The 2025 Nobel Prize in Literature Goes to László Krasznahorkai

There Goes Valzer

László Krasznahorkai, translated by George Szirtes

My name​ is Róbert Valzer and I like walking, not that I have anything to do with the famous Robert Walser, nor do I think it strange that walking should be my favourite hobby. I call it a hobby but I accept – or rather I am prepared to entertain the fact – that where I live in this Central European country I am considered to be too unstable to be regarded as a normal person and that my hobby is not to be compared with other people’s hobbies. It is not a hobby, they claim, but a symptom of instability. That’s the word they use: instability. But they never tell me that to my face. They whisper it behind my back. That’s what they are constantly whispering: I can hear them perfectly clearly – there goes Valzer, he’s off again.

But they are wrong even on this level because it’s not a case of going off again. I am always on the go, a walk not being the kind of thing to set off on, then stop, then start again, not in the least, because I have been walking as long as I can remember, having set off once a very long time ago and gone on walking ever since, which means I will go on because I can’t stop, because it is impossible to stop, walking being a passion with me, and what is more in my case, a passionate form of curiosity, not a matter of madness but of passionate curiosity, though the people whispering behind my back never ask what is this Róbert Valzer chap up to, what in God’s name does he think he is doing continually walking everywhere, no, they never get round to asking that question nor ever will, though the whole point is to know why one is walking, the answer to which, if I may repeat myself, is that it is a matter of curiosity walking as I do, for example right now on the Day of the Dead, because the Day of the Dead is something that greatly interests me. Every Day of the Dead is different from the one before and I wouldn’t miss any Day of the Dead – why would I miss it, given I was interested in it?

Hungary, 2013.

Light clothes for the season, and a light little hat: marvellous weather. Great crowds on the street, plenty of florists’ stalls, streets swimming in Michaelmas daisies overflowing from florists’ tables, a great tide of Michaelmas daisies, white, pink and yellow, and a great tide of people heading to cemeteries of which we have every kind, Catholic in the first instance but also Protestant, evangelical, even Orthodox, and naturally there are Jewish cemeteries too though it’s a long time since anyone was buried in one of those because they’re full and have been closed so that the neo-Nazis can’t easily get at them. There were altogether 505 Jewish people in this town and all 505 were kicked out. None of them ever returned.

I hate Michaelmas daisies and, I must confess, I am not too keen on people either, in fact you might say I hate people too, or, better still, that I hate people as much as I hate Michaelmas daisies and that is simply because every time I see Michaelmas daisies they remind me of people rather than of Michaelmas daisies, and every time I see people I always think of Michaelmas daisies not of people.

There is so much life in cemeteries.

My walk first takes me through the Catholic cemetery, then through the Protestant, the evangelical, and finally through the Orthodox, and I see great crowds of people, which is very strange, and I ask myself when all this visiting of cemeteries became so popular? It certainly wasn’t the case under Kádár: cemeteries were nowhere near so crowded then. Now there are garlands of Michaelmas daisies hanging above family graves because you can’t help noticing whole families coming to festoon the graves in Michaelmas daisies, little children, bigger children, even bigger children, mum, dad, widows and widowers, grandchildren, aunts, uncles, anyone capable of being included in this demonstration of just how much people take the fate of these graves to heart. I gaze at the brand new gravestones, made of the finest, most expensive stone, and wonder what will happen on the day of resurrection? There are so many saints here that not one stone will be left standing.

I should add that I never hurry and I never dawdle. That’s not walking. I walk with hands linked behind my back. And I take note of what I see.

The most popular vehicles are those enormous black jeeps that I can see in the distance as I walk through the Catholic cemetery, the Protestant cemetery, the evangelical cemetery and the Orthodox cemetery, on my way to the vast expensive parking lot at the back. Right after these come the BMWs, the Audis, the Lexuses and Chevrolets, but I notice there are fewer Mercedes this year than last and wonder why Mercedes has fallen out of favour with Hungarians? I can’t think why so I walk on. Then come the Volkswagens, the Skodas, the Opels and the Suzukis, and pretty quickly I find myself in the mean streets of the poor because what follows is the truly sad spectacle of cars parked in two long, apparently infinite rows on both sides of the street beyond the vast expensive parking lot, partly because they have been squeezed out, and, let’s be honest, lawfully squeezed out, of the vast expensive parking lot so as not to ruin the view, and partly because they themselves, this rank of pathetic, half-rusted, damaged Peugeots, Renaults, Fords, Toyotas, Dacias and Kias, and look, there are Mercedes too, more than twenty years old of course, all these would like to have a proper paid-for place in the enormous parking lot, that is to say they would love to be new gleaming Peugeots, Renaults and Toyotas, and definitely not more-than-twenty-year-old Mercedes, but can’t be because they are scrap iron, the kind of scrap iron relegated to the dreaming poor, the saddest thing about the dreaming poor being that their desires are exactly the same as the dreams of those in the BMWs, Audis and Lexuses, that they are made of exactly the same stuff as the dreams of these other people and it is just that they have been condemned never to get into any major parking lot for which you have to pay so their vehicles are doomed to remain outside for ever, there on either side of the street, in the dust, with one wheel on the pavement, leaning to one side, like the whole country whose collapse I, Róbert Valzer, hereby predict.

