When Great Trees Fall

Maya Angelou wrote the poem “When Great Trees Fall” when James Baldwin died in December of 1987, and read the poem at his funeral…

“When Great Trees Fall” by Maya Angelou

When great trees fall,
rocks on distant hills shudder,
lions hunker down
in tall grasses,
and even elephants
lumber after safety.

When great trees fall
in forests,
small things recoil into silence,
their senses
eroded beyond fear.

When great souls die,
the air around us becomes
light, rare, sterile.
We breathe, briefly.
Our eyes, briefly,
see with
a hurtful clarity.
Our memory, suddenly sharpened,
examines,
gnaws on kind words
unsaid,
promised walks
never taken.

Great souls die and
our reality, bound to
them, takes leave of us.
Our souls,
dependent upon their
nurture,
now shrink, wizened.
Our minds, formed
and informed by their
radiance,
fall away.
We are not so much maddened
as reduced to the unutterable ignorance
of dark, cold
caves.

And when great souls die,
after a period peace blooms,
slowly and always
irregularly.  Spaces fill
with a kind of
soothing electric vibration.
Our senses, restored, never
to be the same, whisper to us.
They existed.  They existed.
We can be.  Be and be
better.  For they existed.

(Photo: Amiri Baraka, Maya Angelou, and Toni Morrison at James Baldwin’s funeral, December 1987)

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My Reading Year

h/t Tom Gauld

 

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London Calling

The British design studio Dorothy has created a map of the United Kingdom incorporating  the titles of more than 1,400 pop songs. The map places the names of tracks in the precise location that the music references, imagining a musical trip across the nation. Along with specific cities and towns there are elements of the natural landscape, such as rivers, mountains and famous landmarks.

Many of the tunes included on the map have obvious geographical references – such as Sunshine on Leith by The Proclaimers, Newport State of Mind by Goldie Lookin Chain, Sheffield: Sex City by Pulp and Cardiff Afterlife by Manic Street Preachers – while others are more cryptic. For example, Dorothy has placed Farmer’s Daughter by Babyshambles in Glastonbury, while Wonderwall by Oasis sits at Hadrian’s Wall, and David Bowie’s Scary Monsters and Super Creeps hovers over Loch Ness.

The UK map is a follow-up to a US version that the Dorothy developed last year. The studio has also made a Spotify playlist featuring all of the songs included on the map, which would take 83 hours to listen to in its entirety.

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More Than Words

More Than Words is a nonprofit social enterprise that empowers young adults who are in the foster care system, court-involved, homeless, or out of school to take charge of their lives by taking charge of a book business.

They believe that when system-involved youth are empowered with authentic and increasing responsibilities in a business setting, and are given high expectations and a culture of support, they can and will address personal barriers to success, create concrete action plans, and become contributing members of society who live, love and own their futures.

More Than Words serves youth, ages 16 to 24, who have been court-involved, homeless, in foster care, or out of school. 66% have current or previous involvement with the Department of Children and Families and/or the court system and 20% experience homelessness.

The project depends on donated books, which are sold through two Boston area bookstores.

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Weekend Plans

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Yeah, That’s Me

 

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The Myth of Thanksgiving

The Myth of the First Thanksgiving

On Thanksgiving this year as we celebrate  with family and friends, it is also essential that we honestly acknowledge that the event this day is based on is a myth, and that the United States became a nation through genocide and the theft of lands indigenous people have lived on for thousands of years.

In their book “All the Real Indians Died Off”: and 20 Other Myths About Native AmericansRoxanne Dunbar-Ortiz and Dina Gilio-Whitaker endeavor to dispel myths about Native Americans, like “Columbus Discovered America” and that “The United States Did Not Have a Policy of Genocide.” One of the most common myths they refute is that “Thanksgiving Proves the Indians Welcomed Pilgrims.”

They describe the fiction that most of Americans learned in school of the first Thanksgiving as a “feel-good narrative that rationalizes and justifies the uninvited settlement of a foreign people by painting a picture of organic friendship,” while in actually the story was really about “the forming of political alliances built on a mutual need for survival and an Indigenous struggle for power in the vacuum left by a destructive century of foreign settlement.”

By the time the pilgrims arrived at New Plymouth in 1620, the Wampanoag people had been ravaged by disease brought by white settlers, which “destabilized relations with their traditional enemies” due to the tremendous loss in their population (estimated to have been a loss of between 30 and 90 percent of the population). It was, at first, beneficial for both the new white settlers and the Wampanoag to form an alliance and help one another survive. There is only one account that mentions the presence of Wampanoag at a harvest festival, and that account suggests that the Wampanoag arrived after hearing celebratory gunfire, worried that there was trouble, and were simply invited to stay once they had already arrived rather than invited to participate in the celebration.

Dunbar-Ortiz and Gilio-Whitaker also remind us that, while an uneasy alliance was maintained for several decades, war broke out between the Wampanoag and the colonists in 1675—a war which “has come to be seen as the bloodiest, most violent conflict ever fought on American soil.” Dunbar-Ortiz and Gilio-Whitaker conclude that “the simplistic idea that Thanksgiving proves that the Indians welcomed the Pilgrims can be more accurately seen as a temporary chapter characterized by maximized political self-interest on all sides.”

So, this Thanksgiving, let’s be aware of the reality of the American experience and stop perpetuating myths.

 

 

 

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Still Life (with books)

Still Life with Books, a Globe and Musical Instruments, Jan Vermeulen, 1660Mauritshuis Museum

 

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Alice Redux

Alice’s Adventures in Wonderland

Lewis Carroll – illustration by Sir John Tenniel

London Macmillan and Co., Limited 1927

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Every day I write the book

h/t Todd Alcott & Elvis

 

 

 

 

 

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