W. H. Auden’s “Musée des Beaux Arts,” written in 1938, is one of the better-known examples of ekphrasis, or poems inspired by artworks, up there with Keats’s “Ode on a Grecian Urn” and Rilke’s “Archaic Torso of Apollo.”Auden’s subject is a painting by Pieter Bruegel the Elder: “Landscape With the Fall of Icarus.”In December of 1938, Auden was in Brussels, where he visited the city’s Royal Museums of Fine Arts. Like today, it was a period of crisis in Europe, and we can presume the looming war was on his mind. But the poem doesn’t mention war directly; it’s sneakier than that.
MUSÉE DES BEAUX ARTS
by W.H. Auden
About suffering they were never wrong,
The Old Masters: how well they understood
Its human position; how it takes place
While someone else is eating or opening a window
or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer’s horse
Scratches its innocent behind on a tree.
In Breughel’s Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on
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