Decolonizing the Metropolitan

The Metropolitan Museum of Art in New York is one of my favorite go to places in the city. In fact, I’ve been visiting the Met since before I could walk. The museum’s grand entrance hall never fails to awe. This month, the space has been enhanced by an extraordinary addition of a pair of large murals by the Canadian First Nations artist Kent Monkman.

Monkman’s twin paintings, Mistikôsiwak , uses images, motifs, and techniques from art history to explore the experiences and histories of  North America’s Indigenous people. The murals subvert typical Eurocentric narratives of history, while confronting contemporary cultural and political issues.

The paintings’ title derives from a Cree word meaning “wooden boat people” that was originally applied to Europeans who colonized North America. Each of the related murals features the large figure of Miss Chief Eagle Testickle, Monkman’s shape-shifting, time-traveling alter ego, who pays tribute to the tradition in Indigenous cultures of the “Two Spirit,” a third gender and non-binary sexuality. Miss Chief, whose name plays on the words mischief and egotistical, also refers to the Cree trickster figure, who challenges conventional beliefs and wisdom in traditional stories.

The paintings will be on display at the Met until April 2020.

This entry was posted in Architecture, Art, Canada, History, Museums, Tourism, USA and tagged , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.