It’s a blue Monday in “Rainy Day, New York,” a 1940 painting by Leon Dolice—a Vienna-born artist who visited NYC in the 1920s, and it’s a rainy blue Monday today.
It’s a blue Monday in “Rainy Day, New York,” a 1940 painting by Leon Dolice—a Vienna-born artist who visited NYC in the 1920s, and it’s a rainy blue Monday today.
Bergen has to be one of my favorite small European cities. The beautifully situated and stunningly scenic city has long been promoted as “the gateway to the Fjords” with much success. But now the tourism professionals at Visit Bergen have enlisted the Norwegian advertising agency Anti to rebrand and update their image.
Norway’s most attractive, and one of its most heavily touristed, destinations has also begun to take steps to head-off the dreaded overtourism that has blighted other European towns. In a daring move, Bergen has set limits on the number of cruiseships that can dock and how long they can remain.
The rebranding campaign, which includes its own typeface, color scheme, travel guides, and tourist merchandise, is using “Life in full contrast” as the new slogan for Visit Bergen. In an effort to broaden attitudes towards the city, they plan to celebrate Bergen’s cultural, as well as natural diversity. There’s even an accompanying video (see below) created with local hip hop artists that uses imagery from a time before tourism was so prevalent.
Last May, the street artist(s) known as Banksy unveiled a dramatic mural near Campo Santa Margherita in Venice. It featured a child refugee clad in a lifevest and holding a neon pink flare. Over the course of Autumn flooding, during the past months, the painting has been lapped by rising waters. This week, Banksy posted photos on social media that appear to show flooding up to the child’s chest, and has covered part of the flare.
Maya Angelou wrote the poem “When Great Trees Fall” when James Baldwin died in December of 1987, and read the poem at his funeral…
“When Great Trees Fall” by Maya Angelou
When great trees fall,
rocks on distant hills shudder,
lions hunker down
in tall grasses,
and even elephants
lumber after safety.
When great trees fall
in forests,
small things recoil into silence,
their senses
eroded beyond fear.
When great souls die,
the air around us becomes
light, rare, sterile.
We breathe, briefly.
Our eyes, briefly,
see with
a hurtful clarity.
Our memory, suddenly sharpened,
examines,
gnaws on kind words
unsaid,
promised walks
never taken.
Great souls die and
our reality, bound to
them, takes leave of us.
Our souls,
dependent upon their
nurture,
now shrink, wizened.
Our minds, formed
and informed by their
radiance,
fall away.
We are not so much maddened
as reduced to the unutterable ignorance
of dark, cold
caves.
And when great souls die,
after a period peace blooms,
slowly and always
irregularly. Spaces fill
with a kind of
soothing electric vibration.
Our senses, restored, never
to be the same, whisper to us.
They existed. They existed.
We can be. Be and be
better. For they existed.
(Photo: Amiri Baraka, Maya Angelou, and Toni Morrison at James Baldwin’s funeral, December 1987)
The British design studio Dorothy has created a map of the United Kingdom incorporating the titles of more than 1,400 pop songs. The map places the names of tracks in the precise location that the music references, imagining a musical trip across the nation. Along with specific cities and towns there are elements of the natural landscape, such as rivers, mountains and famous landmarks.
Many of the tunes included on the map have obvious geographical references – such as Sunshine on Leith by The Proclaimers, Newport State of Mind by Goldie Lookin Chain, Sheffield: Sex City by Pulp and Cardiff Afterlife by Manic Street Preachers – while others are more cryptic. For example, Dorothy has placed Farmer’s Daughter by Babyshambles in Glastonbury, while Wonderwall by Oasis sits at Hadrian’s Wall, and David Bowie’s Scary Monsters and Super Creeps hovers over Loch Ness.
The UK map is a follow-up to a US version that the Dorothy developed last year. The studio has also made a Spotify playlist featuring all of the songs included on the map, which would take 83 hours to listen to in its entirety.
More Than Words is a nonprofit social enterprise that empowers young adults who are in the foster care system, court-involved, homeless, or out of school to take charge of their lives by taking charge of a book business.
They believe that when system-involved youth are empowered with authentic and increasing responsibilities in a business setting, and are given high expectations and a culture of support, they can and will address personal barriers to success, create concrete action plans, and become contributing members of society who live, love and own their futures.
More Than Words serves youth, ages 16 to 24, who have been court-involved, homeless, in foster care, or out of school. 66% have current or previous involvement with the Department of Children and Families and/or the court system and 20% experience homelessness.
The project depends on donated books, which are sold through two Boston area bookstores.