Are these really the best books of 2023

Every year at this time we are inundated with “Best Books of the Year” lists. I’ll admit that I scroll through the lists in search of reading recommendations and guidance. So, here’s a long list of lists for our perusal :

NPR’s Books We Love.

Book Riot’s Best Books of 2023.

The Conversation’s Best Books of 2023.

The Most Scathing Book Reviews of 2023.

Five Books’ Best Nonfiction of 2023.

Barnes & Noble’s Best Fiction Books of 2023.

The Award-Winning Novels of 2023.

Barnes & Noble’s Best Mystery Books of 2023.

CrimeReads’ Best Crime Novels of 2023.

The New York Times’ Best Books of 2023.

Smithsonian’s Ten Best Books About Travel of 2023.

Epicurious’s Best Cookbooks of 2023.

Smithsonian’s Ten Best Books About Food of 2023.

History Today’s Books of the Year 2023.

The History Reader’s Must-Read History Books of 2023.

Smithsonian’s Ten Best History Books of 2023.

Smithsonian’s Ten Best Science Books of 2023.

These are Science News’ favorite books of 2023.

Literary Hub’s Ultimate Best Books of 2023

Publishers Weekly Best Books 2023

Vulture: The Best Books of 2023.

 

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What do Mickey Mouse and D.H. Lawrence have in common

On January 1, 2024, thousands of copyrighted works from 1928 will enter the US public domain, along with sound recordings from 1923. They will be free for all to copy, share, and build upon. This year’s highlights include Lady Chatterley’s Lover by D. H. Lawrence and The Threepenny Opera by Bertolt Brecht, Buster Keaton’s The Cameraman and Cole Porter’s Let’s Do It, and a trove of sound recordings from 1923. And, of course, 2024 marks the long-awaited arrival of Steamboat Willie – featuring Mickey and Minnie Mouse – into the public domain. That story is so fascinating, so rich in irony, so rife with misinformation about what you will be able to do with Mickey and Minnie now that they are in the public domain that it deserved its own article, “Mickey, Disney, and the Public Domain: a 95-year Love Triangle.” Why is it a love triangle? What rights does Disney still have? How is trademark law involved? Read all about it here.

Here is just a handful of the works that will be in the US public domain in 2024.  They were first set to go into the public domain after a 56-year term in 1984, but a term extension pushed that date to 2004. They were then supposed to go into the public domain in 2004, after being copyrighted for 75 years. But before this could happen, Congress hit another 20-year pause button and extended their copyright term to 95 years.  Now the wait is over. To find more material from 1928, you can visit the Catalogue of Copyright Entries.

  • D.H Lawrence, Lady Chatterley’s Lover
  • Bertolt Brecht, The Threepenny Opera (in the original German, Die Dreigroschenoper)
  • Virginia Woolf, Orlando
  • Erich Maria Remarque, All Quiet on the Western Front (in the original German, Im Westen nichts Neues)
  • W.E.B. Du Bois, Dark Princess
  • Claude McKay, Home to Harlem
  • A. A. Milne, illustrations by E. H. Shepard, House at Pooh Corner (introducing the Tigger character)
  • J. M. Barrie, Peter Pan; or the Boy Who Wouldn’t Grow Up (because it was not “published” for copyright purposes until 1928)[4]
  • Radclyffe Hall, The Well of Loneliness
  • Evelyn Waugh,Decline and Fall
  • Agatha Christie, The Mystery of the Blue Train
  • Wanda Gág, Millions of Cats (the oldest American picture book still in print)
  • Robert Frost, West-Running Brook
  • Ben Hecht and Charles MacArthur, The Front Page

Source

Public Domain Day 2024 by Jennifer Jenkins, Director of Duke Law School’s Center for the Study of the Public Domain, is licensed under Creative Commons Attribution 4.0 License.

To take a deep dive into the Public Domain click here.

