Don’t Panic : The Answer Is Still 42

The indie publisher Unbound is preparing to release the crowdfunded book  42: The Wildly Improbably Ideas of Douglas Adams, featuring unseen notes, scripts and ideas from the Hitchhikers Guide to the Galaxy author.

The book consists of excerpts from 67 boxes full of notebooks, letters, scripts, working notes speeches, to-do lists and poems, which were loaned by Adams’ family to his old Cambridge college, St John’s. The book will also feature letters to Adams written by friends, colleagues and fans, including Stephen Fry, John Lloyd, Neil Gaiman, Caitlin Moran, Dirk Maggs, Sue Freestone, Michael Nesmith, Mark Carwardine and Margo Buchanan.

Developed in association with Adams’s estate and family, the book will be a full-color, large-format hardback, reproducing extracts from the archive, presented with explanatory notes. The book will follow his career from early collaborations with Graham Chapman, to his work on “Doctor Who”, through the Hitchhiker years,  his non-fiction book Last Chance to See and his later digital work. Alongside this are details of projects that never came to fruition like a proposed “dark ride” at Chessington World of Adventures. It will be edited by Kevin Jon Davies, and is now live on Kickstarter .

The  Kickstarter synopsis explains: “When Adams was alive, many of the things that we take for granted today like the iPhone, Facebook, YouTube and Twitter did not exist, and the majority of people accessed the internet through very slow dial-up connections. But the combination of Adams’ deep fascination with technology and his unique imagination meant that many of his wildly improbable ideas are now reality. As far back as 1995, he suggested that computers needed to stop being giant hulks of metal and disappear into the things around us to make them smarter. Seven years before the Kindle was invented he correctly realised, ‘The real electronic book will be a standalone device which connects wirelessly to the net.’ He even correctly guessed the rise of multiplayer online game like Fortnite: ‘We tend to think of these games… as things that happen between a player and a machine… What I think will happen is gradually the machine comes out of it – or merely becomes the medium through which people play with each other.’

“The archive has a number of documents that reveal Adams’ feelings about the toil of writing. One page of erratically typed notes outlines his struggles: ‘Today I am monumentally fed up with the idea of writing. I haven’t actually written anything for two days, and that makes me fed up as well’. The same page reveals his struggles with the legacy of The Hitchhiker’s Guide to the Galaxy: ‘Arthur Dent is a burk. He does not interest me. Ford Prefect is a burk. He does not interest me. Zaphod Beeblebrox is a burk. He does not interest me. Marvin is a burk. He does not interest me. The Hitchhiker’s Guide to the Galaxy is a burk. It does not interest me.’ But then, in typical Adamsesque fashion, his complaining quickly morphs into an imagined conversation with a giant dragon called Lionel.

“Elsewhere, his ‘General Note to Myself’ is motivational: ‘Writing isn’t so bad really when you get through the worry. Forget about the worry, just press on. Don’t be embarrassed about the bad bits. Don’t strain at them… But writing can be good. You attack it, don’t let it attack you. You can get pleasure out of it. You can certainly do very well for yourself with it.”

Commenting on the new project, Douglas Adams’s family said: “What Douglas loved more than a good idea was sharing a good idea, and whether it was the 1st or 100th time you had heard it, his obvious delight never diminished. We have enjoyed working with Unbound to share some of that delight with you.”

 

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Does Your Library Hold The Secret To Happiness

If you visit Travel Between The Pages on a regular basis, you probably have noticed that I am a big-time evangelist for libraries and that I really like infographics. The graphics below show how libraries can help patrons not only learn much-needed skills but also live happier lives and be creative in trying new things. They were designed and published back in 2018 as an outcome of projects running within the UK’s innovation fund Libraries: Opportunities for Everyone (LOFE).

The infographics demonstrate what the library services learned from the projects. Backed by facts, statistics, and opinions from project participants, they are a source of inspiration for library proponents. You can read the full evaluation of the LOFE project here.

 

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A little nostalgic story

Books were an extraordinarily important part of my childhood and I tend to wax nostalgic when I run across a story online about one that I actually owned and read. This week, I happened on a piece about a book and a centennial anniversary of a little piece of New York City history.

In 1921, a little red lighthouse was taken out of storage, re-assembled, and put to work at Jeffrey’s Hook along the Hudson River in northern Manhattan. After operating for only ten years, the George Washington Bridge was built on top of the lighthouse, dwarfing the 40 foot structure and making it obsolete.

Hildegarde Swift wrote and Lynd Ward illustrated a book in which the George Washington Bridge asks the lighthouse for help and by doing so, shows the small structure that it wasn’t obsolete and even small things have their place. Thanks to the public’s love for this book the lighthouse was saved, given to the NYC Parks Department, and added to the National Registry of Historic Places.

So, happy anniversary to the Little Red Lighthouse and thanks to Hildegarde Swift and Lynd Ward for the many happy childhood reads.

