I Love Autumn

 

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Home of Chocolate

Somehow I missed one of the most important stories of last month with the news that Lindt has opened an all new headquarters museum near Zurich. The Lindt Home of Chocolate welcomed its first visitors in Kilchberg, Switzerland on September 15th. The largest of its kind in the world, the museum offers 65,000 square feet of chocoholic content, including an interactive exhibition dedicated to the magic food’s history and production, a café, a Lindt chocolate shop, a research facility for chocolate innovation, a space for chocolate-making classes, and a viewable production line.

Arguably the museum’s main attraction is an enormous 9-meter chocolate fountain situated in the central hall. The impressive fountain features an giant golden whisk that drips 1,500 liters of liquid cocoa into a giant Lindor truffle. The chocolate flows through the sculpture’s 100 meters of hidden piping at a rate of a kilogram per second.

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If M.C. Escher Designed Bookstores

Situated in the southwestern Chinese city of Dujiangyan, in Sichuan province, this extraordinary new bookstore looks like it could have been designed by M.C. Escher himself. The amazing building features mirrored ceilings and extremely tall bookshelves in soaring C-shaped arches. Mirrored ceilings and lofty interiors create an otherworldly display space. Highly reflective black tile floors make furnishings appear to almost float.

One can’t help but be jealous of these astounding new bookstores that are popping up across China, while here in North America we can barely keep threadbare chain booksellers open.

 

 

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a novel shortcut

by Liana Finck

 

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Tale for Tale

The Teller of Tales

Gabriela Mistral

translated by Ursula K. Le Guin

When I’m walking, everything
on earth gets up
and stops me and whispers to me,
and what they tell me is their story.

And the people walking
on the road leave me their stories,
I pick them up where they fell
in cocoons of silken thread.

Stories run through my body
or sit purring in my lap.
So many they take my breath away,
buzzing, boiling, humming.
Uncalled they come to me,
and told, they still won’t leave me.

The ones that come down through the trees
weave and unweave themselves,
and knit me up and wind me round
until the sea drives them away.

But the sea that’s always telling stories,
the wearier I am the more it tells me…

The people who cut trees,
the people who break stones,
want stories before they go to sleep.

Women looking for children
who got lost and don’t come home,
women who think they’re alive
and don’t know they’re dead,
every night they ask for stories,
and I return tale for tale.

In the middle of the road, I stand
between rivers that won’t let me go,
and the circle keeps closing
and I’m caught in the wheel.

The riverside people tell me
of the drowned woman sunk in grasses
and her gaze tells her story,
and I graft the tales into my open hands.

To the thumb come stories of animals,
to the index fingers, stories of my dead.
There are so many tales of children
they swarm on my palms like ants.

When my arms held
the one I had, the stories
all ran as a blood-gift
in my arms, all through the night.
Now, turned to the East,
I’m giving them away because I forget them.

Old folks want them to be lies.
Children want them to be true.
All of them want to hear my own story,
which, on my living tongue, is dead.

I’m seeking someone who remembers it
leaf by leaf, thread by thread.
I lend her my breath, I give her my legs,
so that hearing it may waken it for me.

 


La Contadora 

Cuando camino se levantan
todas las cosas de la tierra
y me paran y cuchichean
y es su historia lo que cuentan.

Y las gentes que caminan
en la ruta me la dejan
y la recojo caída
en capullos que son de huella.

Historias corren mi cuerpo
o en mi regazo ronronean.
Tantas son que no dan respiro,
zumban, hierven y abejean.
Sin llamada se me vienen
y contadas tampoco dejan…

Las que bajan por los árboles
se trenzan y se destrenzan,
y me tejen y me envuelvan
hasta que el mar los ahuyenta.

Pero el mar que cuenta siempre
más rendida, más me deja…

Los que están mascando bosque
y los que rompen la piedra,
al dormirse quieren historias.

Mujeres que buscan hijos
perdidos que no regresan,
y las que se creen vivas
y no saben que están muertas,
cada noche piden historias,
y yo me rindo cuenta que cuenta.

A medio camino quedo
entre ríos que no me sueltan,
el corro se va cerrando
y me atrapa en la rueda.

Los ribereños me cuentan
la ahogada sumida en hierbas,
y su mirada cuenta su historia,
y yo las tronco en mis palmas abiertas.

Al pulgar llegan las de animales,
al índice las de mis muertos.
Las de niños, de ser tantas
en las palmas me hormiguean.

Cuando tomaba así mis brazos
el que yo tuve, todas ellas
en regalo de sangre corrieron
mis brazos una noche entera.
Ahora yo, vuelta al Oriente,
se las voy dando porque no recuerdo.

Los viejos las quieren mentidas,
los niños las quieren ciertas.
Todos quieren oír la historia mía
que en mi lengua viva está muerta.

Busco alguna que la recuerde
hoja por hoja, herbra por hebra.
Le presto mi aliento, le doy mi marcha
por si el oírla me la despierta.

From Selected Poems of Gabriela Mistral: Translated by Ursula K. Le Guin. Copyright © 2003 Ursula K. Le Guin. Courtesy of University of New Mexico Press.

 

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Coffee Makes the World Go Round

Today is National Coffee Day here in the USA. And although my own coffee roasting machine is giving me headaches, I still love each and every cup of joe that I produce. The marvelous video below is a perfect way to celebrate the day and the magic elixir. Thomas Blanchard  directed this loving look at the heavenly beverage titled  “Oooh !! My Delicious Coffee”. This paradoxically soothing film features waves of coffee and cream washing past the camera lens in varying, equally hypnotic stages. Blanchard combined paint, oil and coffee to achieve this brilliant effect. The exceptional soundtrack is by Alexis Dehimi 

 

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Total Eclipse of Rationality

American Fascism Now (Rotland Press) offers a chilling look at the United States in 2020, with powerful linocut prints by Sue Coe and text by historian Stephen F. Eisenman. The frightening book chronicles a country on the verge of a political and cultural abyss. It’s no coincident that the book has the look and feel of 1920s and 30s German texts.

 

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Library, Museum, Spaceship ?

Here at TBTP World HQ, we still sorely miss visiting libraries and museums. So, we are forced to live vicariously for now through virtual travel. We were intrigued to learn about this amazing new project outside of Tokyo that launched on August 1, 2020. The stunning Kadokawa Musashino Museum  is part art museum and part library inside of a monolithic granite structure that was designed by Kengo Kuma for Kadokawa, a major publisher of manga and fiction.

 

A highlight of the institution is the Bookshelf Theater Library, a dramatic space occupying sections of the 4th and 5th floor. With 26 foot floor-to-ceiling bookshelves, the soaring library will accommodate 50,000 books. Inside the imposing building there are 5 floors consisting of various sections dedicated to books, anime, art and cartoons.

 

 

 

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Magnum Opus

 

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Devotion is full of arrows

ON KINGDOMS

Joanna Klink

Who is ever at home in oneself.
Land without mercy. Interstates
set flickering by night. When I speak to you
I can feel a storm falling blackly to the roads,
the pelting rains the instant they
hit. Devotion is full of arrows.
Most weeks I am no more than the color of the walls
in the room where we sit, or I am blind to clocks,
restless, off-guard, accomplice to the weathers
that burn and flee, foamless, across a sky
that was my past, that is
what I was. I am always too close.
I am not sure I will ever be
wholly alive. Still—we are faithful.
Small birds hook their flights into the fog.
The heat crosses in shoals over these roads
and this evening the cottonwoods may sway
with that slow darkgold wind
beyond all urgency. I am listening to you.

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