A big h/t to Bonnie B. our first and most loyal subscriber for this post on a loving restoration project from Japan.
As an antiquarian and secondhand bookseller, I’ve done some minor repairs and restorations over the years, but nothing like this massive rejuvenation carried out by Japanese bookbinder Nobuo Okano who brought a much loved English-Japanese dictionary back to life.
The video below shows how he managed to resurrect the 1,000 page volume. All of us book lovers can identify with his dedication to saving a well-used volume.
By now you have probably noticed that I’m a sucker for a clever travel/tourism campaign. So it will be no surprise that I fell hard to this clever video from New Zealand urging travelers to stop repeating stereotypical photos they see online and “share something new” instead. The amusing short video features comedian Tom Sainsbury as a member of the “Social Observation Squad (SOS).” The film has him following tourists to some of the New Zealand’s best known spots and urging them to stop traveling “under the social influence.”
The video is part of the country’s tourism campaign called “Do Something New.” Unfortunately, most of us won’t have a chance to do that any time soon as New Zealand is effectively closed to foreign tourists for the remainder of the year. Personally, I’m hoping that the ban will be lifted by next November so that I can get back and take some of my own cliché tourist pics.
I was completely charmed by this new tourism ad (below) created for Travel Oregon by the folks at studio Sun Creature. Maybe I’m just primed for hitting the road again, but the short animation has me thinking about the wonders of the U.S. Pacific Northwest.
British wit Michael Reeve created a handsome folklore generator, in the form of brief footnote-like references. It was inspired by The Loremen Podcast, which explores forgotten folklore and obscure local curiosities. I may be a geek, but I love playing with this silly tool. Give it a try, you’ll be hooked too.
I’ve been to Iceland many times over the years, but I only managed to see the Aurora Borealis during my last visit. I was fortunate to catch the magical lights four nights in a row thanks to the owner of my rented apartment who actually texted me every time that the lights were visible in the Reykjavik area. Now it’s possible to see the Aurora from the comfort and warmth of your own home thanks to the Live Aurora Network . The Aurora Cam Iceland offers a livestream of the northern lights, allowing anyone in the world to tune into the stream and view the natural wonder.
The Live Aurora Network has five camera locations in Iceland: Ulfljotsvatn, Hvolsvollur, Falkahreidur, Borgarnes, and Kirkjufell, with more coming soon. Brothers Steven and Tony Collins founded the Live Aurora network in 2018 after devoting countless hours searching for the northern lights. Driven to find a better way to spot the Aurora on those cold Icelandic nights, the pair developed the Live Aurora Network app, which allows users to be notified when the aurora is visible. It is the only true ‘real-time’ video alert app as well as the only app to be linked to full HD live cameras. Check out the livestream here and download the app here.
One of the highlights of my first trip to California many years ago was spending time around the Monterey Bay. There are almost limitless things to do in the area, but one of the most memorable attractions is the fabulous Monterey Bay Aquarium. Although it’s closed due to the Pandemic, the staff has been sharing multiple live webcams of fantastic Pacific Ocean habitats, from the otherworldly Moon Jelly Cam and Sea Otter Cam to the Kelp Forest Cam and Open Sea Cam. They’ve also created a set of pre-recorded sea-themed guided meditations: MeditOceans. As a long-time meditator, I especially connected with the “Splashing Ocean Waves Morning MeditOcean ” video below. Definitely checkout the entire range of webcams and meditative videos; it will be well worth your time.
Amanda Gorman became the youngest person to deliver a poem at a U.S. presidential inauguration, with the 22-year-old reciting her poem “The Hill We Climb” after Joe Biden and Kamala Harris were sworn in as president and vice president.
For many viewers, the highlight of the presidential inauguration earlier this week was easily her reading of her poem, “The Hill We Climb”. Of the moving and timely poem, Gorman told the Washington Post, “My hope is that my poem will represent a moment of unity for our country,” and that “with my words, I’ll be able to speak to a new chapter and era for our nation.”
When day comes we ask ourselves, where can we find light in this never-ending shade? The loss we carry, a sea we must wade We’ve braved the belly of the beast We’ve learned that quiet isn’t always peace And the norms and notions of what just is Isn’t always just-ice And yet the dawn is ours before we knew it Somehow we do it Somehow we’ve weathered and witnessed a nation that isn’t broken but simply unfinished We the successors of a country and a time Where a skinny Black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one And yes we are far from polished far from pristine but that doesn’t mean we are striving to form a union that is perfect We are striving to forge a union with purpose To compose a country committed to all cultures, colors, characters and conditions of man And so we lift our gazes not to what stands between us but what stands before us We close the divide because we know, to put our future first, we must first put our differences aside We lay down our arms so we can reach out our arms to one another We seek harm to none and harmony for all Let the globe, if nothing else, say this is true: That even as we grieved, we grew That even as we hurt, we hoped That even as we tired, we tried That we’ll forever be tied together, victorious Not because we will never again know defeat but because we will never again sow division Scripture tells us to envision that everyone shall sit under their own vine and fig tree And no one shall make them afraid If we’re to live up to our own time Then victory won’t lie in the blade But in all the bridges we’ve made That is the promised glade The hill we climb If only we dare It’s because being American is more than a pride we inherit, it’s the past we step into and how we repair it We’ve seen a force that would shatter our nation rather than share it Would destroy our country if it meant delaying democracy And this effort very nearly succeeded But while democracy can be periodically delayed it can never be permanently defeated In this truth in this faith we trust For while we have our eyes on the future history has its eyes on us This is the era of just redemption We feared at its inception We did not feel prepared to be the heirs of such a terrifying hour but within it we found the power to author a new chapter To offer hope and laughter to ourselves So while once we asked, how could we possibly prevail over catastrophe? Now we assert How could catastrophe possibly prevail over us? We will not march back to what was but move to what shall be A country that is bruised but whole, benevolent but bold, fierce and free We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation Our blunders become their burdens But one thing is certain: If we merge mercy with might, and might with right, then love becomes our legacy and change our children’s birthright So let us leave behind a country better than the one we were left with Every breath from my bronze-pounded chest, we will raise this wounded world into a wondrous one We will rise from the gold-limbed hills of the west, we will rise from the windswept northeast where our forefathers first realized revolution We will rise from the lake-rimmed cities of the midwestern states, we will rise from the sunbaked south We will rebuild, reconcile and recover and every known nook of our nation and every corner called our country, our people diverse and beautiful will emerge, battered and beautiful When day comes we step out of the shade, aflame and unafraid The new dawn blooms as we free it For there is always light, if only we’re brave enough to see it If only we’re brave enough to be it
I’m disappointed that I will be missing this current exhibition at New York City’s magnificent Morgan Museum and Library. Betye Saar: Call and Response is based on Los Angeles–based artist Betye Saar who emerged in the 1960s as a major voice in American art. Part of a wave of artists, many of them African American, who embraced the medium of assemblage, she is known best for incisive collages and assemblage sculptures that confront and reclaim racist images. Saar brings to her work a remarkable sensitivity to materials. Her imagery is drawn from popular culture, family history, and a wide range of spiritual traditions.
This exhibition, conceived in close consultation with the artist, looks at the relationship between Saar’s finished works and the preliminary annotated sketches she has made in small notebooks throughout her career. In addition, the show will include approximately a dozen of Saar’s travel sketchbooks with more finished drawings and collages—often relating to leitmotifs seen across her oeuvre—which she has made over a lifetime of journeys worldwide. Selections will cover the span of her career, from the late 1960s up through a sculptural installation made specifically for this exhibition.