There and back again

A buyer recently contacted me to help him find an American first edition of JRR Tolkien’s The Hobbit.  Since the amount that he was willing to pay was ridiculously below the usual prices that the title brings, I didn’t even bother to search. But it did get me thinking about the early editions of the beloved book and how they varied by publication date.

The first edition of The Hobbit differs in some substantial ways from the second edition. By 1937, Tolkien had  begun work on The Lord of the Rings trilogy with the sinister One Ring as its centerpiece and realized he needed to revise the chapter about Bilbo’s encounter with Gollum to be more in line with events in his new books. In the first version of “Riddles in the Dark,” Gollum is a far less devious character, who cheerfully bets his “precious” in the game of riddles that he plays with Bilbo. When Gollum goes searching for the Ring and can’t find it, Bilbo having already cleverly pocketed it, he is only sorry that he can’t give it to Bilbo for winning the game. He then willingly leads Bilbo out of the cave where they’ve met. In the revised version, of course, Bilbo forfeits his life if he loses the game (Gollum’s suggestion) and despite winning it, is pursued out of the cave by a murderous Gollum, anyway.

Pictured here is the first American edition, published by Houghton Mifflin in 1938. Along with the original version of “Riddles in the Dark,” it contains four color plates of Tolkien’s illustrations and red maps on the end-papers. The Hobbit has not been out of print since its publication.

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Bookstore Tourism : Tokyo (with a twist)

Conceived by a group of book loving entrepreneurs that includes Smiles and Morioka Shoten (the booksellers behind the “single room, single book, bookshop), Bunkitsu opened on December 11, 2018 in a sprawling space that was previously occupied by Aoyama Book Center in central Tokyo’s Minato-ku district. As much a concept store as bookshop, you’ll have to pay the 1,500 yen (roughly $13) cover charge to enter. But once inside, you’ll find yourself immersed in a minimal space of concrete and wood, and a beautifully curated collection of 30,000 books and magazines.

The owners want visitors to think of the entrance fee like a  cinema or museum ticket. Once you’ve checked in, you get a free cup of coffee or tea and wander endlessly through the collection of books on culture,humanities, nature, art and design, all of which have been thoughtfully curated by the staff of Yours Book Store. Every book is for sale, but you can also spend an hour or the whole day and not buy a thing. There’s reading room, a lounge, and a café.  The shop will also be featuring changing exhibitions on books, printing, and publishing.

If you plan ahead, you can contact the staff and they will arrange to curate a special selection of books for you to peruse at your leisure.

Bunkitsu (written 文喫) is a combination of the word 文 meaning text but also culture, and 喫 which means to consume but in the sense of a beverage. It’s used in the word 喫茶店 (kissaten), which means café.

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Word on the Street : Treason

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It’s Always Sunny In South Philadelphia

Tomorrow a new indie bookstore is having its official grand opening in south Philly. A Novel Idea, which has had a gradual soft roll-out over the past few weeks, is owned and managed by writer Christina Rosso-Schneider and her artist husband Alexander Schneider. The cozy shop promises to focus on local authors, small press books, and independent publishers. So far, they’ve met that commitment with a well curated collection of about 3,000 new and used titles, with an emphasis on fiction, art, young adult, children’s, and gender issues. Starting tomorrow, the East Passyunk Avenue shop will be open six days a week from Tuesday through Sunday. So if you’re in town, stop by and support them by purchasing a book or two. Follow their progress on their Facebook page.

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Yes! We Have No Bananas

Unlike most civilized nations the United States does not deem a work to be in the public domain according to who created it (i.e. established by the death date of its creator), but rather when it was published. As you may know, in previous years the Unites States has seen precisely nothing enter the public domain due to copyright expiration (apart from some unpublished works). However, this is now changing. For the first time in more than two decades, as of January 1, 2019, published works will enter the US public domain. This will be all creative works —including books, films, artworks, or musical scores — published in the year 1923. Why this is happening now is complicated, but basically revolves around a series of laws – essentially the fault of the Disney Corp. and Sonny Bono – which saw extensions to previous copyright regulations. Now these extensions are expiring and so each coming year will see the works of 95 years ago added to the US public domain — so on January 1, 2019 the works from 1923, in 2020 those from 1924, in 2021 those from 1925 and so on and so on. Below are some highlights that entered on  January 1,2019.