My feet are fit for walking because I have long used La Sportiva boots instead of shoes, Delladio’s La Sportiva being by far the best boots anyone has ever designed, tough enough for me to be perpetually walking, because my footwear needs to be tough enough to last, and now, having passed through the Catholic, the Protestant, the evangelical and Orthodox cemeteries, I am walking through the long disused Jewish cemetery because, for some unknown reason, this is the one day in the year they unlock it, and I take pleasure walking through it because I like walking on these inimitable La Sportivas, so buoyant and light under my feet, and because there are neither Michaelmas daisies nor people here, there’s nothing to hate, and it’s quiet because no one under these stones is ever going to move again and there clearly won’t be any resurrection because the graves are overrun by weeds with only one or two stones here and there daubed with swastikas sprayed on at weekends by the growing tribe of neo-Nazis, who are only doing it as a form of amusement when they can’t kick – they use Doc Martens – the stones over, and I stride on in my spring-soled La Sportiva boots, past the gravestones and think of the dead that lie here, visited by no one, since there isn’t anyone who could visit them, though it’s the end of the Day of the Dead and soon it will be the day allotted to Yahrzeit, so you can sense it’s getting towards winter and I walk on while slowly it begins to snow, great flakes of it, and I am just getting the feel of those La Sportiva boots treading over snow when – though God knows I have nothing to do with the world-famous Robert Walser – my heart starts to ache, in fact my whole chest aches, and my steps do not slow, but speed up on account of my sudden pain, the steps ever shorter as I hurry on, but it’s all in vain, I start waving my arms and swaying then fall flat on my face and lie out at full length – my body immobile, my hat rolling away and it is only this body and the hat that remain on the snow for a while, along, of course, with my footprints, until they find me and take me away somewhere, and soon even the memorable footprints of those excellent La Sportiva boots begin to melt, because it’s spring and no one will do my walking for me.

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Do Halloween like it’s 1920

I recently stumbled upon this fantastic vintage Halloween book filled with crafts, decoration ideas, DIY costumes, and more. The book is called Dennison’s Bogie Book for Halloween. It was written in 1920, but the activities and decorations inside can make your 2025 Halloween party a hit.

The book is filled with iconic illustrations demonstrating what the different craft ideas could look like. Some of the activities in the book include making spooky lanterns, decorating containers for party snacks with cute cats and skeletons, and a whole section on Halloween party games to play.

Decoration, costume and party suggestions from 1920 for the night of Halloween, that one time (according to the book) “of all the year when an opportunity is supposed to be given for looking into the future and having one’s fate settled for the coming twelve months”. Full of lots of handicraft tips on making that perfect spooky zone, as well as various party games (mostly involving blindfolds and choosing future loves) and a couple of ghost stories to read when midnight strikes. So.. “Why not invite your friends to a Hallowe’en party and join in the fun of trying some of the time-honored ways of finding out what the future holds in store?”

 

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Book of Demons and Ghosts

The Book of Dreams and Ghosts by 19th century Scottish novelist and poet Andrew Lang brings together 78 spooky tales, ranging from a demon encounter in 17th-century England to a 19th century poltergeist haunting in China. Lang  offers commentary on each story, sometimes challenging eyewitness accounts and at other times critiquing the outright dismissal by scientists.

Lang’s interest in ghosts and dreams began early in his life. He explains that he remembers being frightened by vivid images of ghostly figures, inspired by the gothic tales he read as a child. Even as he grew older, Lang never fully accepted or rejected the supernatural. In the preface to The Book of Dreams and Ghosts, he shares his view that ghosts could be hallucinations, or perhaps genuine psychic phenomena. You can read the entire book here.

You may be more familiar with Lang’s extensive series of colorful books about fairies in Britain. He published at least 25 titles between 1889 and 1913.

