the danger that carries us like a mother

Alaska

When I think about Alaska what comes to mind are glaciers, mountains, fjords, forests and snow, deserts not so much. But the other day I stumbled upon a story about the discovery of 10,000 year-old obsidian tools in an area called the Nogahabara Dunes in Northwest Alaska. It’s a relatively small desert compared to the vast Alaskan wilderness, but apparently it’s a rich archeological region for ancient tool kits. This oddly reminded me of the micro short story titled Proposal by Denis Johnson.

“Proposal”

by

Denis Johnson


The early inhabitants of this continent
passed through a valley of ice two miles deep
to get here, passed from creature to creature
eating them, throwing away the small bones
and fornicating under nameless stars
in a waste so cold that diseases couldn’t
live in it. Three hundred million
animals they slaughtered in the space of two centuries,
moving from the Bering isthmus to the core
of squalid Amazonian voodoo, one
murder at a time; and although in the modern hour
the churches’ mouths are smeared with us
and all manner of pleading goes up from our hearts,
I don’t think they thought the dark and terrible
swallowing gullet could be prayed to.
I don’t think they found the smell of baking
amid friends in a warm kitchen anything to be revered.
I think some of them had to chew the food
for the old ones after they’d lost all their teeth,
and that their expressions
were like those we see on the faces
of the victims of traffic accidents today.
I think they threw their spears with a sense of utter loss,
as if they, their weapons, and the enormous animals
they pursued were all going to disappear.
As we can see, they were right. And they were us.
That’s what makes it hard for me now to choose one thing
over all the others; and yet surrounded by the aroma
of this Mexican baking and flowery incense
with the kitchen as yellow as the middle
of the sun, telling your usually smart-mouthed
urchin child about the early inhabitants
of this continent who are dead, I figure
I’ll marry myself to you and take my chances,
stepping onto the rock
which is a whale, the ship which is about to set sail
and sink
in the danger that carries us like a mother.

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London is already great, and it can be even greater.

Followers of Travel Between The Pages already know that I am an enormous Londonphile (if that’s even a word). Way back in the olden days of the 20th century I had the opportunity to spend some quality time getting to know the city and even wrote a little guide for budget travel there. But lately it seems that everyone is slagging off London due to the congestion, crime, pollution, soaring costs, etc., etc.. I recently ran across a website promoting something called The Greater London Project which aims to address the city’s potential.

This new project by Sam Bowman and Joe Hill, hopes to solicit and explore ideas on how to improve one of the world’s greatest urban centers. As the project creators say, “You could go to a different gallery, play, concert, restaurant, park, or museum every day for the rest of your life here without ever getting bored. It is home to some of the most important and exciting companies in the world, which sit alongside some of the oldest and most august ones. It is constantly becoming home to new smart and interesting people, and new businesses, ideas, and scientific breakthroughs are created here every day. ” But there’s opportunity to make it greater. if you love London too, check it out here.

Here are some of their thoughts on the next chapter for this ancient city:

  • A growing city with dense, beautiful, affordable, abundant housing of all kinds and tenures. More people should be able to live in London – we should be excited by a future with twenty million Londoners.
  • Built to human scale, so people can walk, cycle and get public transport to where they need to be.
  • For people to live, not just work, with a thriving pub and dining culture which spreads out onto pedestrianised the streets in summer.
  • Be the safest capital city in the Western world, where people aren’t afraid of crime, no matter where they are or the time of day, with the police working efficiently to catch serious and petty criminals.
  • A clean, beautiful, verdant and shared space, with parks and squares which everyone can enjoy in peace and quiet, and new buildings that are intended to be beautiful.
  • A city that embraces new technologies like drone delivery and self-driving cars. London should lead the world in experimentation and adoption of technologies like these, rather than following the pack.
  • A historic city, where we celebrate the past and live up to its amazing heritage, without treating the whole city like a museum that can never change.
  • An open city for people of all different backgrounds, and at all different stages of life, from all around Britain and the world.
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‘Like all hotel rooms, this one’s asking you / to cry’

The Gotham Hotel

by K. Iver

  has twenty-five floors. Its letters hum
to pedestrians in large metal serif.
From Floor 19, you can see offices across
the street, suits dimming their desk lamps.
Like all hotel rooms, this one’s asking you
to cry. You wait until you’ve left the large bed,
the elevator dings open and you’re on West 46th
passing long October coats. Only there, away
from the cornerless dark where your lover sleeps,
away from the room’s disarming neutrality,
can you soften into what’s next. The relief
of dropping sad water on pavement used
to catching it. How steady the scaffolding.
How predictable its right angles. Under them,
the curve of your head gains balance.
Feathers continue their low pivoting
in sudden storm. On Floor 19, your lover’s eyelids
and shoulders open, the glass wall bends
to his length. Last night, while under it,
you could taste plaster, steel, ascension of thighs,
their blueprint drawn for reascending. Under him,
you understood there’s no safe engineering
for this much want. What will you lose, pivoting
on 10th Ave? If you could tell him no, you wouldn’t.

 

Copyright © 2024 by K. Iver. Originally published in Poem-a-Day on July 18, 2024, by the Academy of American Poets.

