Oh, the places we’ll go

More than three decades after Dr Seuss’s death, the beloved children’s author (real name Theodor Geisel) is set to publish a “new” book next summer. Titled Sing the 50 United States!, the never-before-seen manuscript was discovered earlier this year in the archives of the Geisel Library at the University of California, San Diego, and will be released on June 2, 2026.

The book, which stars the Cat in the Hat and two of his Little Cat companions, invites readers on a cross-country adventure through rhyme. Each page is designed to help children memorize the names of all 50 US states. The timing of its release is no accident: it coincides with America’s upcoming 250th anniversary, turning the late author’s rediscovered manuscript into both a celebration of language and a nod to national unity.

Random House Children’s Books, which holds the rights to Seuss’s works, confirmed that the manuscript was found alongside a cover sketch, handwritten notes, and detailed art direction from Seuss himself. Illustrator Tom Brannon was tapped to complete the visuals, carefully following the late author’s instructions to retain the familiar Seussian flair—whimsical lines, zany color palettes, and all.

The first edition will see a print run of half a million copies, with a portion of the books distributed to schools across the country through the nonprofit First Book.

 

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The poem I didn’t write

The Poem I Didn’t Write,
by Raymond Carver

Here is the poem I was going to write
earlier, but didn’t
because I heard you stirring.
I was thinking again
about that first morning in Zurich.
How we woke up before sunrise.
Disoriented for a minute. But going
out onto the balcony that looked down
over the river, and the old part of the city.
And simply standing there, speechless.
Nude. Watching the sky lighten.
So thrilled and happy. As if
we’d been put there
just at that moment.

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Travel Opens The Mind

For a More Creative Brain, Travel. “New sounds, smells, language, tastes, sensations, and sights spark different synapses in the brain and may have the potential to revitalize the mind.”

Writers and thinkers have long felt the creative benefits of international travel. Ernest Hemingway, for example, drew inspiration for much of his work from his time in Spain and France. Aldous Huxley, the author of Brave New World, moved from the U.K. to the U.S. in his 40s to branch out into screenwriting. Mark Twain, who sailed around the coast of the Mediterranean in 1869, wrote in his travelogue Innocents Abroad that travel is “fatal to prejudice, bigotry, and narrow-mindedness.”

 

 

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Do Literary Prizes Really Matter

Flesh by David Szalay was named the winner of the Booker Prize 2025 at a ceremony in London on Monday. Szalay receives £50,000 and a trophy, which was presented to him by last year’s winner, Samantha Harvey. I suppose that it’s time to put Flesh and the other nominated titles on my tbr list.

The winner and all the shortlisted authors receive a hand-bound edition of their own novel. This tradition of presenting each writer with a one-of-a-kind binding of their work created by Fellows from the Designer Bookbinders society at the evening ceremony has been in place for three decades. This year’s bookbinders are:

  • Glenn Bartley for Audition by Katie Kitamura
  • Stuart Brockman for Flesh by David Szalay
  • Hannah Brown for The Rest of Our Lives by Ben Markovits
  • Sue Doggett for The Loneliness of Sonia and Sunny by Kiran Desai
  • Angela James for The Land in Winter by Andrew Miller
  • Tom McEwan for Flashlight by Susan Choi

Seems like a topnotch idea.

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Do Not Seize The Day

 

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Lit Box

Regular visitors to TBTP know that I have an inordinate interest in vending machines, especially when they dispense books. I recently heard about a cool new one at the entrance of Western Market in downtown Washington D.C. What makes this vending machine unusual is that all of the literature is  written by local authors.

LitBox was launched by author Lauren Woods in a bid to promote and celebrate smaller press books that have to contend with a hypercompetitive publishing industry and the current administration’s slashing of federal funding for the arts.

As NPR reports in an article on the project, LitBox  aims to raise the literary profile of Washington, D.C. “I’m so proud to live in this city, and it doesn’t get enough good attention,” says the LitBox founder. “And so I wanted to do something to share my pride in the people that I live with and talk to every day, too.”

 

 

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Chat Europe

I admit that I’m an unrepentant Europhile, so I really like this clever and informative new project from the EU.  “ChatEurope is the first chatbot dedicated to European news. Launched by 15 European partners, this project includes a unique news platform, an integrated chatbot and social media channels.” This initiative takes information from each of Europe’s premier news agencies, aggregates it here and allows for a layer of LLM-mediated conversational interface so you can ask questions of the information . Don’t be put-off by the boring graphics and site layout, it really has some terrific and usable information. Along with the massive amount of news content, there’s lots of value for travelers, such as the video below.

 

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Everything You Need to Know About Self-Publishing

Longtime readers of TBTP pages are aware of my sporadic career as a freelance author. During the olden days of the 20th century, I published a number of travel books and nonfiction reference books, but eventually gave up the struggle after some dispiriting experiences with publishers and distributers, as well as having entire books plagiarized and published in the UK and Canada. More recently, I considered self-publishing a book but after my agent at the time failed to sell the project to a traditional publisher, I eventually dropped the entire project, but did learn a bit about the self-publishing route. If you’re at all interested in the process, check-out the definitive take on self-publishing from the celebrated Kevin Kelly.

