50 Years of Memories

The NY Times has compiled a list of the best memoirs published since 1969. I’m not much of a memoir or autobiography reader, but there are a few compelling books on the list that I actually read. Generally, I only read a memoir if there’s a personal connection. For example, James McBride’s extraordinary, moving book The Color of Water was a must read for me as his mother lived in the same neighborhood as my sister and I was acquainted with some of his family. Angela’s Ashes was on my radar because I had met Frank McCourt’s brother Malachy in New York. And in the case of Harry Crew’s memoir A Childhood, I actually took a creative writing class at the University of Florida because he was scheduled to teach the course. In the end, he had an adjunct professor teach the class, but I did get to meet Crews.

 

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Fear and Loathing

Most thoughtful folks here in North America are approaching the upcoming national election debacle with some degree of fear and loathing. So, it’s quite timely that the Speed Museum in Louisville, Kentucky is launching a special exhibition on their finest export after bourbon: Hunter S. Thompson. If you are not yet familiar with the father of gonzo journalism, I encourage you to check out some of his early writing. Here’s what the museum has to say about the upcoming show:

July 12 – November 10, 2019
Special Exhibition, South Building

As one of Kentucky’s most famous exports, especially in the world of modern investigative journalism, the Speed is uniquely positioned to present this exhibition highlighting the professional collaborations (and personal relationships) that Thompson enjoyed with the artists and photographers who were tasked with illustrating his work, and even more importantly, articulating his vision through visual means.

Focusing on the years between 1964 and 1974 and covering the years between the publication of Hell’s Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs through Fear and Loathing on the Campaign Trail ’72, the exhibition will feature the work of Ralph Steadman, Annie Leibovitz, Tom Benton, and Thompson’s own photography, along with original letters and other ephemera to tell the story of the writer’s artistic partnerships.

The exhibition is timed to coincide with GonzoFest, the literary and music festival honoring the legacy of Hunter S. Thompson. The 9th Annual GonzoFest will be held on Saturday, July 20 at the Louisville Free Public Library. In addition, Gonzo! The Illustrated Guide to Hunter S. Thompson will be the third in a series of exhibitions celebrating Thompson in “A Year of Gonzo,” including Ralph Steadman: A Retrospective (University of Kentucky Art Museum) and Freak Power: Hunter S. Thompson’s Campaign for Sheriff (Frazier History Museum).

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Coffee and Inspiration

h/t Tom Gauld

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The Everlasting Self

THE EVERLASTING SELF

Comes in from a downpour
Shaking water in every direction —
A collaborative condition:
Gathered, shed, spread, then
Forgotten, reabsorbed. Like love
From a lifetime ago, and mud
A dog has tracked across the floor.

Tracy K. Smith

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Jean Paul Sartre Stand-up Comic

h/t to Corey Mohler you can see more of this clever stuff at Existential Comics

 

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Whence Italics

These two books were printed at the historic Aldine Press in Venice. Founded by Aldus Manutius in 1495, it was among the most prominent and successful printing houses of the time. These works date from the early 1500s and feature the iconic dolphin and anchor printer’s device. Manutius was also the first to use Italic type, which can be seen here on the title page of one of these works.

Images from:
Scenecae Tragoediae. Venetiis : in aedibvs Aldi et Andreae Soceri, 1517.

In hoc volvmine habentvr haec. Cornvcopiae, siue linguæ latinæ co[m]mentarij diligentissime recogniti atq[ue] ex archetypo emendati. Venetiis : in aedibus Aldi, et Andreae Soceri, 1513.

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Thanks, but no thanks

If you are a writer, you have likely grown accustomed to the polite, or even insulting, rejections from publishers or editors. My personal favorite rejection came a few years ago when my agent at the time was told by an editor at a large New York publishing house that he was passing on my book proposal, but he “would gladly buy the book if someone else published it.”

The writing website Lithub recently shared a series of rejections received by renowned authors such as Ursula K. LeGuin. Have a giggle.

From an unnamed editor to Ursula K. Le Guin’s agent, Virginia Kidd, upon receipt of The Left Hand of Darkness:

Dear Miss Kidd,

Ursula K. Le Guin writes extremely well, but I’m sorry to have to say that on the basis of that one highly distinguishing quality alone I cannot make you an offer for the novel. The book is so endlessly complicated by details of reference and information, the interim legends become so much of a nuisance despite their relevance, that the very action of the story seems to be to become hopelessly bogged down and the book, eventually, unreadable. The whole is so dry and airless, so lacking in pace, that whatever drama and excitement the novel might have had is entirely dissipated by what does seem, a great deal of the time, to be extraneous material. My thanks nonetheless for having thought of us. The manuscript of The Left Hand of Darkness is returned herewith. Yours sincerely,

The Editor

21 June, 1968

This unreadable novel was published in 1969 by Ace Books, launching Le Guin to fame, and winning both the Hugo and Nebula awards. Many years later, Le Guin posted this rejection on her website with a note to aspiring writers: Hang in there!

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where nothing is bought or sold

To the Central Library

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Manifest Destiny Did Not Involve Sharing

Charte von Nordamerica nach den neuesten Bestimmungen und Entdeckungen (1804) was published by Christian Gottlieb Reichard (1758-1837).And as the legend shows, the hand coloring denoted what countries had stake in the lands of North America…

 

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So much to read

Les Cousins 1959, director Claude Chabrol

 

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