 

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even though the whole world is burning

 

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A Show of Hands

Starting tomorrow foreigners traveling to Europe will have their fingerprints scanned and picture taken when they arrive in 28 EU nations under new regulations. Those who don’t provide such biometric data will be denied entry.

The change comes as the European Union rolls out its new Entry/Exit System for not just Americans but all visitors from outside Europe’s Schengen Area, a group of countries that allows people in the zone to travel across borders freely without going through customs checks.

The new system will be introduced gradually over a roughly six-month period starting Oct. 12. It will eventually replace passport stamps, according to the EU.

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Everybody thinks the world revolves around them

A 17th-century, Safavid brass, Mecca-Centered World Map, from Persia.

The circular brass base plate with centrally-pivoted rotating brass diametrical rule fixed with removable pin, a glazed circular recess for compass to lower part, the base plate finely engraved and chased with an elliptical grid overlaid with inscriptions in thuluth naming the geographical locations on the grid, vertical and horizontal axis denoting longitude and latitude.

The elliptical grid surrounded by four cartouches filled with fine inscriptions in thuluth on stippled grounds with scrolling tendrils, the border with a series of further inscription-filled cartouches denoting the bearings, applied hinged sundial to upper edge, hinged latitude arc to left hand side, two applied splayed brass feet to upper side of reverse.

 

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Equal Earth

Most of us were educated to believe in a wildly inaccurate world map. Odds are that you have accepted the standard Mercator projection as the actual map of the world. But it’s completely misleading, making Africa look about the same size as Greenland. In reality, Africa is a 14 times bigger! You could fit the U.S., China, India, Japan, Mexico, and much of Europe inside it and still have room to spare.

Fortunately,  there’s a better map available now: the Equal Earth projection. It gets the sizes right, accurately showing just how big Africa is and presenting continents in shapes that are closer to how they look on a globe.

The Correct the Map campaign challenges the distortion of Africa’s true size on world maps, aiming to empower global understanding and respect for the continent’s significance.

 

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A river runs through it

By now you all know that I love a clever map. And, there’s nothing better than a brilliant series of maps with a transit map theme. The map above is a terrific reimagining of North American rivers as a  classic Tube style map. From the author:

This series of river maps is done up in a style inspired by urban transit maps such as those pioneered by Harry Beck in the 1930s for the London Underground. Straight lines, 45-degree angles, simple geometry. The result is more of an abstract network representation than you would find on most maps, and it’s not meant to be taken too seriously — I would not recommend actually transiting through these rivers, as many portions of them are not navigable. But they do, nonetheless, connect us.

If you’d like to know a bit more about how the maps were made, including the many many semi-arbitrary decisions that go in to them, click here.

 

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Europe By Rail

The new Chronotrains – Europe Train Map allows you to select any city in Europe and view an animated isochrone layer show you how far you can travel by train over the course of 12 hours. As the timeline plays, the isochrone polygons steadily spread out from your chosen station, illustrating all the destinations you can reach within an ever-increasing travel window.

Of course, the main Chronotrains map is packed with even more useful features. In addition to showing how far you can travel within a chosen time period from any European station, it also lets you explore all the night train departures across Europe, view every direct destination available from a given station, and even access links to book train tickets.

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Nine Billion Names of God

The Nine Billion Names of God” is a 1953 science fiction short story by British writer Arthur C. Clarke. The story was among the stories selected in 1970 by the Science Fiction Writers of America as one of the best science fiction short stories published before the creation of the Nebula Awards.

In a Tibetan lamasery, the monks seek to list all of the names of God. They believe the Universe was created for this purpose, and that once this naming is completed, God will bring the Universe to an end. Three centuries ago, the monks created an alphabet in which they calculated they could encode all the possible names of God, numbering about 9,000,000,000 (“nine billion”) and each having no more than nine characters. Writing the names out by hand, as they had been doing, even after eliminating various nonsense combinations, would take another 15,000 years; the monks wish to use modern technology to finish this task in 100 days.[

They rent a computer capable of printing all the possible permutations, and hire two Westerners to install and program the machine. The computer operators are skeptical but play along. After three months, as the job nears completion, they fear that the monks will blame the computer (and, by extension, its operators) when nothing happens. The Westerners leave slightly earlier than their scheduled departure without warning the monks, so that it will complete its final print run shortly after they leave. On their way to the airfield they pause on the mountain path. Under a clear night sky they estimate that it must be just about the time that the monks are pasting the final printed names into their holy books. Then they notice that “overhead, without any fuss, the stars were going out.”

The  short film below by Dominique Filhol was adapted from the original story.

 

If the film fails to open in your browser, please click HERE.

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