Holidays Are So Random

Does William Gibson know about this?

Time Is of the Essence (Cold Mailman)

Pop Surrealism is now online.

Noelle Stevenson (AKA: gingerhaze) is an illustrator and art student who has cleverly reinterpreted the Lord of the Rings as a hipster/comic/buddy roadtrip story called The Broship.

Ikaria, Greece

If you follow TBTPs on a regular basis, then you know that we heart maps. So, it was a minor thrill to discover that the University of Chicago Press is now offering the first two volumes of the History of Cartography online in a PDF format. Each chapter of the books is a single PDF file. If you are into maps (who isn’t?), then you will find this ambitious project riveting.

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Just In Time for the 4th

Just in time for the July 4th weekend, PAVEL ZOUBOK GALLERY is presenting the exhibition MARK WAGNER: Give Me Liberty or Give Me Death, featuring the artist’s monumental 17 x 6 foot currency collage Liberty, a 1/11 scale play on New York City’s iconic “Statue of Liberty” with fanciful additions and alterations of metaphoric weight. The exhibition also features recent mixed media collages expanding on Wagner’s signature use of the U.S. Dollar bill. The opening reception was on Thursday, June 30 from 6-8pm and the show continues through August 12.The gallery is located at: 533 West 23rd Street (between 10th & 11th Avenue.)

MARK WAGNER’s Liberty is the result of a decade-long exploration into the intersections of art, culture and politics. It is a hybrid work of collage and documentation reproducing Frederic Bertholdi’s sculpture Liberty Enlightening the World. Made of 81,895 pieces cut from 1,121 U.S. Dollar bills, no source material or subject matter is more familiar to the American public, yet the translation of the ubiquitous dollar into this reimagined American icon is mind-boggling. Dozens of George Washington figures inhabit the collage, each engaging in mythic, historical and metaphoric narratives – often times battling against an omimous Gingerbread figure that has featured prominently in Wagner’s work. Built up around the statue’s base is a fantastical garden filled with allegorical tableaux and architectural forms; cut-away sections within the statue expose mysterious inner-workings. Beyond its humor, beauty and spectacle, Liberty addresses issues of economics, civil liberties, American self-image, and artistic practice.

 

For the current exhibition, Wagner has designed a special mount and viewing platform that allows the public to examine the collage in greater detail. An accompanying archive trunk chronicles his year-long process and features some 395 production notes, “Washington” models, an 80-minute time-lapse film showing its construction, and various reference sources.

Included in Give Me Liberty or Give Me Death are some thirty recent works in which Wagner employs a range of new methods and materials, including letterpress printing, wood and bronze sculpture, even abstract painting and collage (in collaboration with artist Joey Parlett). Wagner continues to insert his particular brand of word play and satire in everything he touches, proving that a seemingly limited material – the dollar bill – is for him limitless. The artist continues to visually and conceptually pose and answer the question: What are all the fabulous things one can do with money besides spend it?

Mark Wagner is a co-founder of The Brooklyn Artists Alliance and has published under the name Bird Brain Press and  X-ing Books. His work is in numerous public and private collections including: the Museum of Modern Art, The Walker Art Center, the Library of Congress, The Metropolitan Museum of Art, The Getty Research Institute, and The Brooklyn Museum among others. Recent exhibitions include the Smithsonian Institution National Portrait Gallery, the Faulconer Gallery at Grinnell College, Iowa; and the Oakland University Art Gallery, Michigan. This is Wagner’s third exhibition with Pavel Zoubok Gallery.

 

 

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Words In The City At Night

For the past six years, London-based artist/poet Robert Montgomery has carried out a project that he calls WORDS IN THE CITY AT NIGHT , where he hijacks commercial and public advertising space in cities, often unlawfully. He covers illuminated ad space with black posters with white lettering, which takes on the color scheme of the advertising beneath. Montgomery’s texts are poetic explorations of the collective unconscious.

He also creates self-illuminating word sculptures that utilize solar cells to bank sunlight to make the lettering shine at night.

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Funny, they don’t look Bluish

Morocco is famed for its colorful markets, towns and cities, but the northwestern city of Chefchaouen has a singular take on its color scheme. In fact, it’s rare to find a building in the town that’s not painted completely blue or at least decorated in shades of blue.

Chefchaouen was founded in 1471 as a safehaven for Jewish and Muslim refugees from the Christian Reconquista of Spain and Portugal. These refugees brought a distinctly Andalusian flair for domestic architecture and the practice of adding balconies, patios and tiled roofs to houses. The Jewish immigrants also brought the city’s trademark blue-wash decoration.

