It’s a small world

The older that I get, the more often I stumble on snippets of information online that immediately triggers personal memory links to my own experience. In this category, I recently saw a reference to the innovative science-fiction short La Jetée by the underappreciated French cinema director and writer Chris Marker. My “link” to Marker isn’t his brilliant film work, but a little known travel guidebook series called Petite Planète .

The Petite Planète collection consists of a series of little travel guides by the French publishing house Edition du Seuil where he conceived and designed a series of travel guides called Petite Planète. He considered each volume “not a guidebook, not a history book, not a propaganda brochure, not  traveler’s impressions, but instead equivalent to the conversation we would like to have with someone intelligent and well versed in the country that interests us. Chris Marker was hired as the editor and often  photographer, designer and writer of the series, establishing an unorthodox approach to travel literature, both editorially and visually. The narratives were full of commentary and critique and the visuals surprising or unsettling, avoiding the glossy clichés of typical guidebooks. The covers in particular had a deliberately cinematic approach, each with a face of a woman, often staring at the viewer (or looking off) in a powerful, knowing way.

Over the years, I’ve only owned a few books from the series. Too often when I found copies for sales in European book markets, they were in poor condition from heavy use.

“Apart from the ambition to provide something different from run-of-the-mill guidebooks, histories, or travelers’ tales,” writes Catherine Lupton in Chris Marker: Memories of the Future, “the most innovative aspect of the Petite Planète guides was their lavish use of illustrations, which were displayed not merely as support to the text but in dynamic layouts that established an unprecedented visual and cognitive relay between text and images.” Though Marker contributed some of his own photographs (as did his French New Wave colleague Agnès Varda), his chief creative contribution came in blending these and a variety of “engravings, miniatures, popular graphic illustrations, picture postcards, maps, cartoons, postage stamps, posters, and advertisements” into “a heady and heterogenous mix of high cultural and mass-market scenes,” all arranged with the words in “a manner that engages knowingly and playfully with the parameters of the book.”

 

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IDK but you may be interested too

Best of lists are always subjective but can be helpful if you’re planning a trip. Here’s one from a newspaper that has gotten some bad press of late. A list of the 20 best art museums in America, including the Wadsworth AtheneumMoMAMFA Bostonthe Art Institute of Chicago, and the top dog, the Metropolitan Museum of Art.

Google Translate has become a powerful tool for breaking down language barriers. It helps millions of people communicate across different languages every day. As of October 2024, Google Translate supports 244 languages for text translation.

This wide range of languages covers many regions and dialects around the world. Google recently added 110 new languages to its translation service. These additions include Cantonese, NKo, and Tamazight. The new languages represent over 614 million speakers globally.

Google Translate offers various ways to use its service. People can access it through a website, mobile apps for Android and iOS, and an API for developers. The API allows creation of browser extensions and software that use Google’s translation technology.”

You can read the rest of this helpful article on Google Translate right here, I use it every day.

 

A Dog Has Died

By Pablo Neruda

My dog has died.

I buried him in the garden

next to a rusted old machine.

Some day I’ll join him right there,

but now he’s gone with his shaggy coat,

his bad manners and his cold nose,

and I, the materialist, who never believed

in any promised heaven in the sky

for any human being,

I believe in a heaven I’ll never enter.

Yes, I believe in a heaven for all dogdom

where my dog waits for my arrival

waving his fan-like tail in friendship.

Ai, I’ll not speak of sadness here on earth,

of having lost a companion

who was never servile.

His friendship for me, like that of a porcupine

withholding its authority,

was the friendship of a star, aloof,

with no more intimacy than was called for,

with no exaggerations:

he never climbed all over my clothes

filling me full of his hair or his mange,

he never rubbed up against my knee

like other dogs obsessed with sex.

No, my dog used to gaze at me,

paying me the attention I need,

the attention required

to make a vain person like me understand

that, being a dog, he was wasting time,

but, with those eyes so much purer than mine,

he’d keep on gazing at me

with a look that reserved for me alone

all his sweet and shaggy life,

always near me, never troubling me,

and asking nothing.