Literature

  • Men Like Gods by H. G. Wells
  • “In the Orchard” ad “”Mrs Dalloway in Bond Street” by Virginia Woolf
  • The Prophet by Kahlil Gibran
  • The Ego and the Id by Sigmund Freud (original German version)
  • Towards a New Architecture by Le Corbusier (original French version)
  • The Murder of Roger Ackroyd and The Murder on the Links by Agatha Christie
  • The play Saint Joan by George Bernard Shaw
  • “Hypnos”, “What the Moon Brings”, “The Lurking Fear”, and “Memory” by H.P. Lovecraft
  • Duino Elegies by Rainer Maria Rilke (original German version)
  • New Hampshire by Robert Frost
  • Spring and All and also the novel The Great American Novel by William Carlos Williams
  • Harmonium by Wallace Stevens
  • Tulips and Chimneys by E.E. Cummings
  • Poems by Edna St. Vincent Millay
  • Antic Hay by Aldous Huxley
  • A Son at the Front by Edith Wharton
  • Kangaroo by D. H. Lawrence.

Films

  • The Ten Commandments by Cecil B. DeMille (not his 1956 version, but rather the earlier silent first attempt)
  • Safety Last! and Why Worry? by Harold Lloyd
  • The Pilgrim by Charlie Chaplin
  • Our Hospitality by Buster Keaton
  • The Little Napoleon by Georg Jacoby (which features debut of Marlene Dietrich)
  • The White Rose directed by D.W. Griffith

Artworks

  • Robert Delaunay – Portrait of Tristan Tzara
  • Marcel Duchamp – The Bride Stripped Bare By Her Bachelors, Even (The Large Glass)
  • Max Ernst – Pietà or Revolution by Night
  • M. C. Escher – Dolphins
  • George Grosz – Ecce Homo (portfolio of lithographs)
  • Wassily Kandinsky – On White II
  • Henri Matisse – Odalisque with Raised Arms and Window at Tangier
  • Pablo Picasso – The Pipes of Pan and Paulo on a Donkey
  • Man Ray – Object to Be Destroyed (destroyed 1957)
  • Paul Klee – ArchitectureTightrope Walker, and Masks

Music

  • “King Porter Stomp”
  • “Who’s Sorry Now?”
  • “Tin Roof Blues”
  • “That Old Gang of Mine”
  • “Yes! We Have No Bananas”
  • “I Cried for You”
  • “The Charleston”—written to accompany, and a big factor in the popularity of, the Charleston dance
  • Igor Stravinsky’s “Octet for Wind Instruments”

See these Wikipedia pages for more literaturemusicfilm and artworks published in 1923.

 

Posted in Art, Books, Europe, Film, Freedom of Speech, History, movies, Museums, Music, Photography, Theater, USA, Writing | Tagged , | Leave a comment

Setting Up Signals Across Vast Distances

POEM

Muriel Rukeyser

I lived in the first century of world wars.
Most mornings I would be more or less insane,
The newspapers would arrive with their careless stories,
The news would pour out of various devices
Interrupted by attempts to sell products to the unseen.
I would call my friends on other devices;
They would be more or less mad for similar reasons.
Slowly I would get to pen and paper,
Make my poems for others unseen and unborn.
In the day I would be reminded of those men and women,
Brave, setting up signals across vast distances,
Considering a nameless way of living, of almost unimagined values.
As the lights darkened, as the lights of night brightened,
We would try to imagine them, try to find each other,
To construct peace, to make love, to reconcile
Waking with sleeping, ourselves with each other,
Ourselves with ourselves. We would try by any means
To reach the limits of ourselves, to reach beyond ourselves,
To let go the means, to wake.

