Once upon a time there were two brothers.

THE HISTORY OF MY LIFE

John Ashbery

Once upon a time there were two brothers.
Then there was only one: myself.

I grew up very fast, before learning to drive,
even. There was I: a stinking adult.

I thought of developing interests
someone might take an interest in. No soap.

I became very weepy for what had seemed
like the pleasant early years. As I aged

increasingly, I also grew more charitable
with regard to my thoughts and ideas,

thinking them at least as good as the next man’s.
Then a great devouring cloud

came and loitered on the horizon, drinking
it up, for what seemed like months or years.

Happy Birthday, Steve. Je me souviens.

 

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Working through the TBR pile

 

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Lou Reed meets Edgar Allan Poe

I have long been a fan of the late great Lou Reed, but I only recently discovered that he created an updated version of the iconic poem The Raven by Edgar Allan Poe. In 2003, he  set Poe’s most famous stories and poems to music for an album. Along with the record, Reed collaborated on a graphic novel of The Raven with Italian cartoonist and artist Lorenzo Mattotti, whose stunning crayon pastel illustrations amplify the mood of Poe’s poetry.

Here’s Reed’s rewrite of “The Raven”:

Once upon a midnight dreary
as I pondered, weak and weary
over many a quaint and curious
volume of forgotten lore
while I nodded, nearly napping
suddenly there came a tapping
as of some one gently rapping
rapping at my chamber door
“‘Tis some visitor,” I muttered
“tapping at my chamber door
only this and nothing more.”
Muttering I got up weakly
always I’ve had trouble sleeping
stumbling upright my mind racing
furtive thoughts flowing once more
I, there hoping for some sunrise
happiness would be a surprise
loneliness no longer a prize
rapping at my chamber door
seeking out the clever bore
lost in dreams forever more
only this and nothing more
Hovering my pulse was racing
stale tobacco my lips tasting
scotch sitting upon my basin
remnants of the night before
came again
infernal tapping on the door
in my mind jabbing
is it in or outside rapping
calling out to me once more
the fit and fury of Lenore
nameless here forever more
And the silken sad uncertain
rustling of the purple curtain
thrilled me, filled me
with fantastic terrors never felt before
so that now, oh wind, stood breathing
hoping yet to calm my breathing
“‘Tis some visitor entreating
entrance at my chamber door
some lost visitor entreating
entrance at my chamber door
this it is, and nothing more.”
Deep into the darkness peering
long I stood there
wondering fearing
doubting dreaming fantasies
no mortal dared to dream before
but the silence was unbroken
and the stillness gave no token
and the only word there spoken
was the whispered name, “Lenore.”
this I thought
and out loud whispered from my lips
the foul name festered
echoing itself
merely this, and nothing more
Back into my chamber turning
every nerve within me burning
when once again I heard a tapping
somewhat louder than before
“surely,” said I
surely that is something at my iron staircase
open the door to see what threat is
open the window, free the shutters
let us this mystery explore
oh, bursting heart be still this once
and let this mystery explore
it is the wind and nothing more
Just one epithet I muttered as inside
I gagged and shuddered
when with manly flirt and flutter
in there flew a stately raven
sleek and ravenous as any foe
not the least obeisance made he
not a minutes gesture towards me
of recognition or politeness
but perched above my chamber door
this fowl and salivating visage
insinuating with its knowledge
perched above my chamber door
silent sat and staring
nothing more
Askance, askew
the self’s sad fancy smiles at you I swear
at this savage viscous countenance it wears
Though you show here shorn and shaven
and I admit myself forlorn and craven
ghastly grim and ancient raven
wandering from the opiate shores
tell me what thy lordly name is
that you are not nightmare sewage
some dire powder drink or inhalation
framed from flames of downtown lore
quotes the raven, “nevermore.”
And the raven sitting lonely
staring sickly at my male sex only
that one word
as if his soul in that one word
he did outpour, “pathetic.”
nothing farther than he uttered
not a feather then he fluttered
till finally was I that muttered as I stared
dully at the floor
“other friends have flown and left me
flown as each and every hope has flown before
as you no doubt will fore the morrow.”
but the bird said, “never, more.”
Then I felt the air grow denser
perfumed from some unseen incense
as though accepting angelic intrusion
when in fact I felt collusion
before the guise of false memories respite
respite through the haze of cocaine’s glory
I smoke and smoke the blue vial’s glory
to forget
at once
the base Lenore
quoth the raven, “nevermore.”
“Prophet,” said I, “thing of evil
prophet still, if bird or devil
by that heaven that bend above us
by that God we both ignore
tell this soul with sorrow laden
willful and destructive intent
how had lapsed a pure heart lady
to the greediest of needs
sweaty arrogant dickless liar
who ascribed to nothing higher
than a jab from prick to needle
straight to betrayal and disgrace
the conscience showing not a trace.”
quoth the raven, “nevermore.”
“Be that word our sign of parting
bird or fiend,” I yelled upstarting
“get thee back into the tempest
into the smoke filled bottle’s shore
leave no black plume as a token
of the slime thy soul hath spoken
leave my loneliness unbroken
quit as those have quit before
take the talon from my heart
and see that I can care no more
whatever mattered came before
I vanish with the dead Lenore.”
quoth the raven, “nevermore.”
But the raven, never flitting
still is sitting silent sitting
above a painting silent painting
of the forever silenced whore
and his eyes have all the seeming
of a demon’s that is dreaming
and the lamplight over him
streaming throws his shadow to the floor
I love she who hates me more
I love she who hates me more
and my soul shall not be lifted from that shadow
nevermore