Ai, how many times have I envied his tail

as we walked together

on the shores of the sea

in the lonely winter of Isla Negra

where the wintering birds filled the sky

and my hairy dog was jumping about

full of the voltage of the sea’s movement:

my wandering dog, sniffing away

with his golden tail held high,

face to face with the ocean’s spray.

Joyful, joyful, joyful,

as only dogs know how to be happy

with only the autonomy

of their shameless spirit.

There are no good-byes

for my dog who has died,

and we don’t now and

never did lie to each other.

“Frankenstein”

by

John Gardner


(August 26th, 17—)

The myth is unchained: it staggers north,
insane. A ghost of lightning glows
in its eyes; its slow hands close in wrath
like child’s hands seizing flowers.

I hunt it, cavernous with hate—
my brain’s projection: speculum
of my dim soul, life-eating heart—
to tear it limb from limb

and lash it again to the bloodstained table
at Ingolstadt, beyond dark hallways,
sealed against night, where the busy smell of
death consumes like flies.

I made it giant. All its parts
of blood, bone, flesh must stand more plain
than life. Teased frail organic bits,
the mechanic dust of pain,

and so at last set loose my image,
mysterious as before, a monster
tottering now toward love, now rage.
He watched me like a stranger.

Make no mistake: I was not afraid,
not overawed, though I watched him kill
and stood like stone. I understood
his mind by a spinal chill.

But he bawled the woes of rejected things.
I could not say for a fact he lied
though I’d fathomed the darkest pits of his brains
and carved each scar on his hide.

And so he taught me nothing. He was.
Usurped my name, split off—raves home-
ward now by his own inscrutable laws
to his own disintegration,

staggering north. Outside my power,
beyond my understanding. And I,
who made him, cringe at my blood’s words:
None more strange than I

This may be a real alternative to Goodreads, Storygraph and Hardcover, BookWyrm is a decentralised, open-source social platform for tracking reading, sharing book reviews, and discussing literature, built on the ActivityPub protocol. Users can create personal bookshelves, follow other readers, and participate in a federated network of book lovers.

 

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There would be a parade

If Adam Picked the Apple

There would be a parade,

a celebration,

a holiday to commemorate

the day he sought enlightenment.

We would not speak of

temptation by the devil, rather,

we would laud Adam’s curiosity,

his desire for adventure

and knowing.

We would feast

on apple-inspired fare:

tortes, chutneys, pancakes, pies.

There would be plays and songs

reenacting his courage.

But it was Eve who grew bored,

weary of her captivity in Eden.

And a woman’s desire

for freedom is rarely a cause

for celebration.

From Danielle Coffyn, a poem called If Adam Picked the Apple.

 

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Happy Halloween

A few years ago, I spent a very happy Halloween in Taupo, New Zealand. The charming lakeside town is sadly overlooked by many foreign visitors to the country. Along with stunning natural beauty, the community is surprisingly welcoming to tourists. But what amazed me the most on that visit was the town’s embrace of an American-style Halloween complete with costumed kiddies and trick or treating.

Almost half a century ago, during my first sojourn outside of North America that coincided with Halloween, I found myself in another beautiful lakeside town. That October I was in magical Luzern, Switzerland. However, way back then, none of the locals seemed to know, or care about Halloween and I had to put together a very impromptu holiday themed party.

Anyway, for better or worse, the entire world seems to have embraced Halloween. So have a happy one how ever you celebrate.

Maybe try out this morbid little diversion by playing  seventeenth century death roulette, which delivers the player to their grim fate. Given the state of medical science, the causes listed are vague at times and ring more like curses than disease but provides an engrossing glimpse at historical demographics and record-keeping. Spin at your own peril and probably it is best to remain ignorant of what such terminal ailments like the riſing of the lights (lung disease, using the term for the organ as an ingredient), strangury (the inability to empty one’s bladder despite the urgent need to do so), surfeit (over indulgence), kingſevil (scrofula, an infection of the lymph nodes supposedly cured by the touch of the sovereign), etc. as those were that compiled these list.