 

I lived in the first century of these wars.
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Best Books of the Year (or some of)

For the past month or so we’ve seen the annual steady stream of “Best Books of the Year” lists from websites, bloggers, magazines, critics, and newspapers. So, I thought that I would share my own unsolicited list. If you are a regular visitor to TBTP, then you probably know that books are a huge part of my life. Along with selling and collecting books, I’m a voracious reader. Although these days I’m spending more time reading on screens, I still manage to get through two or three actual old fashioned paper books per week on average. Here’s a partial “Best of” fiction list from 2018 that I can unreservedly recommend:

I’m still digesting this devastating debut novel by Native American author Tommy Orange. The novel weaves together the heartbreaking stories of 12 “urban Indians” as there paths lead to a Powwow in Oakland, CA.

I’ve been badgering people to read Ottessa Moshfegh since her wildly original debut book Eileen was released. Her newest novel’s amoral, narcissistic narrator may not evoke much empathy from the reader, but this meditation on material culture, the media, art, grief, and friendship will stay with you for a long time.

If Philip K. Dick was still around, this is exactly the kind of speculative fiction/social commentary that he would be writing. Gnomon offers a glimpse of a chilling near-future in a challenging read featuring out-of-control AI, dystopian regimes, and sharks.

Like many fans of Tana French’s terrific Dublin Murder Squad series, I was initially disappointed to find that The Witch Elm was a stand-alone title. But by the end of this gripping story about loss, memory, family, and identity I was a believer.

Less is a novel about a writer’s midlife crisis and his around the world trip to try and escape his past. Facing 50, Arthur Less suffers disappointment, humiliation, and one cringe-worthy episode after another, but somehow the book remains joyful and warmhearted.

You may not know Laura Lippman’s work yet, but her latest noir novel is a seminar on writing smart, nuanced characters, while delivering a smokey, haunting story.

Readers who are unfamiliar with Mick Herron’s espionage series centered on a gaggle of MI5 misfits from the Slough House should go back and binge read the first four brilliant and hilarious books and then devour this gem.

 

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The Book of the Future

 

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Library Porn

Every bibliophile that I know would love to have one of these in their neighborhood. This stunning little library was designed by Shulin Forest Architects to be a serene reading space for the book-loving village of Liangjiashan in Zhejiang Province, China. Set in the heart of town,the wood and steel library is supported by ten columns, which create a sheltered communal space under the building for social and literary events.

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Confusion of Confusions

With all of the recent maddening gyrations in the world’s stock markets, maybe the capitalist nabobs pulling the strings could benefit from perusing this 17th century financial guide recently up for auction by Sotheby’s Rare Book and Manuscript auctioneers. The title, Confusion de Confusiones, was written in 1688 by Joseph Penso de la Vega as a primer on the Amsterdam stock exchange for the immigrant community in the Netherlands. De la Vega was himself a refugee from the Spanish Inquisition. The final sale price for the book was expected to be about $300,000; it’s probably a safer investment than the stock market.

The main text is written as a series of dialogues between stock characters such as a philosopher, a merchant, and a shareholder. In the second dialogue appear perhaps the most enduring portion of Vega’s teaching about stock markets, his four rules for speculators explained by the shareholder, here in  translation:

“The first principle [in speculation]: Never give anyone the advice to buy or sell shares, because, where perspicacity is weakened, the most benevolent piece of advice can turn out badly.

“The second principle: Take every gain without showing remorse about missed profits, because an eel may escape sooner than you think, It is wise to enjoy that which is possible without hoping for the continuance of a favorable conjuncture and the persistence of good luck.

“The third principle: Profits on the exchange are the treasures of goblins. At one time they may be carbuncle stones, then coals, then diamonds, then flint-stones, then morning dew, then tears.

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