Strip Atlas

British cartographer John Ogilby created an amazing project in 1675: a road atlas of 17th-century Britain, featuring strip maps of most of the major routes in England and Wales. He wrote to Charles II:

I have Attempted to Improve Our Commerce and Correspondency at Home, by Registring and Illustrating Your Majesty’s High-Ways, Directly and Transversely, as from Shoare to Shoare, so to the Prescrib’d Limts of the Circumambient Ocean, from the Great Emporium and Prime Center of the Kingdom, Your Royal Metropolis.

It used a consistent scale of one inch per mile, with each mile comprising 1760 yards, a standard that later mapmakers would follow. You can see the whole atlas here.

 

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art too bad to be ignored

Over the years I have visited hundreds of art museums. Most of those institutions made sincere efforts to curate collections of quality art works. Sometimes there were fails and truly bad art was exhibited. But nothing compares to the extraordinary Museum of Bad Art in Boston, Massachusetts.

In its third decade, and now in a new home, the Museum of Bad Art is dedicated to the celebration of bad art in all of its forms and styles. The awe-inspiring collection was initially inspired by a single painting titled Lucy in the Fields with Flowers. The brilliant collection now incorporates more than 900 works of art that range from pieces created by inspired amateurs with dubious skills to talented artists who temporarily lost the thread.

Boston is a great city for art museums. When you visit, there are some don’t miss institutions such as the Museum of Fine Art, the Institute of Contemporary Art, and the exquisite Isabella Stewart Gardner Museum, but now the Museum of Bad Art has to be added to your itinerary.

 

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The Expressionist As Flâneur

I recently stumbled on the charming video below which led me to the story of the marvelous exhibition MAX GOES FOR A WALK .

“A hand-drawn Max Beckmann walks through his collection of postcards, occasionally changing outfits or morphing into different objects. The hummed song to which he walks is the well-known German nursery song Hänschen Klein (Little Hans, 1899, by Franz Widedemann) which tells of a boy who leaves his sorrowing mother to go out into the world with only his hat and stick, eventually returning as an almost unrecognizable man.

Commissioned for Max Beckmann: Departure at the Pinakothek der Moderne, Munich, Germany, November 25 – March 12, 2023. ”

The work is by Ellen Harvey, a British-born conceptual artist, who also created   The Disappointed Tourist, for which she has been painting lost sites suggested by members of the public.

NB: If the video fails to open please click here.

 

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Black History Month

Here in the former Colonies there has been an alarming campaign by reactionary racist groups to suppress the study of American History in general and the study of the oppression of Black Americans and slavery in particular. This is not an entirely new struggle, but one that has been invigorated by the well funded rightwing Maga cultists. It seems more important than ever to turn attention to the real American experience during Black History Month, which happens every February.

I only recently discovered an excellent series of videos that offer brief history lessons that illuminate many aspects of Black history in the United States. This video series written and narrated by Professor Henry Louis Gates Jr. presents short 2-4 minute lessons about how Black people shaped American history. Here are a few videos to get you started:

NB: If the videos fail to launch in your browser, please click here.

 

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A House upon the Height

Closed since 2019, the Emily Dickinson Museum has now completed a multi-year preservation effort at The Evergreens, aimed at improving environmental conditions for objects in its recently documented collection, and reducing energy consumption.

Reopening on March 1, The Evergreens is an integral component of the American literary site interpreting and celebrating Emily Dickinson’s life and legacy. Located just west of the Homestead, The Evergreens was built for the poet’s brother Austin and his family in 1856. The lives of the Dickinson families at the Homestead and The Evergreens were closely linked, both in their daily conduct and in the private lives that unfolded in the houses. These connections had a profound impact on Emily Dickinson’s poetry and, later, on the posthumous publication of her verse and the preservation of her legacy.

Supported by grants from the National Endowment for the Humanities and the Massachusetts Cultural Facilities Fund, the project focused first on reducing energy consumption through building envelope repairs, new insulation, and light filtration. It continued with installation of a museum-grade HVAC system to maintain temperature and relative humidity in ranges that promote the preservation of sensitive collections objects.

Austin and Susan Dickinson lived at The Evergreens until their respective deaths in 1895 and 1913. Their only surviving child, Martha Dickinson Bianchi, edited numerous collections of her aunt’s poetry and authored biographical works about her in the 1920s and 1930s. She continued to live in the house, and preserved it without change, until her own death in 1943. Her heirs – co-editor Alfred Leete Hampson, and later his widow, Mary Landis Hampson – recognized the tremendous historical and literary significance of a site left completely intact and sought ways to ensure the preservation of The Evergreens as a cultural resource. The house is still completely furnished with Dickinson family furniture, household accouterments, and decor selected and displayed by the family during the nineteenth century.