 

 

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A history of witches and wizards

London’s Wellcome Collection is featuring a very timely book from 1720 on witchcraft and wizardry. The history of witches and wizards: giving a true account of all their tryals in England, Scotland, Swedeland, France, and New England; with their confession and condemnation / Collected from Bishop Hall, Bishop Morton, Sir Matthew Hale, etc. By W.P. You can read the entire book online here, but how about a peek for Halloween.

 

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The true home of Halloween ?

Did you know that Halloween began on the island of Ireland? 🎃 The spooky season began as an ancient Celtic festival called Samhain (pronounced “sow-in”), celebrated over 2,000 years ago. Marking the end of the harvest season and the beginning of winter, Samhain was a time when the Celts believed the veil between the living and the dead was at its thinnest. Bonfires were lit, costumes were worn to ward off spirits, and offerings were made to appease the otherworldly beings. The Púca Festival (31st October- 3rd November) in County Meath reimagines ancient traditions with music, fire displays, storytelling, and food inspired by the Samhain spirit. Whilst in Northern Ireland, Derry Halloween (27th – 31st October) is renowned for being one of the best Halloween festivals in the world! With street parades, haunted trails along the city’s 400-year-old walls and even fireworks🎆 The Bram Stoker Festival (25th October – 28th October) celebrates the legacy of one of Ireland’s most beloved and iconic writers, author of the world-famous Dracula, with outdoor spectacles, choral performances and plays. Who would you bring with you to experience the Home of Halloween? For more information see link in bio or visit https://www.ireland.com/homeofhalloween

via Discover Ireland

 

 

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Magical (not lucky) Charms

The Book of Magical Charms, is a handwritten occult commonplace book composed in England in the seventeenth century and currently in the holdings of the Newberry Library in Chicago, Illinois. Its author is suspected to be London attorney Robert Ashley.

The Book of Magical Charms original volume, that has dos-à-dos binding, has no title, nor any named author. “Book of Magical Charms” is the title assigned to it by the library staff who acquired it in 1988 along with a bundle of medical texts. Its pages were written using iron gall ink and likely a quill pen utilizing Latin and archaic English. The book contains numerous passages regarding charms for things such as healing a toothache or recovering a lost voice as well as how to talk to spirits.

Although the book’s principal author is not named, he was identified in 2017 from his handwriting as a London lawyer, Robert Ashley. Ashley likely composed the book over the course of his lifetime. No copies of the book were ever made.

The Newberry Library has made the book’s pages available for the public to read and transcribe/translate. The library dates the book c.1600–1699, and the subjects covered as: medicine, magic, mysticism, and spagiric magic.

 

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Is it human or is it AI

We have reached the point where the Authors Guild, the professional association representing published novelists and nonfiction writers in North America, is planning to offer  its 15,000 members a new certificate they can place directly on their book covers.

About the size of literary award stickers or celebrity book club endorsements adorning the cover art of the latest bestseller, the certificate is a simple, round logo with two boldfaced words inside: “Human Authored.” As in, written by a human — and not artificial intelligence.

According to author Douglas Preston, a bestselling novelist and nonfiction writer and member of the Authors Guild Council, “It’s also a declaration of how important storytelling is to who we are as a species. And we’re not going to let machines elbow us aside and pretend to be telling us stories, when it’s just regurgitating literary vomitus.”

How we live now.

 

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“The tourist is the other fellow.”

                                               “The tourist is the other fellow.”
                                                          — Evelyn Waugh
The contradictions pile up. The traveler is a paragon of curiosity and generosity of spirit; the tourist is a facile automaton, a constituent of a witless herd. Travel is an expression of democratic freedom and the economic lifeblood for millions; tourism is an instrument of capitalist expropriation, an engine of inequality. The act of travel opens the heart and the mind to the lives of others, but it can equally be regarded as an exercise in selfishness, pursued for the accrual of personal gratification and cultural capital. Travel was better when there were fewer people doing it, but saying so out loud is nothing but snobbery.
from:

Henry Wismayer, “Nice View. Shame About All the Tourists.” Noema (January 9, 2024).