 

 

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Retro Travel Time

For nearly a century kids of all ages in North America have enjoyed playing with  classic the View-Master. Now there’s a wonderful YouTube channel that combines travel and history in a unique format. Created by Dave Machin, the channel remixes the views and locations of the images from a vintage View-Master reel with contemporary images.

Each 20-minute video examines the historic views of a travelogue View-Master reel and then Machin and his wife travel there to discover those exact same views today. The wonderful videos are cleverly written and well researched. The short videos are a fun watch, but educational as well.

 

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It was a strange time in America.

What are you going to do with 390 photographs of Christmas trees ?

by Richard Brautigan

I don’t know. But it seemed the thing to do in that first week in January
1964, and I got two other people to join me. One of them wants to remain
anonymous, and that’s all right.

 

I think we were still in shock over President Kennedy’s assassination.
Perhaps that had something to do with all those photographs of Christmas trees.

 

The Christmas of 1963 looked terrible, illuminated by all the flags in
America hanging at half-mast week after week in December in a tunnel of
mourning.

 

I was living by myself in a very strange apartment where I was taking care
of an aviary for some people who were in Mexico. I fed the birds every day
and changed bird water and had a little vacuum cleaner to tidy up the aviary
when it was needed.

 

I ate dinner by myself on Christmas day. I had some hot dogs and beans and
drank a bottle of rum with Coca-Cola. It was a lonesome Christmas and
President Kennedy’s murder was almost like one of those birds that I had to
feed every day.

 

The only reason I am mentioning this is to kind of set the psychological
frame for 390 photographs of Christmas trees. A person does not get into
this sort of thing without sufficient motivation.

 

Late one evening I was walking home from visiting some people on Nob Hill.
We had sat around drinking cup after cup of coffee until our nerves had
become lionesque.
I left around midnight and walked down a dark and silent street toward
home, and I saw a Christmas tree abandoned next to a fire hydrant.

 

The tree had been stripped of its decorations and lay there sadly like a
dead soldier after losing a battle. A week before it had been a kind of hero.

 

Then I saw another Christmas tree with a car half-parked on it. Somebody
had left their tree in the street and the car had accidently run over it.
The tree was certainly a long way from a child’s loving attention. Some of
the branches were sticking up through the bumper.

 

It was that time of the year when people in San Francisco get rid of their
Christmas trees by placing them in the streets or vacant lots or wherever
they can get rid of them. It is the journey away from Christmas.

 

Those sad and abandoned Christmas trees really got on my conscience. They
had provided what they could for that assassinated Christmas and now they
were just being tossed out to lie there in the streets like bums.

 

I saw dozens of them as I walked home through the beginning of the new
year. There are people who just chuck their Christmas trees right out the
front door. A friend of mine tells a story about walking down the street on
December 26th and having a Christmas tree go whistling right by his ear, and
hearing a door slam. It could have killed him.

 

There are others who go about abandoning their Christmas trees with stealth
and skill. That evening I almost saw somebody put a
Christmas tree out, but not quite. They were invisible like the Scarlet
Pimpernel. I could almost hear the Christmas tree
being put out.

 

I went around the corner and there in the middle of the street lay a tree,
but nobody was around. There are always people who do a thing with
greatness, no matter what it is.

 

When I arrived home I went to the telephone and called up a friend of mine
who is a photographer and accessible to the strange energies of the
Twentieth Century. It was almost one o’clock in the morning. I had
awakened him and his voice was a refugee from sleep.

 

“Who is it?” he said.

 

“Christmas trees,” I said.

 

“What?”

 

“Christmas trees.”

 

“Is that you, Richard?” he asked.

 

“Yeah.”

 

“What about them?”

 

“Christmas is only skin deep,” I said. “Why don’t we take hundreds of
pictures of Christmas trees that are abandoned in the streets? We’ll show
the despair and abandonment of Christmas by the way people throw their trees
out.”

 

“Might as well do that as anything else,” he said. “I’ll start tomorrow
during my lunch hour.”

 

“I want you to photograph them just like dead soldiers,” I said. “Don’t
touch or pose them. Just photograph them the way they fell.”

