Why Islandia

I was recently asked (again) why I still encourage folks to visit Iceland even in this era of overtourism. I could reiterate all of the reasons to go, but this amazing short film by Moscow-based videographer Vadim Sherbakov explains it better than I ever could.

“Islandia — is a Latin name for Iceland and relative to the old language since this film portraits primordial and rough nature of Iceland. For the short duration of the film, you will be transported to a place that easily could be a million years ago. From unbelievable landscapes and vast valleys to painting-like terrain and majestic waterfalls and lakes – this film shows the unparalleled beauty of Iceland and its unearthly glory.”

 

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Under the Martians

As a child, I was a big science fiction fan. I particularly enjoyed illustrated editions such as this great version from the short lived Looking Glass Library imprint. In 1960 artist Edward Gorey created the cover and pen and ink illustrations for a revised edition of H. G. Wells’s The War of the Worlds 1898  classic. This edition was book #21 in The Looking Glass Library series of 28  titles created in 1959 and managed by Jason Epstein, Clelia Carroll and Gorey. Edmund Wilson, Phyllis McGinley and W.H. Auden served as consulting editors. Each book in the series included this description on the dust jacket:

“Looking Glass Library includes a wide range of books for children of all ages… Many of these books have long been out of print, hard to find, or unavailable at prices most children can afford. Whether old or new, each book is among the best of its kind, written with the skill and imaginative truth that give children an appreciation of good literature, and enlarge their sympathies and understanding of the world in which they live.”

 

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This is the month

September is Library Card Sign-up Month, a time when the American Library Association (ALA) and libraries nationwide join together to remind parents, caregivers and students that signing up for a library card is the first step towards academic achievement and lifelong learning.

Disney and Pixar’s “Toy Story 4” characters Woody, Buzz Lightyear, Bo Peep and friends are joining ALA on an adventure to promote the value of a library card. They’ll be reminding the public that signing up for a library card opens a world of infinite possibilities: libraries offer resources and services that help people pursue their passions and give students the tools to succeed in school and beyond.

 

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Reading to Insomniacs

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Fantastical Traveler

On August 22nd the Waukegan Public Library in Waukegan, Illinois, unveiled a 12-foot statue of Ray Bradbury on what would have been the late author’s 99th birthday. The stainless steel sculpture, titled “Fantastical Traveler,” features Bradbury riding a rocket ship while holding onto a book and was inspired, said its creator, Zachary Oxman, by Bradbury’s poem, “If Only We Had Taller Been.”

Bradbury, best known for his novels, The Martian Chronicles and Fahrenheit 451, was born in Waukegan, a Chicago suburb, on August 22, 1920 and lived there until he was thirteen.

According to the Chicago Tribune, the $125,000 cost of the statue was financed through donations. Those who gave at least $150 received a book from Bradbury’s personal book collection, which had been donated to the library upon his death.

 

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September 1, 1939

September 1, 1939

W.H. Auden

I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.

Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.

Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.

Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism’s face
And the international wrong.

Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.

The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.

From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
“I will be true to the wife,
I’ll concentrate more on my work,”
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the deaf,
Who can speak for the dumb?

All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.

Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.

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Don’t Bend

 

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NYC: Poetry on the Street

h/t Nitzan Mintz

 

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Not Summer Reading Material

 

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No, not the editor

h/t Tom Gauld

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