About the poem:

“The sentence ‘Like all hotel rooms, this one’s asking you / to cry’ came to me during my stay at The Gotham Hotel. Unable to sleep, I wrote it down as a way of listening to desire, its hopes and warnings. The ‘he’ is trans, and that’s important in a text that highlights building as both a noun and a verb. The number of lines, including the bleeding title, matches the hotel’s twenty-five floors. Exteriors are emphasized as sentence subjects—coats and feathers rather than people and pigeons—in a movement that I hope meets the value of Rimbaud’s ‘derangement of the senses,’ which is how I experience desire.”
—K. Iver

 

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Build Your Sci-Fi Reading List

Adrienne Westenfeld at Esquire enumerates the 75 best sci-fi books of all time. While I might find fault with some of the choices, and could quibble about the omissions, all in all it’s quite an interesting list. To be fair, I’ve only read 51 of the 75 books so I can’t be completely objective. And I’ve already purchased a couple of titles that were new to me.

I was glad to see that she included the great, but little know, Rosewater Trilogy by Tade Thompson. It’s a mind-blowing trip. And I was happy to see one of my childhood fav Sci-fi classics, A Canticle for Leibowitz.

 

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On the walls

If you are a regular visitor to TBTP, you probably have noticed that I’m a sucker for really good street art. So, I fell for these fabulous murals This time by Artez, a Belgrade-based Serbian artist whose style mixes photorealism and illustrations.

I’m on an art kick this week after I visited MoMA in NYC for the very powerful Kathe Kollwitz retrospective and then stopped by the glorious Neue Galerie for a glimpse of the Klimts and some kirsch strudel.

 

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Art For Free

I’m always surprised about just how much great art is now available under the public domain, meaning you can use it for free however you see fit. Artvee is an open source archive of over 100,000 public domain works, including illustrations, photos, drawings and paintings. Download art for free in high resolution.

Browse and download high-resolution, public domain paintings, posters and illustrations.

 

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Copenhagen For Free

This summer Copenhagen is rewarding visitors who support sustainable tourism with a wide range of free perks. Travelers can earn rewards at Copenhagen attractions ranging from a free lunch or a cup of coffee to a kayak tour or even a free entrance to a museum. All you need to do is, for instance, bike instead of drive, take the train ,help maintain the city, work in an urban garden, or pledge to sustainable behavior. It’s a win-win for tourists and the city.

For example, get a free cup of coffee when you purchase an entry ticket to the Museum of Copenhagen, if you arrive on foot, by bike or metro. Or, get a free vegetarian lunch by volunteering in the urban garden Øens Have. Help out in the urban garden at Northern Europe’s largest urban organic garden and enjoy a delicious meal.

Other freebees include a free drink at one of Copenhagen’s best rooftop bars. Zoku, a new type of business hotel in Ørestad, is supporting those who travel by bike or public transport with a free Nørrebro Bryghus beer. Their rooftop and greenhouse is a plant lover’s paradise. Just head up to the 5th floor whenever you like and show the team a picture of your bike or public transport card. They’ll be happy to get you settled in with your eco-friendly brew.

If the video above fails to open in your browser, please click on this link to play it.

 

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Weeding out some stuff

“My relationship with cats has saved me from a deadly and pervasive ignorance. I prefer cats to people, for the most part. Most people aren’t cute at all, and if they are cute they very rapidly outgrow it.”

William S. Burroughs

During my convalescence from a recent medical escapade, I started to weed out some of the saved and bookmarked ephemeral. This seems like as good a place as any to deposit some.

𝙷𝚎𝚛𝚖𝚊𝚗𝚗 𝙷𝚎𝚜𝚜𝚎, 𝚂𝚒𝚍𝚍𝚑𝚊𝚛𝚝𝚑𝚊 (𝟷𝟿𝟸𝟸)

 

I had the good fortune to meet Allen Ginsberg at a reading in Princeton, N.J. long, long ago. The weather was miserable and the turnout was small, but Ginsberg spent more than an hour reading from a number of his books and stayed to chat with the small crowd. What i remember most was his personal warmth and generosity. He answered every question as though it was meaningful to him.

When Tolkien drew his maps and covered them with names, he felt no need to bring all the names into the story. They do their work by suggesting that there is a world outside the story, that the story is only a selection; and the same goes for the hints of other creatures unaffected by and uninterested in the main plot. Middle-earth is different from its many imitators in its density, its redundancy, and consequently its depth…

Tom Shippey, J.R.R. Tolkien: Author of the Century

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Post-apocalyptic Book Fest

 

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Selling Nature

I have fond memories of exploring the Greek islands way back in the 20th century when it was still possible to find secluded beaches and little family run hotels. Alas, mass tourism has made all of that unlikely. The Berlin-based anonymous Greek artist who goes by the name Krank has made a bold statement with a powerful land art installation on the island of Paxos.

Here’s what the artist had to say about the work: SOLD by The Krank (@the.krank)
140m2 land art installation for @paxosbiennale MANIFESTO OF MEMORY

SOLD is an artwork created on a beach using stones collected on site, with the dark ones forming the word SOLD. The choice of the word is highly charged, suggesting the commodification and privatization of land and coastline. The juxtaposition of the natural beauty with human intervention and development adds a dimension of timeliness and urgency to the work.

The placement of the word on the ground, reminds of the stamps used in real estate sales and serves as a form of protest. The work invites the viewer to consider the environmental and social consequences of selling, exploiting land and building development. SOLD is therefore not only an artistic creation, but also a political statement. In this way, I add my voice to a broader dialogue on environmental justice and sustainability.

 

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