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Mad For Alice

I’ve been mad for Lewis Carroll’s Alice in Wonderland books since I borrowed my first copy from my local library as a young child. Any museum or library show on the beloved classics is sure to get my attention. So, I sat up and took notice of  Alice: Curiouser and Curiouser at the V&A, London: Until December 31, 2021 We can all take a tumble down the rabbit hole, courtesy of the V&A’s latest exhibition in London. The exhibition celebrates all things Alice in Wonderland. Discover the origins and iterations of Lewis Carroll’s beloved books, before being taken on an immersive journey through the various adaptations and reinventions they’ve spawned over the past century and a half. Expect to see designs by Vivienne Westwood, original book illustrations, paintings by Salvador Dalí and fashion photo shoots, as well as eye-popping ballet costumes, psychedelic posters and much, much more. Hopefully, the V&A will be putting more from the show online in coming days.

 

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like a shadow or a friend

KINDNESS
by Naomi Shihab Nye

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

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Collective Nouns

 

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The Best of France

Like many North Americans, I had a romantic notion of France before I actually visited. Growing up with a Francophile Mother who spoke fluent French, read French literature, and played Edith Piaf and Charles Aznavour records daily, I was conditioned to love France long before I ever went there. Of course, I was disabused of those rosy notions within the first ten minutes of my arrival at the Gare du Nord Paris. Still, I continue to return to France and have learned to accept the real culture warts and all. So I was tickled by  ‘Keep the Best of France”  the latest campaign from Le Chocolat des Français to promote its new limited edition bars and pay tribute to French life, and the French people, with all of their foibles.

To seduce lovers of France, Le Chocolat des Français has teamed up with TBWA\Paris to create a limited-edition packaging of chocolate bars and a advertising campaign that will highlight the brand’s values of authenticity and deliciousness.

By playing with the paradox of positive and negative clichés about France, the campaign humorously invites lovers of the country to keep the best of France: Le Chocolat des Français and the positive clichés.

 

 

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True Grit

By now, regular visitors to TBTP are well aware of my fascination with all forms of printing and printmaking. So it will be no surprise that I was impressed by this brilliant, short demonstration of stone lithography. In the video below, co-produced by Daysix FilmAlistair Clark of Edinburgh Printmakers demonstrates the stone lithography printmaking technique, from graining the stone, drawing the image with greasy ink, processing the stone, inking the stone, and printing on paper with multiple colors. A separate stone is required for each color.

Located in a former brewery complex in the Fountainbridge district of Edinburgh, Scotland, Edinburgh Printmakers is home to one of the largest printmaking studios in Europe.

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It was the best of times…

I was quite amused by Eli Grober’s piece in the New Yorker, where he rewrote the opening sentences of iconic novels to make them reflect the insanity of our pandemic times. Here are a few choice examples :

“A Tale of Two Cities,” by Charles Dickens

“It was the best of times, it was the worst of times. But, mostly, it was the worst of times. In fact, not once had it felt like the best of times.”

“To Kill a Mockingbird,” by Harper Lee

“When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow. And since we were remote-learning, he had to sign his own cast.”

“Moby-Dick,” by Herman Melville

“Call me Ishmael327. I am a Twitter bot, trolling your election.”

“Gravity’s Rainbow,” by Thomas Pynchon

“A screaming comes across the sky. It is me. I am screaming. It feels good to scream.”

You can read all of them: “Opening Lines Rewritten for a Pandemic” (The New Yorker)

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Age is just a state of mind (or not)

Inspired by his own series of giant paste-up portraits, the French street artist known as  JR started a scheme back in 2011 encouraging people around the world to participate in his Inside Out project by doing their own pastings. They were encouraged to send in a portrait, shot in black and white, which was then printed in large format and sent back to them for free. These self-portraits have been pasted on buildings in large-scale outdoor artworks for ten years in 130 countries around the world. After 400,000 posters, the project is still going strong.

The Inside Out project has now morphed into JR’s new book, How Old Am I? The book charts people ages one through to 100 in numerical order, from one-year-old Gwen to 100-year-old Beatrice. Each age is represented by a person from a different country, and is intended to capture the process of growing older as well as the differences and similarities of people’s life experiences around the world.

Each section features a black and white photograph of the individual, a small map illustrating where they were born and where they live, and a short bio divulging their hopes and dreams, experiences and memories.

While the book incorporates photographs and vibrant design, the core of the book is the stories, which JR hopes will spark discussion between the children reading the book and their families. “My work is always an excuse to start a conversation, whatever it is and however we actually [do] that,” the artist explains. “Whenever we have those portraits pasted in the street or whenever I’m organizing a pasting, it’s actually an excuse for a conversation. That’s really the meaning of my work – it’s to create discussion.”

How Old Am I ? can be pre-ordered from the publisher here.

 

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