 

The next day he took photographs of Christmas trees during his lunch hour.
He worked at Macy’s then and went up on the slopes of Nob Hill and Chinatown
and took pictures of Christmas trees there.

 

1, 2, 3, 4, 5, 9, 11, 14, 21, 28, 37, 52, 66.

 

I called him that evening.

 

“How did it go?”

 

“Wonderful,” he said.

 

The next day he took more photographs of Christmas trees during his lunch hour.

 

72, 85, 117, 128, 137.

 

I called him up that evening, too.

 

“How did it go?”

 

“Couldn’t be better,” he said. “I’ve almost got 150 of them”

 

“Keep up the good work,” I said. I was busy lining up a car for the
weekend, so that we would have mobility to take more Christmas tree photographs.

 

The person who drove us around the next day desires to remain anonymous.
He is afraid that he would lose his job and face financial and social
pressures if it got out that he worked with us that day.

 

The next morning we started out and we drove all over San Francisco taking
photographs of abandoned Christmas trees. We faced the project with the
zest of a trio of revolutionaries.

 

142, 159, 168, 175, 183.

 

We would be driving along and spot a Christmas tree lying perhaps in the
front yard of somebody’s lovely house in Pacific Heights or beside an
Italian grocery store in North Beach. We would suddenly stop and jump out
and rush over to the Christmas tree and start taking pictures from every angle.

 

The simple people of San Francisco probably thought that we were all
completely deranged: bizarre. We were traffic stoppers in the classic
tradition.

 

199, 215, 227, 233, 245.

 

We met the poet Lawrence Ferlinghetti out walking his dog on Potrero Hill.
He saw us jump out of the car and immediately start taking pictures of a
fallen Christmas tree lying on the sidewalk.

 

277, 278, 279, 280, 281.

 

As he walked by, he said, “Taking pictures of Christmas trees?”

 

“Sort of,” we said and all thinking paranoically: Does he know
what we are doing? We wanted to keep it a big secret. We
thought we really had something good going and it needed the right amount of
discretion before it was completed.

 

So the day passed and our total of Christmas tree photographs crept over
the 300 mark.

 

“Don’t you think we have enough now?” Bob said.

 

“No, just a few more,” I said.

 

317, 332, 345, 356, 370.

 

“Now?” Bob said.

 

We had driven all the way across San Francisco again and were on Telegraph
Hill, climbing down a broken staircase to a vacant lot where somebody had
tossed a Christmas tree over a cyclone fence. The tree had the same candor
as Saint Sebastian, arrows and all.

 

“No, just a few more,” I said.

 

386, 387, 388, 389, 390.

 

“We must have enough now,” Bob said.

 

“I think so,” I said.

 

We were all very happy. That was the first week of 1964. It was a strange
time in America.

 

 

 

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An Alternative Christmas Carol

Carol For Another Christmas was directed by Joseph L. Manckiewics for the United Nations and was written by the inimitable Rod Serling. The unusual 1964 television special was presented without commercial interruptions. It was the first of a series of Xerox specials promoting the UN. Director Joseph Mankiewicz’s first work for television, the 90-minute ABC drama was publicized as having an all-star cast. In Rod Serling’s update of Charles Dickens, industrial tycoon Daniel Grudge (Sterling Hayden) has never recovered from the loss of his 22-year-old son Marley (Peter Fonda), killed in action during Christmas Eve of 1944. The embittered Grudge has only scorn for any American involvement in international affairs. But then the Ghost of Christmas Past (Steve Lawrence) takes him back through time to a World War I troopship. Grudge also is visited by the Ghost of Christmas Present (Pat Hingle), and the Ghost of Christmas Future (Robert Shaw) gives him a tour across a desolate landscape where he sees the ruins of a once-great civilization. Others in the cast were Peter Sellers, Percy Rodriguez, Eva Marie Saint, Ben Gazzara, Barbara Ann Teer, James Shigeta and Britt Ekland. Henry Mancini wrote the theme music.