Happy Birthday to New York City’s Rizzoli Bookstore, which is celebrating its 60th anniversary with a series of events that began this fall and will run into 2025. They include conversations with Laurie Anderson, David Godlis, Garth Greenwell, Jhumpa Lahiri, Ira Sachs, Patti Smith, and Chris Stein, among others. In addition, New York ensemble Tredici Bacci pays tribute to Rizzoli’s influential role as a film producer with a concert inspired by the soundtracks Nino Rota composed for Federico Fellini’s films. There will also be limited-run collections of anniversary tote bags and pencils.

The store was founded in 1964 by Italian entrepreneur Angelo Rizzoli, who was a publisher of books, newspapers, and magazines, and owner of a chain of bookstores in Milan, including the Rizzoli flagship store located in the Galleria. He also was a producer of classic films such as Fellini’s Une Parisienne, and La Dolce Vita.

The original store was in Midtown in the Scribner Building at 597 Fifth Avenue. The store later moved to the Henri Bendel Building at 712 Fifth Avenue, and then to 57th Street, where the shop became an institution. Additional stores opened in Chicago, Los Angeles, Boston, San Francisco, and other cities, as well as three additional locations in New York. While the other locations no longer operate, in 2014, Rizzoli Bookstore relocated to its current home on Broadway in the Beaux-Arts Saint James Building in the heart of the NoMad neighborhood.

During its 60 years, the bookstore has had both a screening room and served as the backdrop for many TV shows and movies, including Law & OrderManhattanFalling in LoveThe Room Next Door, and more.

Rizzoli Bookstore specializes in literature, photography, architecture, interior design, culinary, and the fine and applied arts. The store also stocks a selection of Italian-, French-, and Spanish-language fiction and nonfiction. The bookstore regularly hosts a range of events, including book launches, concerts, performances, wine tastings, and creative workshops.

Before Google, reference librarians answered questions via telephone. “We learned not merely how to find information but how to think about finding information. Don’t take anything for granted; don’t trust your memory; look for the context…”

“What it’s like to experience Polar Night in the world’s Northernmost town.”

Cecilia Blomdahl writes about her embrace of the seasonal plunge into total darkness and also posts videos from her eight years in Longyearbyen on the Norwegian archipelago of Svalbard.

LEARNING FROM HISTORY

David Ferry

They said, my saints, my slogan-sayers sang,
Be good, my child, in spite of all alarm.
They stood, my fathers, tall in a row and said,
Be good, be brave, you shall not come to harm.
I heard them in my sleep and muttering dream,
And murmuring cried, How shall I wake to this?
They said, my poets, singers of my song,
We cannot tell, since all we tell you is
But history, we speak but of the dead.
And of the dead they said such history
(Their beards were blazing with the truth of it)
As made of much of me a mystery.

 

 

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“Renaissance Baedeker”

I first learned about the 15th century incunabula Mirabilia Romae while I was researching a magazine article on the history of the travel guidebook. One of the earliest European printed guidebooks, the Mirabilia Urbis Romaea is a geographically arranged inventory of the musts-see sites of Rome. It also covers the city’s architectural heritage, ancient monuments, organizing them by function – temples, baths, bridges, hills, and more. As the book progresses, factual descriptions of the monuments are interwoven with legends and anecdotes. The Incunabula Short Title Catalogue lists eight editions believed printed in the 1470s. All are exceedingly rare, and only two of the eight editions have appeared publicly for sale in modern times.

Recently, a 1475 edition which was beautifully bound in green morocco for the library of Prince Ferdinando of Savoy, first duke of Genoa, with his coat of arms and initials in gilt on the covers has surfaced for sale in London. This is one of the earliest known editions.

Mirabilia Romae (“The marvels of Rome”) was composed about 1140-50 by an anonymous writer, sometimes identified as Benedict, Canon of St Peter’s, as a guide for the pilgrims to the city. First printed in the early 1470s, it was reprinted multiple times over the following century, and translated into Italian, English, Spanish, and German.

This “Renaissance Baedecker” is assigned to the printer Giovanni de Reno, active in Sant’Orso (Valle d’Aosta, Italy), on the basis of the type and watermark.  It can be yours for the paltry sum of £60,000.

 

 

 

 

 

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