Under the Social Influence

By now you have probably noticed that I’m a sucker for a clever travel/tourism campaign. So it will be no surprise that I fell hard to this clever video from New Zealand urging travelers to stop repeating stereotypical photos they see online and “share something new” instead. The amusing short video features comedian Tom Sainsbury as a member of the “Social Observation Squad (SOS).” The film has him following tourists to some of the New Zealand’s best known spots and urging them to stop traveling “under the social influence.”

The video is part of the country’s tourism campaign called “Do Something New.” Unfortunately, most of us won’t have a chance to do that any time soon as New Zealand is effectively closed to foreign tourists for the remainder of the year. Personally, I’m hoping that the ban will be lifted by next November so that I can get back and take some of my own cliché tourist pics.

 

Posted in Air Travel, Film, Photography, Tech, Tourism | Tagged , , | 3 Comments

Making Travel Fun (again)

I was completely charmed by this new tourism ad (below) created for Travel Oregon by the folks at studio Sun Creature. Maybe I’m just primed for hitting the road again, but the short animation has me thinking about the wonders of the U.S. Pacific Northwest.

 

Posted in Animation, Tourism, USA | Tagged , , | 3 Comments

Folklore Generator

British wit Michael Reeve created a handsome folklore generator, in the form of brief footnote-like references. It was inspired by The Loremen Podcast, which explores forgotten folklore and obscure local curiosities. I may be a geek, but I love playing with this silly tool. Give it a try, you’ll be hooked too.

 

 

 

 

 

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Streaming Magic

I’ve been to Iceland many times over the years, but I only managed to see the Aurora Borealis during my last visit. I was fortunate to catch the magical lights four nights in a row thanks to the owner of my rented apartment who actually texted me every time that the lights were visible in the Reykjavik area. Now it’s possible to see the Aurora from the comfort and warmth of your own home thanks to the Live Aurora Network . The Aurora Cam Iceland offers a livestream of the northern lights, allowing anyone in the world to tune into the stream and view the natural wonder.

The Live Aurora Network has five camera locations in Iceland: Ulfljotsvatn, Hvolsvollur, Falkahreidur, Borgarnes, and Kirkjufell, with more coming soon. Brothers Steven and Tony Collins founded the Live Aurora network in 2018 after devoting countless hours searching for the northern lights. Driven to find a better way to spot the Aurora on those cold Icelandic nights, the pair developed the Live Aurora Network app, which allows users to be notified when the aurora is visible. It is the only true ‘real-time’ video alert app as well as the only app to be linked to full HD live cameras.  Check out the livestream here and download the app here.

 

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Calm Amid the Kelp

One of the highlights of my first trip to California many years ago was spending time around the Monterey Bay. There are almost limitless things to do in the area, but one of the most memorable attractions is the fabulous Monterey Bay Aquarium. Although it’s closed due to the Pandemic, the staff has been sharing multiple live webcams of fantastic Pacific Ocean habitats, from the otherworldly Moon Jelly Cam and Sea Otter Cam to the Kelp Forest Cam and Open Sea Cam. They’ve also created a set of pre-recorded sea-themed guided meditations: MeditOceans. As a long-time meditator, I especially connected with the “Splashing Ocean Waves Morning MeditOcean ” video below. Definitely checkout the entire range of webcams and meditative videos; it will be well worth your time.

 

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The Hill We Climb

Amanda Gorman became the youngest person to deliver a poem at a U.S. presidential inauguration, with the 22-year-old reciting her poem “The Hill We Climb” after Joe Biden and Kamala Harris were sworn in as president and vice president.

For many viewers, the highlight of the presidential inauguration earlier this week was easily her reading of her poem, “The Hill We Climb”. Of the moving and timely poem, Gorman told the Washington Post, “My hope is that my poem will represent a moment of unity for our country,” and that “with my words, I’ll be able to speak to a new chapter and era for our nation.”

