Denial Is A Cliff

Denial is a Cliff We Are Driven Over

Joy Priest
I want to believe Don West
when he writes: none of mineever made their living by driving slaves.
But in my grandfather’s mouth that utterance

would’ve taken on another meaning:
In the memory my mother shares,

he is flitting across Louisville
in his taxi, passing back-and-forth

like a cardinal, red-faced, proud-breasted,
delivering Black folks their dry cleaning—

had to, she tells me, as part of his route—
but once he started his second shift and turned

on the cab light, he wouldn’t accept
Black fare. I recall him reciting

the early presidents’
racist pseudoscience—American

at its liver—to rationalize his hatred
of my father, his denial

of my Blackness. That denial a peril
I survived, a cliff he could have driven me over

at any moment of my childhood. Maybe,
I want to think, because they were poor men

who labored, farmed tobacco and dug for oil,
my grandfather’s people resisted

slavery, felt a kinship with my father’s people.
Or that because my grandfather

was one of eleven mouths to feed
on their homestead—reduced to dirt

across the Great Depression—
he had a white identity to be proud of, a legacy

that didn’t join our names
in a bill of sale, but in struggle.

I search his surname and it travels
back to Germany, appears

on the deed to the house he inherited,
retired and died in, poor-white resentment

inflaming his stomach and liver.
But when I search the name I share with my father,

my only inheritance                      disappears
into the 19th century, sixth generation:

my ancestor bred
to produce 248 offspring

for his owner, from whence comes
our family name. Mr. West, here

we are different. Here, is where
my grandfather found his love for me discordant

as the voice of the dead whispering
history. Here is where we are connected,

not by class, but blood & slavery.

 

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Birth of a Book

The engaging short film below offers a quick tour of the Smith –Settle printing and bookbinding company in Leeds, England, where books are still made the old-fashioned way. The film’s director Glen Milner covers each step in the process as bookbinders piece together a new hardbound edition of the memoir Mango and Mimosa (1974) by the British writer and painter Suzanne St Albans. From folding pages to sewing and gluing paper to the leather spine, skilled human are front and center throughout. Milner documents this melding of mechanics and craft with an almost musical rhythm, conveying skills and methods born of centuries of refinements.

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Poison Book Project

Just in case you needed another reason to wash your hands these days…

The bright emerald green cloth on the books (above & below) gets its intense color from copper acetoarsenite, more commonly known as arsenic. The inorganic pigment was used extensively during the 19th century before the full extent of poisoning risks were known. Over the years, as both a book collector and bookseller, I have been handling books in this colorful bindings like any other. But apparently I have been exposing myself to an unsafe level of arsenic. One of the possible major offenders was the very popular Black’s travel guide series.

 

The bindings seen in the image at the top of the post were tested by Melissa Tedone, Conservator at Winterthur Museum, Garden & Library, in December 2019 as part of the Poison Book Project. The sample is comprised largely of green cloth case bindings, but some green paper (upper left) also tested positive. You can read more about the Poison Book Project here.

“What differentiates this research project from others centered around arsenic-based pigments in library collections is threefold: first, the toxic pigment permeates the outer covering of Victorian-era, cloth-case publisher’s bindings; second, the large quantity of arsenic-based pigment present in bookcloth; and third, such mass-produced bindings may be commonly found in both special and circulating library collections across the United States and the United Kingdom.”

If you are a collector of 19th century books, a librarian,or a seller of antiquarian titles, I highly recommend reading the referenced article on the Poison Book project, paying close attention to the suggestions on handling and storage.

 

 

 

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Sometimes You Just Have To Listen To Oprah

I don’t think that I’ve ever actually read O, the Oprah Magazine, but I recently heard about an issue that featured “17 Black-owned bookstores in America that amplify the best in literature.” It also recommended the favorite bookshops of renowned authors like Tayari Jones, Deshawn Winslow, Jacqueline Woodson, Nicole Dennis-Benn and Kiley Reid.

“While institutionalized racism and police brutality have long been a part of America’s history, millions across the country are now reconciling with and addressing generations of racial inequality,” The article’s author McKenzie Jean-Philippe wrote. “For some, that means taking to the streets in protest. For others, it’s uplifting the cause by supporting Black owned businesses, or seeking education through anti-racist literature. Because of the latter, one industry that’s seen an influx in support and attention are Black-owned bookstores. Many shops across the country are overwhelmed with customers due to the collective push to both ‘buy Black’ and read books written by Black authors.”

