Proto-Indo-European languages across Eurasia over thousands of years, offering a clear visual framework for its expansion
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Every sensitive person carries in himself old cities enclosed by ancient walls

“Every sensitive person carries in himself old cities enclosed by ancient walls.”
— Robert Walser

Sadly, Robert Walser is not often read these days, especially by English speakers. He had a tragic life, but penned some extraordinary literature.

Due to a long struggle with schizophrenia, Walser was a patient at the sanatorium of Herisau (Switzerland) for nearly 30 years. He often wrote mikrogrammes  (undecipherable short texts handwritten in a nano text-size) during long walks. On the 25th of December 1956 he was found, dead of a heart attack, in a field of snow near the asylum.

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Dial-A-Poem is back just when we need it

Dial-A-Poem is back!  SPIN Magazine explains that Dial-A-Poem was created in 1969 by New York City “multimedia performance poet” John Giorno as way to give people access to the poems of a “free zone of radical poets and socio-political activists,” just by calling a phone number. The poets featured on Dial-A-Poem over the years have included Allen Ginsberg, William S. Burroughs, Patti Smith, John Ashbery, Amiri Bakara, and many more. SPIN further describes the project:

Dial-A-Poem became a beacon of progressive thought, a meeting space for provocation with new poems every day, and across 24 albums on his Giorno Poetry Systems label (G.P.S.). He continued to sprinkle his magic until his passing in 2019.

Now, Dial-A-Poem is back, and includes many of the old, original recordings from its first go-round, as well as new ones by, as SPIN explains, “poets, artists, musicians, and activists, along with international editions, where speakers read their work in the language native to their country.”

You can call Dial-A-Poem, which, according to SPIN, is serving up “prose, mantras, and calls to action” by artists from Brazil, France, Mexico, Italy, Thailand, Switzerland, and Hong Kong, at 1-917-994-8949, or use the online version, where you just click on the telephone headset graphic to retrieve a poem.

 

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New York, New York

I was astonished by the new website isometric nyc. This project offers an amazingly detailed and incredibly comprehensive isometric pixel art map of New York City – not just Manhattan either, but all the other boroughs too, including my ancestral land of Brooklyn. It’s fascinating to zoom into and around America’s greatest metropolis. Be sure to take the time to read the “about” page. The technical details were over my head, but still intriguing.

 

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I go unrecognized in paradise

Dean Young — “Scherzo”

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