Originally, the blue pigments used in covering the town’s buildings was derived from the shells of sea snails called tekelet. And the practice of blue-washing walls was based on the Biblical injunction “speak to the Children of Israel and bid them that they make fringes on the corners of their garments…and that they put upon the fringe a thread of blue (tekhelet)” , Numbers 15:38-39. The Iberian jewish refugees just got carried away.

For centuries, Chefchaouen was closed to foreigners, especially Christians. A few daring travelers, including French explorer Charles Foucauld and English journalist/travel writer Walter Harris visited the city disguised as Jews. Today the town is a popular getaway for Spanish tourists, especially young people who come to purchse cannabis products in Chefchaouen’s medina.

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A Dance With Dragons

If you’re a fan of George R.R. Martin’s Song of Ice and Fire series, then you’re keenly aware that the long awaited ( 6 years! ) conclusion is due for release on July 12th. And if you’re a cynic like me, then you’ll probably skoff at the news that somehow 180 people received copies of A Dance With Dragons two weeks prematurely.

Martins’ publisher, Voyager Books, is requesting that those fans refrain from spoiling the story for the rest of us:

Dear UK George R.R. Martin fans,

We know that there are a lot of you out there.

We know that most of you, like us, have been waiting nigh on six years to crack open the cover of A DANCE WITH DRAGONS and dive back into Westeros to relish the adventures of our old friends Jon, Daenerys, Arya and Tyrion et al.

The wait is almost over – just 14 days and counting. But due to reasons out of our control, the embargo in Europe has been broken and a few US copies have been delivered to customers in error.  Only 180 copies have escaped the embargo, but already there are spoilers leaking out.

And so, Voyager is asking you – if you can bear it –  to avoid your favourite GRRM-related sites (except for George’s official site, and the Voyager site of course, where we will be screening comments as always) to ensure that the latest instalment of this epic story is not spoiled for you. You’ve got a remarkable journey ahead of you, and some stunning surprises, and nothing should come between you and that experience. The embargo is now being thoroughly enforced by all accounts and customers around the world to ensure that no more copies are sold early.

And we would also issue a plea to those 180 fans who have managed to get hold of a copy, to please consider all the other fans around the world who have to wait for the official 12 July pub date and save your spoilers! 

 Sincerely,

Jane, Emma and Amy
Voyager Editorial Team

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New York – Paris : A Love Story

This beautifully executed and edited short was shot entirely on a Nokia N8 phone.

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Reykjavik Is A Work of Art

Snorri Tryggvason spent two years and 3,000 plus hours creating this marvelous new interactive map of Reykjavík Iceland. This work of art is not at all computer generated. A mobile app version will be out soon. Even if you have no current plans to visit, check it out.

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Discover Narrative Nonfiction

 

It’s a nonfiction reader’s fanatsy: a database of 30,000 essays, articles and stories carefully curated, organized and presented; and it’s totally searchable by author, topic and publication.

Byliner.com, which launched last week, offers a recommendation service that suggests new writers that users might like. It also provides indepth author profile pages (free to writers). Byliner was created to function as a subsidiary of Byliners Originals, which produces and markets digital works of nonfiction. The platform’s early offerings include original works by William T. Vollmann, Mary Roach, Anthony Swofford and Jon Krakauer.

Byliner.com is basically a referral service, not a digital library. The site contains article previews and the first few hundred words with links to “Read at Source” or “Read Later”. Give it a try.

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Libraries Without Borders

The Haskell Free Library and Opera House is probably the only cultural institution that’s bisected by an international border. That’s because the US/Canadian border slices right through the library’s Kenneth Baldwin International Reading Room.

You enter the imposing turn-of-the-century building from Derby Line, Vermont and check-out books in Stanstead, Quebec. This paragon of internationalism is governed by a seven member board—four Americans and three Canadians.

There’s no customs presence in the building, but you’re expected to exit to the nation that you entered from.

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From Russia With Love

Self-portrait 1910

Between 1905 and 1915, photographer Sergei Prokudin-Gorskii carried out a remarkable photographic survey of the Russian Empire. He used a custom camera that captured three black and white images in rapid succession and utilizing blue, green and red filters he created amazingly natural color images. Here are some of the 2600 images of people, historic sites, villages, cities and landscapes that the Library of Congress has preserved since acquiring the plates and negatives from the Prokudin-Gorskii family in 1948.

84 y.o. Pinkus Karlinsky 1909

Emir of Bukhara

Photographer Petrozavdsk 1910

Jewish Students Samarkand 1910

Kyn 1912

Dagestan 1910

Abhazia 1910

Armenia 1910

Tiblisi 1910

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