I was happy to find that the article featured some of my favorite local Philadelphia bookshops too:

 

 

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Do You Suffer From Reader’s Block

 

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Virtually Independent Bookstore Day

Tomorrow more than 630 bookstores across North America are planning to celebrate Independent Bookstore Day . Booksellers are promoting a variety of virtual and in person events this year.

Kids’ and YA events:

  • 1:00 p.m. ET: Lisa Brown drawing class from Goldfish Ghost
  • 1:30 p.m. ET: Gene Luen Yang (Dragon Hoops) graphic novel discussion and tips
  • 2:00 p.m. ET: Middle Grade Fun with Renee Watson (Ways to Make Sunshine) and illustrator Nina Mata (I Promise) with moderator Isaac Fitzgerald (How to Be a Pirate)
  • 3:00 p.m. ET: Feminist, Fantasy YA with Kat Cho (Wicked Fox and Vicious Spirits), Rena Barron (Kingdom of Souls and Reaper of Souls), and Rebecca Kim Wells (Shatter the Sky).

Adult events:

  • 4:00 p.m. ET: Amor Towles reading and discussing his book You Have Arrived at Your Destination
  • 5:00 p.m. ET: Writing the West with Reyna Grande (The Distance Between Us), Lauren Francis-Sharma (Book of the Little Axe) and Rishi Reddi (Passage West: A Novel)
  • 6:00 p.m. ET: Telling the Stories of the Pandemic: All-star Author Panel from Alone Together: Stories of Love, Grief, and Comfort in the Time of COVID-19 (all profits from the book benefit the Book Industry Charitable Foundation)
  • 8:00 p.m. ET: Bookstore Day Ambassador Showcase with Tayari Jones (An American Marriage), Lauren Groff (Fates & Furies and Florida) and Emma Straub (All Adults Here)

In celebration of IBD, between August 28 and August 31, Europa Editions is offering indie bookstore customers a free ebook of Elena Ferrante’s Frantumaglia when they pre-order The Lying Life of Adults. Europa will provide the ebook directly to customers who fill out an online form.

 

Visit the Independent Bookstore Day website to learn more about the annual event.

 

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On the Road

The iconic artist Ed Ruscha has long been inspired by urban America – its cars, billboards, gas stations and low-slung houses all strung out in a seemingly endless sprawl. The short film below combines images from the Getty Research Institutes’s Ed Ruscha’s Streets of Los Angeles Archive with audio of Ruscha reading LA-inspired passages from another major influence on his art, Jack Kerouac’s 1957 beat classic On The Road. Commissioned by the Getty Museum to mark Ruscha receiving the 2019 Getty Medal for contributions to the arts, the film by the US director Matthew Miller is a melancholic take on contemporary America.

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Going Mobile

The staff of the Adirondack Center for Writing (ACW) in upstate New York partnered with the Book Nook in Saranac Lake, The Bookstore Plus in Lake Placid, TREES Adirondack Gifts & Books in Bolton Landing to visit small communities throughout the region that don’t have easy access to new books or don’t have their own bookstores. Throughout the summer, the rolling bookshop will be setting up at ice cream shops in the region.

 ACW worked with a group of students at Paul Smiths College to create a small mobile bookstore they could easily hitch to the back of a vehicle. All the books they’re selling will be based on a suggested donation so that people of all income levels can buy what they’d like.

I’ve had a soft spot for any kind of bookmobile since I was a child and the local library bookmobile would visit my school. This has to be one of the cutest that I’ve ever seen.

For more info, go to https://adirondackcenterforwriting.org/

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Classic Reads (updated)

 

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Making Hay

“Haymaking”

by

William Carlos Williams


The living quality of
the man’s mind
stands out

and its covert assertions
for art, art, art!
painting

that the Renaissance
tried to absorb
but

it remained a wheat field
over which the
wind played

men with scythes tumbling
the wheat in
rows

the gleaners already busy
it was his own—
magpies

the patient horses no one
could take that
from him

Pictures from Brueghel and Other Poems by William Carlos Williams was first published by New Directions in 1962. The book consists of a collection of 105 poems written from 1949-1962. The beginning of the book consists of a collection of 10 poems based on paintings by the Flemish painter, Pieter Brueghel the Elder. The collection of poetry  reflects William Carlos Williams’s own late-life poetry  as it was the final poetry collection published during his lifetime. In 1963, Pictures from Brueghel and Other Poems won the Pulitzer Prize in Poetry although William Carlos Williams received the award posthumously for he had died two months prior to winning .

 

 

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