Living in the Real World

Most reasonably educated adults—other than flatearth nincompoops—are well aware that the way we map our planet distorts the actual size of countries and continents. For centuries, we have generally ignored the wildly misleading maps that are used in most publications. I recently stumbled upon an enlightening article titled “Maps Distort How We See the World” by Tomas Pueyo. His collection of maps and graphics offers a sobering examination of the ways in which we misunderstand our planet and the imapcts on policies and politics that result.

Brazil is the most short-changed country, as it’s right on the equator and huge. Here it is compared to Europe.

The Panama Canal runs north-south, and ships enter in the west and leave in the east

 

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Five for Friday

Hermann Hesse // “This day will never come again and anyone who fails to eat and drink and taste and smell it will never have it offered to him again in all eternity. The sun will never shine as it does today…You must play your part and sing a song, one of your best.”

 

 

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Mid-Summer’s Eve or publication day

 

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The water was black and warm

Much has been written about the great American novelist Cormac McCarthy since his recent death. I have long admired his writing, but often found his books to be grim. Ironically, my favorite work is The Road, which is about a dark a novel one can find.

In the many stories about McCarthy, I ran across this wonderful passage from his book All the Pretty Horses. If you haven’t been tempted to read his novels, it may be the best place to start.

“The water was black and warm and he turned in the lake and spread his arms in the water and the water was so dark and so silky and he watched across the still black surface to where she stood on the shore with the horse and he watched where she stepped from her pooled clothing so pale, so pale, like a chrysalis emerging, and walked into the water.

She paused midway to look back. Standing there trembling in the water and not from the cold for there was none. Do not speak to her. Do not call. When she reached him he held out his hand and she took it. She was so pale in the lake she seemed to be burning. Like foxfire in a darkened wood. That burned cold. Like the moon that burned cold. Her black hair floating on the water about her, falling and floating on the water. She put her other arm about his shoulder and looked toward the moon in the west do not speak to her do not call and then she turned her face up to him. Sweeter for the larceny of time and flesh, sweeter for the betrayal. Nesting cranes that stood singlefooted among the cane on the south shore had pulled their slender beaks from their wingpits to watch. Me quieres? she said. Yes, he said. He said her name. God yes, he said.”

 

 

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To My Enemies

Watching the nonstop maddening show of U.S. politics and culture these days, I have been reminded of the poem “To My Enemies” by the under-appreciated American poet Bert Meyers.

Meyers was born in Los Angeles on March 20, 1928. The son of Romanian Jewish immigrants, he maintained strong lifelong ties to his Jewish cultural heritage without being religious. Always rebellious and a questioner of authority, Meyers decided to drop out of high school and become a poet.

For many years, he worked manual labor jobs including janitor, farm worker, house painter, and printer’s apprentice, until he became a master picture framer and gilder. With this work, he finally found some satisfaction in the process of craftsmanship and attention to detail, which was the same approach he used in composing his poetry. Throughout these years, Myer continued to write, feeling that a poet should be immersed in the world, not ensconced in academia, and should have real-world subjects to write about. As he wrote in his journals, “I worked for more than fifteen years at various kinds of manual labor and during that time I met many men and women who could see and speak as poetically as those who are glorified by the printing press and the universities.”

To My Enemies

I’m still here, in a skin
thinner than a dybbuk’s raincoat;
strange as the birds who scrounge,
those stubborn pumps
that bring up nothing…
Maddened by you
for whom the cash register,
with its clerical bells,
is a national church;
you, whose instant smile
cracks the earth at my feet…
May your wife go to paradise
with the garbage man,
your prick hang like a shoelace,
your balls become raisins,
hair grow on the whites of your eyes
and your eyelashes turn
into lawn mowers
that cut from nine to five…
Man is a skin disease
that covers the earth.
The stars are antibodies
approaching, your president
is a tsetse-fly…
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Cut & Run

“Most artists have an obsession that defines their work,” reads the message from Banksy on the wall of Glasgow’s GoMA gallery. “Monet had light, Hockney has colour, I’ve got police response time.” Everyone’s favorite graffiti artist just launched his first solo show in 14 years. Cut & Run – 25 Years of Card Labour had been kept secret right up until the day tickets went on sale, but the word is out now.

The international man of mystery Banksy’s new show in Glasgow documents his first 25 years of stenciling.

“I’ve kept these stencils hidden away for years,” he says in a press statement, “mindful they could be used as evidence in a charge of criminal damage. But that moment seems to have passed, so now I’m exhibiting them as works of art in a gallery. I’m not sure which is the greater crime.”

“As the first exhibition ever to show the stencils Banksy uses to transform abandoned places, street corners, war zones and placards, Cut & Run is the closest we’ve come to seeing behind his mask. These cardboard relics – many of them also painted on to create new reinterpretations – are hung a foot or so off the walls and dramatically lit, their shadows play across their backdrops to form striking light-shapes. The effect is jaw-dropping. Yet for Banksy-watchers, it’s the storytelling that really raises the hairs on the back of your neck.”

Reading about the show online this weekend I came to the sad realization that I hadn’t been to Glasgow for more than 20 years. Way back in the 20th century, I had the opportunity to spend so quality time there and always enjoyed the city. If you’re in the UK this summer, it’s well worth a visit.

 

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Mind the Gap

Transport for London (TfL) recently launched an updated Public Transport Safety campaign, developed in partnership with creative agency VCCP to remind travelers of its commitment to maintaining safe travel for all.

Featuring vivid primary colors, the posters aim to cut through the clutter of noise in busy train stations in order to raise awareness of the potential risks that could be lurking on an everyday commute.

 

TfL  tapped illustrator Andrew Hudson for the project, who opted for bold, 3D typography throughout the campaign’s collaterals. These will run across out-of-home, digital, social media, and internal communications platforms.

 

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Passports Please

In the waning days of the American Empire, our once powerful passport now lacks the cachet that it once possessed. Now it’s time for other nation’s passports to edge ours aside. The Passport Index is an interesting internet projects that helps to make sense of the shifting power of international documentation. It ranks each national passport by a “mobility score”, i.e. how much it allows holders of each passport to travel the world. It reveals the vast inequality inherent in your place of birth. It’s OK to gloat if your passport opens borders for you.

 

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A Novel Library of America

1,001 Novels: A Library of America is a brilliant interactive literary map of the United States. The project maps more than 1,000 works of fiction and sets them based on the geographical “heart” of each story.

1,001 Novels: A Library of America is a labor of  love created by Susan Straight, an author and professor of creative writing at UC Riverside. Over the course of five years, Straight read and mapped 1,001 novels set in the United States. The resulting interactive map allows the user to explore American novels by region, plot, and theme.

Straight’s goal in mapping over one thousand American novels was to “tell the story of America through its literature.” She believes that novels can provide a unique window into the lives of people from different parts of the country and different eras. By mapping the novels, Straight also hoped to create a tool that can help readers discover new books and learn more about the history and culture of the United States.

 

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Guided by AI (and cats)

I recently stumbled upon meoweler an AI-generated travel guide for cats -made by Vilem Ries. It’s not actually a travel site for cats, but it is heavily cat-oriented and cat themed. I’m still not sure what Zurich-based Google designer Ries intended to accomplish with this project, but it actually offers serious travel advice for 5,000 cities worldwide. While I wouldn’t use it to plan my travels, nevertheless it’s a fun diversion.

 

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