When day comes we ask ourselves,
where can we find light in this never-ending shade?
The loss we carry,
a sea we must wade
We’ve braved the belly of the beast
We’ve learned that quiet isn’t always peace
And the norms and notions
of what just is
Isn’t always just-ice
And yet the dawn is ours
before we knew it
Somehow we do it
Somehow we’ve weathered and witnessed
a nation that isn’t broken
but simply unfinished
We the successors of a country and a time
Where a skinny Black girl
descended from slaves and raised by a single mother
can dream of becoming president
only to find herself reciting for one
And yes we are far from polished
far from pristine
but that doesn’t mean we are
striving to form a union that is perfect
We are striving to forge a union with purpose
To compose a country committed to all cultures, colors, characters and
conditions of man
And so we lift our gazes not to what stands between us
but what stands before us
We close the divide because we know, to put our future first,
we must first put our differences aside
We lay down our arms
so we can reach out our arms
to one another
We seek harm to none and harmony for all
Let the globe, if nothing else, say this is true:
That even as we grieved, we grew
That even as we hurt, we hoped
That even as we tired, we tried
That we’ll forever be tied together, victorious
Not because we will never again know defeat
but because we will never again sow division
Scripture tells us to envision
that everyone shall sit under their own vine and fig tree
And no one shall make them afraid
If we’re to live up to our own time
Then victory won’t lie in the blade
But in all the bridges we’ve made
That is the promised glade
The hill we climb
If only we dare
It’s because being American is more than a pride we inherit,
it’s the past we step into
and how we repair it
We’ve seen a force that would shatter our nation
rather than share it
Would destroy our country if it meant delaying democracy
And this effort very nearly succeeded
But while democracy can be periodically delayed
it can never be permanently defeated
In this truth
in this faith we trust
For while we have our eyes on the future
history has its eyes on us
This is the era of just redemption
We feared at its inception
We did not feel prepared to be the heirs
of such a terrifying hour
but within it we found the power
to author a new chapter
To offer hope and laughter to ourselves
So while once we asked,
how could we possibly prevail over catastrophe?
Now we assert
How could catastrophe possibly prevail over us?
We will not march back to what was
but move to what shall be
A country that is bruised but whole,
benevolent but bold,
fierce and free
We will not be turned around
or interrupted by intimidation
because we know our inaction and inertia
will be the inheritance of the next generation
Our blunders become their burdens
But one thing is certain:
If we merge mercy with might,
and might with right,
then love becomes our legacy
and change our children’s birthright
So let us leave behind a country
better than the one we were left with
Every breath from my bronze-pounded chest,
we will raise this wounded world into a wondrous one
We will rise from the gold-limbed hills of the west,
we will rise from the windswept northeast
where our forefathers first realized revolution
We will rise from the lake-rimmed cities of the midwestern states,
we will rise from the sunbaked south
We will rebuild, reconcile and recover
and every known nook of our nation and
every corner called our country,
our people diverse and beautiful will emerge,
battered and beautiful
When day comes we step out of the shade,
aflame and unafraid
The new dawn blooms as we free it
For there is always light,
if only we’re brave enough to see it
If only we’re brave enough to be it

 

Posted in History, USA, Writing | Tagged , , , | 2 Comments

more like dreams spoken aloud

The Last Bookshop is a bittersweet short film by Richard Dadd and Dan Fryer, which imagines the story of very last bookstore in the world.

Posted in Books, Bookstore Tourism, ebooks, Europe, Film | Tagged , | 2 Comments

Call and Response

I’m disappointed that I will be missing this current exhibition at New York City’s magnificent Morgan Museum and Library. Betye Saar: Call and Response is based on Los Angeles–based artist Betye Saar who emerged in the 1960s as a major voice in American art. Part of a wave of artists, many of them African American, who embraced the medium of assemblage, she is known best for incisive collages and assemblage sculptures that confront and reclaim racist images. Saar brings to her work a remarkable sensitivity to materials. Her imagery is drawn from popular culture, family history, and a wide range of spiritual traditions.

This exhibition, conceived in close consultation with the artist, looks at the relationship between Saar’s finished works and the preliminary annotated sketches she has made in small notebooks throughout her career. In addition, the show will include approximately a dozen of Saar’s travel sketchbooks with more finished drawings and collages—often relating to leitmotifs seen across her oeuvre—which she has made over a lifetime of journeys worldwide. Selections will cover the span of her career, from the late 1960s up through a sculptural installation made specifically for this exhibition.

 

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Teeter Totter

Although it only lasted for less than an hour, the Teeter Totter Wall created by Rael San Fratello with Colectivo Chopeke made international headlines when it was installed in July 2019, and has now been launched back into the spotlight at a the perfect time. The project, which allowed children on both sides of the US-Mexico border wall to play together via pink seesaws, has been awarded the Design of the Year prize 2020, on the final day of the racist, autocrat wannabe Trump presidency.

 

Rael San Fratello had been developing the idea for the seesaws over a decade as part of its ongoing work focusing on the border wall. The project was intended as a symbol of trade and labor relationships between the two countries, aimed to demonstrate that actions taking place on one side of the border have direct consequences on the other, viewing the boundary as a “site of severance”. “Mexicans throng to the US to find work, but often long to live comfortably in their own country,” studio Rael San Fratello states on its website. “US industry and agriculture is dependent upon immigrant labor pools, yet the Department of Homeland Security, Border Patrol, and Immigration and Naturalization Services have made it increasingly difficult to attract foreign labor. The Teeter Totter Wall demonstrates the delicate balances between the two nations.”

When it was first built, studio co-founder and professor of architecture at the University of California Ronald Rael said the realization of the project brought “joy, excitement and togetherness at the border wall,” and that the wall “became a literal fulcrum for U.S.-Mexico relations and children and adults were connected in meaningful ways on both sides with the recognition that the actions that take place on one side have a direct consequence on the other side.”

Upon winning the design prize, fellow co-founder Virginia San Fratello, an associate professor of design at San José State University, told The Guardian: “I think it’s become increasingly clear with the recent events in our country that we don’t need to build walls we need to build bridges.”

 

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Tableaux Vivants

Due to Covid curfews, a group of French librarians used their free time to recreate book related paintings in a series of amusing tableaux vivants. très drôle

The entire album can be viewed on Calameo .

 

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