Before Baumgartner

One hundred years before the Austrian daredevil Felix Baumgartner took his leap, there was another Austrian daredevil– Franz Reichelt.

According to French magazine Nouvel Observateur, this tailor from Vienna had moved to France as a young man and become a French citizen — and an inventor. Reichelt created a prototype parachute that he believed could save the lives of aviators.

Although his tests mostly failed, Reichelt believed that this was because they were conducted from too low a base. He finally received permission to carry out a test on a dummy at the Eiffel Tower on February 4, 1912. To the surprise and dismay of his friends, instead of using a dummy, he insisted on jumping himself in his parachute suit, from only the first level of the tower, 200 feet above the ground.

A crowd was present and several cameramen filmed Reichelt’s attempt to float down. Unfortunately, a parachute needs more than 200 feet to deploy, and Reichelt was killed upon impact.

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Take Thunder Rd to The Killing Fields

The witty folks at the British design  group Dorothy created this faux-vintage map of Los Angeles based on film titles. The Film Map cannily incorporates more than 900 movie titles that replace the actual street names, sites and geographical features, such as Resevoir Dogs, Jurassic Park and Lost Highway . The fact-filled map key lists all of the films with director and release date.

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Travel Trends 2012

I was intrigued by this very informative infographic on travel industry trends for 2012. One billion international traveler arrivals—wow that’s amazing ! And why doesn’t anyone want to vacation in Moldova or Tuvalu ? Take a look:

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No Library Card Required

A cleverly converted Leyland Olympia double decker bus nicknamed Maggie has been recyled into the world’s first Bicycle Library. Located in London’s Hackney neighborhood, the innovative library offers seven types of bike for loan or sale, including a popular electric model. The top deck actually houses a library devoted entirely to books and magazines on bicycles and biking. The Bicycle Library is open daily from 11am to 7pm.

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Journey to Atlantis

Today’s guest post is by travel writer Richard Clark:

A Journey to Atlantis

If you have the time while staying on Crete, the capital, Heraklion is the ideal place to board a boat for Santorini, and believe me it is worth the journey if only for a day trip. It is magical.

Shimmering white, perched atop sheer cliffs overlooking a cerulean sea, the villages of Santorini, or Thera as it is classically known, sum up so many people’s visions of a Greek island. Cats bask in the sun under blue shuttered windows as multi-colored flowers cascade from terracotta urns. Even the capital, Fira, the hub of the island’s commercial and tourist trade, manages to retain this picture-postcard charm.

Not much more than 60 miles north of Crete, the first time I took the journey it took four hours. Nowadays it can be done considerably quicker by hydrofoil, but I still prefer the conventional ship. The slower approach to this spectacular island allows more time for the appreciation of its unique views, which are the dramatic result of a history of volcanic activity.

The main crescent-shaped island and its five smaller acolytes are all that remain of a once much larger land mass, which was destroyed by a massive volcanic eruption in the second millennium BC. This explosion blew a hole in the island that now constitutes the Santorini lagoon. What once was dry land now lies submerged 1300 feet underwater.

The consequences of this volcanic event, one of the largest eruptions in recorded history, were monumental. The lagoon covers about 50 square miles and butts up against sheer cliffs that rise up out of the water to a height of 1000 feet. The seismic activity that created this dramatic geological feature also completely destroyed the Bronze Age Minoan civilization that had prevailed there.

For me, contemplating the magnitude of such an event as your ship sails across the deep, calm waters of the caldera is one of the great pleasures of taking this journey. As the ferry coasts towards its mooring on the very edge of the crater’s rim, the cliffs thrust skywards to form the current island, where the small villages of white houses glimmer in the sun as they cling precariously to the summit.

As on other islands, competition to sell rooms was fierce. Walking down the gangplank we were met by hoards of islanders hustling to sell us accommodation. Having only come for a day trip we pushed our way through the scrum and made for the awaiting bus. Cases and crates, rucksacks and boxes were being stowed in the luggage compartment or on the roof, tied down tight in preparation for the winding ascent up the precipitous side of the caldera to the island’s capital.

Huffing and puffing, the bus took off in a cloud of dust and exhaust fumes. The ascent is not for the faint-hearted. The road when I first visited was not bordered by crash barriers and, on each hairpin bend, the bus would alarmingly hang its front end out over the sheer drop to the sea below.