NB: If the film does not launch in your browser, please click here.

 

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“Twas the night before Christmas”

In 2006 Bob Dylan surprised the listeners to his satellite radio show, Theme Time Radio Hour, with a reading of ‘Twas the Night Before Christmas.

The poem first appeared in print on December 23, 1823.  No author was cited for the work then called A Visit from St. Nicholas. In 1837 literature professor Clement Clarke Moore claimed authorship. He’d written it for his family. Unbeknownst to him, his housekeeper had submitted it to a New York newspaper. But Henry Livingston, Jr  said Moore was wrong. He claimed that his father had been reciting A Visit from St. Nicholas for 15 years prior to the poem’s publishing debut.

Whoever wrote the poem, when Bob Dylan reads the poem, it takes it to another level.

NB: If the video fails to launch, please click here.

 

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Gift Algorithm

 

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Is this one of the most beautiful books ever published

Frequently cited as one of the most beautiful books ever published, the Kelmscott Chaucer is now available as an online resource allowing booklovers to digitally explore the iconic volume.

Created by independent researcher, writer and educator Dr Michael John Goodman, The Kelmscott Chaucer Online contains all 87 woodcut illustrations by Edward Burne-Jones, plus the 18 frames, 14 borders, and 26 decorative words designed by William Morris for their final project published in 1896. Users are free to download, browse, share, remix, research, or use this website in whatever ways they can imagine. There is also a downloadable Kelmscott Chaucer Online Colouring Book available from the site.

The Kelmscott Chaucer Online allows users to examine all the visual aspects of the book including the illustrations, borders, frames, and illustrated capitals. The images have been scanned at a high resolution and can be easily enlarged.

“The Kelmscott Chaucer is very much a book to be looked at rather than read,” said Dr Goodman. “Obviously, nothing can replace the experience of studying the material book itself, but I hope that this website makes the Kelmscott Chaucer accessible in a way that is both playful and user-friendly. To paraphrase William Morris, I hope users find the website ‘beautiful and useful’.”

Only 425 copies of the Kelmscott Chaucer were originally produced, plus 13 copies printed on vellum and 48 bound in pig’s skin. The edition used for this project is a facsimile from the 1950s.

 

 

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Merry Christmas from the Underground

Regular visitors to Travel Between The Pages know that I’m a sucker for classic travel and transportation posters. So, I love this historic poster art from Transport for London.

For over 100 years, London Transport has used posters to promote travel around public holidays. At Christmas, festive posters would appear on the network to encourage traveling via Underground for Christmas shopping or to get to winter sales, as well as simply offering passengers festive greetings.

 

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A Hazy Shade of Winter

When I look out of the window this time of the year, I am often reminded of the classic 60s song A Hazy Shade of Winter by Simon and Garfunkel. In my region of North America, December frequently brings dreary, damp and chilly weather that’s more conducive to hunkering down with a good book than venturing outside.

Time, time time, see what’s become of meWhile I looked around for my possibilities
I was so hard to pleaseDon’t look aroundThe leaves are brownAnd the sky is a hazy shade of winter
Hear the Salvation Army bandDown by the riverside’s, there’s bound to be a better rideThan what you’ve got planned
Carry your cup in your handAnd look aroundLeaves are brown, nowAnd the sky is a hazy shade of winter
Hang on to your hopes, my friendThat’s an easy thing to sayBut if your hopes should pass awaySimply pretend that you can build them againLook aroundThe grass is highThe fields are ripeIt’s the springtime of my life
Seasons change with the sceneryWeaving time in a tapestryWon’t you stop and remember meAt any convenient time?Funny how my memory skips while looking over manuscriptsOf unpublished rhymeDrinking my vodka and limeI look aroundLeaves are brown, nowAnd the sky is a hazy shade of winterLook aroundLeaves are brownThere’s a patch of snow on the groundLook aroundLeaves are brownThere’s a patch of snow on the groundLook aroundLeaves are brownThere’s a patch of snow on the ground

 

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