The museum’s Executive Director Jane Wald said: “We are so pleased that this important project has reached a successful conclusion. The Evergreens is an extraordinary house, unusually preserved, and steeped in the histories of the Dickinson family and the town of Amherst. That it has been little changed since the end of the 19th century and remains full of Dickinson family possessions was a distinct choice by family members and heirs, but one that led to decades of environmental conditions unfriendly to collections. Improvements to the building envelope and an effective heating and cooling system are a significant contribution to the preservation of the Dickinson home, history, and material legacy.” via :

A House upon the Height—
That Wagon never reached—
No Dead, were ever carried down—
No Peddler’s Cart—approached—

Whose Chimney never smoked—
Whose Windows—Night and Morn—
Caught Sunrise first—and Sunset—last—
Then—held an Empty Pane—

Whose fate—Conjecture knew—
No other neighbor—did—
And what it was—we never lisped—
Because He—never told—

 

Posted in Architecture, Books, History, Museums, USA, Writing | Leave a comment

Petit Livre d’Amour

Your Valentine’s Day gift will have to be extraordinary to top  the Petit Livre d’Amour (Little Book of Love). This very elaborate handmade book was given by the 16th-century French poet Pierre Salas to his then lover and future wife Marguerite Bullioud. It measures just 5 by 3.7 inches, hand-written by Salas with gold ink and gorgeously illuminated by an artist identified as the “Master of the Chronique scandaleuseas”. The volume begins with a few pages of prose describing the relationship between the poet and the woman he loves. The rest of the book follows with 12 “iconologues”, a combination of prose and poetry on the left-hand page – including the initials M, for Marguerite and P, for Pierre, scattered about in various forms – and on the right-hand page a corresponding picture. Five of these relate to love, the others to more prosaic topics.

 

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I prefer Grimms’ fairy tales to the newspapers’ front pages

POSSIBILITIES

Wisława Szymborska

I prefer movies.

I prefer cats.

I prefer the oaks along the Warta.

I prefer Dickens to Dostoyevsky.

I prefer myself liking people

to myself loving mankind.

I prefer keeping a needle and thread on hand, just in case.

I prefer the color green.

I prefer not to maintain

that reason is to blame for everything.

I prefer exceptions.

I prefer to leave early.

I prefer talking to doctors about something else.

I prefer the old fine-lined illustrations.

I prefer the absurdity of writing poems

to the absurdity of not writing poems.

I prefer, where love’s concerned, nonspecific anniversaries

that can be celebrated every day.

I prefer moralists

who promise me nothing.

I prefer cunning kindness to the over-trustful kind.

I prefer the earth in civvies.

I prefer conquered to conquering countries.

I prefer having some reservations.

I prefer the hell of chaos to the hell of order.

I prefer Grimms’ fairy tales to the newspapers’ front pages.

I prefer leaves without flowers to flowers without leaves.

I prefer dogs with uncropped tails.

I prefer light eyes, since mine are dark.

I prefer desk drawers.

I prefer many things that I haven’t mentioned here

to many things I’ve also left unsaid.

I prefer zeroes on the loose

to those lined up behind a cipher.

I prefer the time of insects to the time of stars.

I prefer to knock on wood.

I prefer not to ask how much longer and when.

I prefer keeping in mind even the possibility

that existence has its own reason for being.

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You Can Judge a Book By Its Cover

Book Cover Review: is a website solely dedicated to reviewing book covers. David Pearson and team have put to rest that old saw “you can’t judge a book by its cover.” Each cover review is a 500 word essay about the book, its cover, how the two relate, and other relevant opinions. I happily wasted an hour there.

Here’s a bit of The Left hand of Darkness cover  review by W.H. Chong:

Tim White’s intensely felt illustration for Le Guin is a romance of winter: blue snow-covered hill, a stipple of snowfall, alien vegetation, glittering lights against the dark – growing up in the tropics, it had an aching appeal for me. (The central cowled figure is an exact contemporary of the movie poster of John Fowles’ The French Lieutenant’s Woman featuring a cowled Meryl Streep.) The story opens with the brilliant: ‘The King was pregnant’, and climaxes in a sublime, superbly sustained, emotionally harrowing escape over a glacier. Ironically, my own mental images of the story have nothing to do with the cover (as a cover designer I wonder, how is this possible?) – I imagine an action film by Kurosawa, fleet and austere, with subtitles and a glassy, angular soundtrack, and as Le Guin insisted, without any white people.

 

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A Wheel of Time

A big tip of the hat to Travel Between The Pages’ first and most loyal follower Bonnie B. for sharing the amazing video below. I love a good bookbinding project, but this one is extraordinary by any measure. Going by the sobriquet Nerdforge, Martina and Hansi are a young couple from Norway with a fun YouTube channel and mad skills. Take a long at the video below which documents the rebinding of 14 volumes of the fantasy series The Wheel of Time into gigantic book.

NB: If the video fails to open in your browser, please click here.

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What Could Have Been

This video may make some folks uncomfortable, but it reflects the reality of what could have been.

NB: If the video does not open in your browser, please click here.

 

Posted in Asia, Film, Middle East | Tagged , | 4 Comments