 

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Take That Trip

It’s hard to believe that the inimitable Anthony Bourdain has been gone for five years. Unlike most folks, I discovered his writing through his first novel Bone in the Throat in the early 1990s and not via his culinary or travel projects. Recently, I stumbled on an interesting post about Bourdain and his views on travel.  Indeed, exploring parts unknown shifts our perspective, sparks our imagination, and reminds us of our shared humanity and our wonderful differences. DIGG compiled an inspiring collection of Bourdain’s words on the joy of traveling:

Do we really want to travel in hermetically sealed popemobiles through the rural provinces of France, Mexico and the Far East, eating only in Hard Rock Cafes and McDonald’s? Or do we want to eat without fear, tearing into the local stew, the humble taqueria’s mystery meat, the sincerely offered gift of a lightly grilled fish head? I know what I want. I want it all. — “Kitchen Confidential: Adventures in the Culinary Underbelly”

As you move through this life and this world you change things slightly, you leave marks behind, however small. And in return, life — and travel — leaves marks on you. Most of the time, those marks — on your body or on your heart — are beautiful. Often, though, they hurt. — “The Nasty Bits: Collected Cuts, Useable Trim, Scraps and Bones”

If I’m an advocate for anything, it’s to move. As far as you can, as much as you can. Across the ocean, or simply across the river. The extent to which you can walk in somebody else’s shoes — or at least eat their food — it’s a plus for everybody. Open your mind. Get up off the couch. Move. — “No Reservations, Brooklyn

 

 

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Utopia 14

I was today years old when I learned that Kurt Vonnegut’s 1952 novel Player Piano was re-released in a paperback edition as Utopia 14 in 1954. Player Piano is the first novel by  Vonnegut, in it he depicts a dystopia of automation partly inspired by the author’s time working at General Electric, describing the negative impact technology can have on quality of life. The story takes place in a near-future society that is almost totally mechanized, eliminating the need for human laborers. The widespread mechanization creates conflict between the wealthy upper class, the engineers and managers, who keep society running, and the lower class, whose skills and purpose in society have been replaced by machines. The book uses irony and sentimentality, which were to become hallmarks developed further in Vonnegut’s later works.

 

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Diminished Galleries

DIMINISHED GALLERIES

Keith Waldrop

1932-2023

too old for
vision I must
settle for dreams
specific forms
of cloud
(body surrounded by
body)
every sensation con-
ceals a dream
fresco
figurine
sculpture in
low relief
(a motor halo a
mental blue)
cleft in the
logical space
(wilderness or
wrack)
we have lived
on a ladder to
the window of a
room to which
the key is lost
(words lost
in the music)
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Do the Philly Crawl

Dozens of indie bookshops in Philadelphia, Pa., are taking part this Saturday, August 26, in the first-ever Philly Bookstore Crawl, Philly Voice reported.

The bookstore crawl will feature appearances from local authors, discounts, giveaways, and plenty of special activities. Iffy Books, for example, will have a coding workshop for children and adults, while A Novel Idea will host florist pop-up Books & Blooms.

Harriett’s Bookshop, which has been closed while the owner has operated a pop-up in Paris, will reopen during the crawl, and the new bookstore Healing While Black will host a grand opening celebration.

More details about the event, an interactive map, and a full list of participating stores, can be found here.

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feel the onward rushing power of the train

 

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Modern Classics Revived

I was happily surprised to learn that Penguin Modern Classics has revived its crime and espionage series with titles by the likes of Josephine Tey,  John le Carré, Len Deighton and Chester Himes, published with an updated version of their “bottle-green” covers.

After being discontinued almost 30 years ago, the revived series, which is published in 10-book tranches, is being curated by author and Penguin Press publishing director Simon Winder. The publisher said the revival of Penguin Crime and Espionage “has seen Simon dig deep into the archives, reading hundreds of books to determine which of our existing titles should make the list, and which titles, previously not published by Penguin, should have been included years ago.”

 

The first 10 titles to be published will be: Call for the Dead by John le Carré; SS-GB by Len Deighton; Maigret and the Headless Corpse by Georges Simenon; In a Lonely Place by Dorothy B Hughes; Cotton Comes to Harlem by Chester Himes; The Franchise Affair by Josephine Tey; Beast in the Shadows by Edogawa Rampo; Journey into Fear by Eric Ambler; The Drowning Pool by Ross Macdonald; and The Night of the Hunter by Davis Grubb.

Winder said: “Penguin Modern Classics is one of the great publishers of crime and suspense fiction. I thought it would be enjoyable to pick out some highlights, add some new titles and revive the wonderful green livery Penguin used to use for all its crime fiction.

 

“These books are united by atmosphere, anxiety, a strong sense of time and place, and an often appalling ingenuity, both on behalf of the authors and their characters.  They have also all aged very well, gaining an additional pleasure from shifts in manners, clothes, wisecracks, politics, murder weapons and potential alibis.

“The novels were designed to be entertainments, albeit sometimes of a very dark kind, and they all plumb extremes.  Fear of fascism or communism, fear of the anonymous city or of a fetid swamp, fear of vast global conspiracies or of just one rather odd family member with a glint in his eye.”

The publisher added: “For lifelong crime lovers, who will no doubt be as excited as we are for the return of the bottle-green jackets as well as the previously unpublished titles, to new readers unsure where to start with the formidable back catalogues of Georges Simenon, Eric Ambler, or Len Deighton, the Penguin Crime and Espionage series is a collection of gems showcasing the best of the Golden Age of Crime.”

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Recommending A Book

 

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