Everything I Know About Self-Publishing. Kevin Kelly, prolific author and editor (Wired, Whole Earth Catalog, Cool Tools) gives a long but concise overview of the publishing biz. (16-pg PDF here). In this article Kelly uses a wide-ranging definition of self-publishing to include blogs, newsletter, audiobooks, and video. Nevertheless a strong focus is placed on book publishing. “Established mass-market publishers are failing, and they are merging to keep going. Traditional book publishers have lost their audience, which was bookstores, not readers. It’s very strange but New York book publishers do not have a database with the names and contacts of the people who buy their books. Instead, they sell to bookstores, which are disappearing. They have no direct contact with their readers; they don’t “own” their customers.

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Bookstore Tourism

I don’t usually promote expensive coffee table books, but I just found this beauty which is a new New York Times 2025 Holiday Gift Guide selection. Bookstores of the World : The Ultimate Around-the-World Tour for Bibliophiles and Bookshop Lovers would make a terrific present for any booklover —not hinting at all.

Jean-Yves Mollier and Patricia Sorel’s Bookstores of the World is a beautifully photographed tour of, and paean to, the bookstore as a cultural and literary institution.  Starting in France (which leads the world in bookstores per capita), the tour continues through Europe and the Americas before visiting the Middle East, Asia, and Australia. French academics Mollier and Sorel celebrate bookstores—historic, architecturally attractive, or otherwise distinctive—in 40 countries, with stunning photos showcasing memorable architecture, unusual settings, and memorable interior design.

Readers may recognize such giants as Foyles in London and the Strand in Manhattan, but the book also features tiny bookstores set in cottages, courtyards, and even on boats. The text of Bookstores comments on various aspects of bookselling, including book festivals and “book towns”; the financial and cultural challenges of keeping a bookstore afloat; the constant shadow of censorship; and the ingenious ways booksellers of all stripes continue to serve their communities.

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It’s less Brave New and more 1984

In October of 1949, shortly after the publication of George Orwell’s, Nineteen Eighty-Four, he received a letter from  Aldous Huxley. Having recently finished reading Orwell’s now iconic book, Huxley had some feedback. What starts out as a letter of praise soon lapses into a comparison of the two works, and an explanation as to why Huxley believes his own book to be a more plausible prediction of the future.


Wrightwood. Cal.

21 October, 1949

Dear Mr. Orwell,

It was very kind of you to tell your publishers to send me a copy of your book. It arrived as I was in the midst of a piece of work that required much reading and consulting of references; and since poor sight makes it necessary for me to ration my reading, I had to wait a long time before being able to embark on Nineteen Eighty-Four.

Agreeing with all that the critics have written of it, I need not tell you, yet once more, how fine and how profoundly important the book is. May I speak instead of the thing with which the book deals — the ultimate revolution? The first hints of a philosophy of the ultimate revolution — the revolution which lies beyond politics and economics, and which aims at total subversion of the individual’s psychology and physiology — are to be found in the Marquis de Sade, who regarded himself as the continuator, the consummator, of Robespierre and Babeuf. The philosophy of the ruling minority in Nineteen Eighty-Four is a sadism which has been carried to its logical conclusion by going beyond sex and denying it. Whether in actual fact the policy of the boot-on-the-face can go on indefinitely seems doubtful. My own belief is that the ruling oligarchy will find less arduous and wasteful ways of governing and of satisfying its lust for power, and these ways will resemble those which I described in Brave New World. I have had occasion recently to look into the history of animal magnetism and hypnotism, and have been greatly struck by the way in which, for a hundred and fifty years, the world has refused to take serious cognizance of the discoveries of Mesmer, Braid, Esdaile, and the rest.

Partly because of the prevailing materialism and partly because of prevailing respectability, nineteenth-century philosophers and men of science were not willing to investigate the odder facts of psychology for practical men, such as politicians, soldiers and policemen, to apply in the field of government. Thanks to the voluntary ignorance of our fathers, the advent of the ultimate revolution was delayed for five or six generations. Another lucky accident was Freud’s inability to hypnotize successfully and his consequent disparagement of hypnotism. This delayed the general application of hypnotism to psychiatry for at least forty years. But now psycho-analysis is being combined with hypnosis; and hypnosis has been made easy and indefinitely extensible through the use of barbiturates, which induce a hypnoid and suggestible state in even the most recalcitrant subjects.

Within the next generation I believe that the world’s rulers will discover that infant conditioning and narco-hypnosis are more efficient, as instruments of government, than clubs and prisons, and that the lust for power can be just as completely satisfied by suggesting people into loving their servitude as by flogging and kicking them into obedience. In other words, I feel that the nightmare of Nineteen Eighty-Four is destined to modulate into the nightmare of a world having more resemblance to that which I imagined in Brave New World. The change will be brought about as a result of a felt need for increased efficiency. Meanwhile, of course, there may be a large scale biological and atomic war — in which case we shall have nightmares of other and scarcely imaginable kinds.

Thank you once again for the book.

Yours sincerely,
Aldous Huxley


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