Smoking and with music blaring from the speakers, the driver would wrestle the wheel around the sharp bends, sometimes taking a hand away to cross himself three times whenever passing one of a number of none-too-reassuring roadside shrines.

As the coach neared the top of the cliffs, for the braver of the passengers who looked out and down over the lagoon, the view was breathtaking. Our ship below tied up to its pier and, further out to sea, small fishing caiques plied their trade across the lagoon, leaving a web of wake trails breaking the glassy surface. The occasional pleasure boat was taking visitors to the other inhabited island in the archipelago, Therasia.

From here it is easy to see why Santorini is thought by many to be the inspiration for Plato’s lost island of Atlantis. Although this might be the fanciful romanticizing of a myth, such opinions have been given some credence by frescoes depicting the island’s shape prior to the eruption having been found by archaeologists beneath the volcanic ash.

The wall paintings are considered to have more than a passing resemblance to the Atlantis written about by Plato in his Timaeus and Critias dialogues. These tell the story of a mighty, all-conquering state that spread its influence throughout North Africa and what is now Europe, before catastrophically sinking into the sea.

Such dreadful devastation has created this spectacular landscape, which is now the destination for so many visitors. Its beaches reveal this turbulent geomorphological past, consisting of black, red and white sand depending on which geological layer has been exposed by the erosive action of the sea.

As recently as 1956, the island suffered a sizeable earthquake and volcanic eruption that did significant damage to many buildings and resulted in the desertion of several of its villages. Despite this, a permanent population of about 15,000 people remains on this flawed paradise, making a living out of tourism, wine production, fishing and market gardening.

The climate is especially arid and water is in short supply. A desalination plant supplies water for washing and watering crops, but it is not suitable for human consumption. However, looking out across the bay, it is easy to see why people stay, risking all to remain on this island heaven.

 

Richard Clark is a writer and journalist, and is the author of two books about Greece. Both are available in paperback or in eBook format from Amazon and other major retailers.

The Greek Islands – A Notebook, http://tinyurl.com/cv3j4jm

Crete – A Notebook http://tinyurl.com/6vbdn3a

 

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Please Come to Boston (and dance)

This guest post is from Gabrielle Schaffner, Executive Director of the Fort Point Arts Community in Boston.

Dance Spot is an interactive public art piece that transforms the sidewalks of Boston’s Fort Point neighborhood into colorful dance floors.

A series of five “dance spots”,prominently located throughout the Fort Point neighborhood, each area has a dance diagram drawn on the sidewalk with colorful chalks. Paired with a particular song, passers by can scan a QR code to hear the music, learn the dances via video, and see the dances performed by the artist.

Throughout Fort Point Open Studios weekend (October 19-21) and at other scheduled times throughout the project’s duration, Elisa will travel from dance spot to dance spot with a portable stereo playing each dance spot song while doing the dance spot routines and encouraging others to join in.

through November 8th, 2012

http://www.fortpointarts.org/posts/public-art-fall-2012/

http://www.dancespotboston.com/index.html

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Every Dot On The Map

“Every dot on a map interests me.”

“unless the sun inside you is burning your gut, don’t do it.”

Samizdat is here.

Sometimes we all want to run away and live in cave.

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Pleasures of a good bookshop

Waterstone’s, the last large bookstore chain standing in the UK, is launching a clever print ad campaign to encourage bookshop browsing. The ads are set to run in the London Underground, in national newspapers, online and in outdoor locations.

It seems a bit ironic that the chainstore that put hundreds of independent bookstores out of business is now struggling for survival against online booksellers.

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Or, the Whale

Yesterday, Google treated us to a neat Google Doodle to celebrate the 161st anniversary of the publication of Moby Dick, or, the whale, the iconic American novel by Herman Melville. If you have yet to meet the challenge of the classic book, or if you’re ready to dive in again, you can click on this link to download a free ebook version.

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Lotus Dome or Soft Machine

Inside Lille, France‘s beautiful Église Sainte Marie Madeleine, the Dutch design team Studio Roosegaarde has installed an intrguing dome-like structure composed of metalic petals that responds to the physical presence of visitors.

The Lotus Dome is constructed of hundreds of light-sensitive flowers made of “lotus foil”, which is composed of multiple layers of film. Internal lighting triggers when sensors detect movement causing the flowers to open-up.

The installation was commissioned for Lille’s Fantastic2012, a festival of arts and design.

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